Editing Martin Scorsese (section)

== Career ==
=== 1963–1972: Short films and feature debut ===
While attending the Tisch School of the Arts, Scorsese made the short films ''[[What's a Nice Girl like You Doing in a Place like This?]]'' (1963) and ''[[It's Not Just You, Murray!]]'' (1964). His most famous short of the period is the darkly comic ''[[The Big Shave]]'' (1967), which features Peter Bernuth. The film is an indictment of America's involvement in [[Vietnam War|Vietnam]], suggested by its alternative title ''Viet '67''.<ref>{{Cite news |title=Finding the boy again |newspaper=[[The Scotsman]] |author=Alistair Harkness |date=April 11, 2002}}</ref> Scorsese has mentioned on several occasions that he was greatly inspired in his early days at New York University by film professor [[Haig P. Manoogian]].<ref>{{Cite web |url=https://www.neh.gov/humanities/2013/marchapril/feature/love-and-resolution-appreciation |title="With Love and Resolution": An Appreciation |website=neh.gov |url-status=live |access-date=January 9, 2020 |archive-url=https://web.archive.org/web/20190701161645/https://www.neh.gov/humanities/2013/marchapril/feature/love-and-resolution-appreciation |archive-date=July 1, 2019 }}</ref> Scorsese's first professional job was when he was at NYU he was the assistant cameraman to cinematographer [[Baird Bryant]] on the [[John G. Avildsen]] directed short film ''Smiles'' (1964). Scorsese stated: "It was really important because they were filming on 35mm". He stated he was terrible at the job because he could not judge the distance of the focus. He also worked as a [[gaffer (filmmaking)|gaffer]] for [[Albert and David Maysles]] and as an editor for [[CBS News]], the later of whom offered him a full time position, but Scorsese declined due to his pursuit in film.<ref>{{cite web|url= https://www.youtube.com/watch?v=56ZTVNQTvvA|title= Martin Scorsese on His First Jobs and a Camera Skill He Never Mastered - The Job Interview|website= [[The Wall Street Journal]]|date= October 18, 2023|accessdate= October 22, 2023|archive-date= October 20, 2023|archive-url= https://web.archive.org/web/20231020010433/https://www.youtube.com/watch?v=56ZTVNQTvvA&gl=US&hl=en|url-status= live}}</ref>

In 1967, Scorsese made his first feature-length film, the black and white ''I Call First'', later retitled ''[[Who's That Knocking at My Door]]'', with his fellow students actor [[Harvey Keitel]] and editor [[Thelma Schoonmaker]], both of whom were to become long-term collaborators. [[Roger Ebert]] saw the film at the 1967 [[Chicago International Film Festival]] and wrote, in Scorsese's first published review: "it brings together two opposing worlds of American cinema. On the one hand, there have been traditional films like [[Marty (film)|''Marty'']], [[A View from the Bridge (film)|''View from the Bridge'']], ''[[On the Waterfront]]'' and ''[[David and Lisa]]'' -- all sincere attempts to function at the level where real lives are led and all suffering to some degree from their makers' romantic and idealistic ideas, about such lives. On the other hand, there have been experimental films from [[Jonas Mekas]], [[Shirley Clarke]] and other pioneers of the New York underground. In [[The Connection (1961 film)|''The Connection'']], [[Shadows (1959 film)|''Shadows'']] and ''[[Guns of the Trees]]'', they used improvised dialog and scenes and hidden and hand-held cameras in an attempt to capture the freshness of a spontaneous experience ... ''I Call First'' brings these two kinds of films together into a work that is absolutely genuine, artistically satisfying and technically comparable to the best films being made anywhere. I have no reservations in describing it as a great moment in American movies."<ref>{{cite news| last=Ebert| first=Roger| author-link=Roger Ebert| work=[[Chicago Sun-Times]]| date=November 17, 1967| url=https://www.rogerebert.com/reviews/i-call-first--whos-that-knocking-at-my-door-1967|title= I Call First / Who's That Knocking at My Door?|access-date=November 15, 2020|archive-date= December 27, 2020|archive-url= https://web.archive.org/web/20201227045136/https://www.rogerebert.com/reviews/i-call-first--whos-that-knocking-at-my-door-1967|url-status= live}}</ref>

Scorsese became friends with the influential "movie brats" of the 1970s: [[Brian De Palma]], [[Francis Ford Coppola]], [[George Lucas]] and [[Steven Spielberg]].<ref name="BANDB">{{Cite web |url=https://bedfordandbowery.com/2016/06/brian-de-palma-shed-light-on-a-crazy-rumor-about-scorsese-and-taxi-driver/ |title=Brian De Palma Shed Light on a Crazy Rumor About Martin Scorsese and Taxi Driver |last=Maurer |first=Daniel |date=June 9, 2016 |website=bedfordandbowery.com |url-status=live |access-date=January 9, 2020 |archive-url=https://web.archive.org/web/20181111035443/http://bedfordandbowery.com/2016/06/brian-de-palma-shed-light-on-a-crazy-rumor-about-scorsese-and-taxi-driver/ |archive-date=November 11, 2018 }}</ref><ref name="Adams1">{{cite book |title=Adams, Veronika ''Martin Scorsese'' Ebook.GD Publishing ISBN 1-61323-010-9 |isbn=9781613230107 |last1=Adams |first1=Veronika |date=January 27, 2011}}</ref> It was De Palma who introduced Scorsese to [[Robert De Niro]].<ref name="BANDB"/> During this period, Scorsese worked as the assistant director and one of the editors on [[Michael Wadleigh]]'s documentary ''[[Woodstock (film)|Woodstock]]'' (1970) and met actor–director [[John Cassavetes]], who became a close friend and mentor.<ref name="Thompson">{{cite news |work=[[The New York Times]] |title=The Screen: 'Boxcar Bertha' Tops Local Double Bill |first=Howard |last=Thompson |date=August 18, 1972 |url=https://www.nytimes.com/1972/08/18/archives/the-screenboxcar-bertha-tops-local-double-bill.html|url-status=live |archive-url=https://web.archive.org/web/20131029223024/http://movies.nytimes.com/movie/review?res=980CE1DF1631E63BBC4052DFBE668389669EDE |archive-date=October 29, 2013}}</ref>

Scorsese met [[Roger Corman]] after coming to Hollywood to edit ''Medicine Ball Caravan'' and Corman, who had seen and liked ''Who's That Knocking at My Door'', asked Scorsese to make a sequel to ''[[Bloody Mama]]'' (1970). This came to be ''[[Boxcar Bertha]]'' (1972).{{sfn|Wilson|2011|p=33}}<ref name="Thompson"/> It was Corman who taught Scorsese that entertaining films could be shot with very little money or time, preparing the young director well for the challenges to come. Following the film's release, Cassavetes encouraged Scorsese to make the films that he wanted to make, rather than someone else's projects.

=== 1973–1989: Breakthrough and acclaim ===
[[File:Movie trailer screenshot of Robert D Niro in Mean Streets (1973).png|thumb|right|[[Robert De Niro]] acted in his first collaboration with Scorsese in the crime drama ''[[Mean Streets]]'' (1973)]]
''[[Mean Streets]]'' was a breakthrough for Scorsese, Keitel and [[Robert De Niro]]. [[Pauline Kael]] wrote: "Martin Scorsese's ''Mean Streets'' is a true original of our time, a triumph of personal filmmaking. It has its own hallucinatory look; the characters live in the darkness of bars, with lighting and color just this shade of lurid ... It's about American life here and now, and it doesn't look like an American movie, or feel like one. If it were subtitled, we could hail a new European or South American talent — a new [[Luis Buñuel|Buñuel]] steeped in [[Verdi]], perhaps."<ref>{{cite magazine| last=Kael| first=Pauline| title=Everyday Inferno| date=October 8, 1973| magazine=[[The New Yorker]]| url=https://www.newyorker.com/magazine/1973/10/08/everyday-inferno}}</ref> By now the signature Scorsese style was in place: macho posturing, bloody violence, Catholic guilt and redemption, gritty New York locale (though the majority of ''Mean Streets'' was shot in Los Angeles), rapid-fire editing, and a soundtrack with contemporary music. Although the film was innovative, its wired atmosphere, edgy documentary style, and gritty street-level direction owed a debt to Cassavetes, [[Samuel Fuller]] and early [[Jean-Luc Godard]].<ref>{{Cite news |url=https://www.washingtonpost.com/wp-dyn/articles/A99967-1991Nov24.html |title=Scorsese, Master Of The Rage |newspaper=[[The Washington Post]] |date=November 24, 1991 |first=Hal |last=Hinson|access-date=September 4, 2017|archive-url=https://web.archive.org/web/20171203140433/http://www.washingtonpost.com/wp-dyn/articles/A99967-1991Nov24.html|archive-date=December 3, 2017|url-status=live}}</ref> In 1974, actress [[Ellen Burstyn]] chose Scorsese to direct her in ''[[Alice Doesn't Live Here Anymore]]'', for which she won an Academy Award for Best Actress. Although well regarded, the film remains an anomaly in Scorsese's early career as it focuses on a central female character. Returning to Little Italy to explore his ethnic roots, Scorsese directed ''[[Italianamerican]]'' (1974), a documentary featuring his parents Charles and Catherine Scorsese.

Scorsese followed with ''[[Taxi Driver]]'' in 1976, which depicted a [[Vietnam War|Vietnam]] veteran who takes the law into his own hands on New York's crime-ridden streets.<ref>{{Cite web|date=September 25, 2021|title=Retro-Cast: Casting Taxi Driver In The 1990s|url=https://screenrant.com/taxi-driver-recasting-nineties-actors/|website=[[Screen Rant]]|access-date=February 10, 2024|archive-date=April 11, 2023|archive-url=https://web.archive.org/web/20230411062216/https://screenrant.com/taxi-driver-recasting-nineties-actors/|url-status=live}}</ref> The film established him as an accomplished filmmaker and also brought attention to cinematographer [[Michael Chapman (cinematographer)|Michael Chapman]], whose style tends towards high contrasts, strong colors, and complex camera movements. The film starred De Niro as the angry and alienated [[Travis Bickle]], and co-starred [[Jodie Foster]] in a highly controversial role as an underage prostitute, with Harvey Keitel as her pimp.<ref>{{Cite web |title=Taxi Driver |url=https://www.tcm.com/watchtcm/titles/16448 |website=[[Turner Classic Movies]] |access-date=May 11, 2022 |archive-date=February 20, 2023 |archive-url=https://web.archive.org/web/20230220150508/https://www.tcm.com/watchtcm/titles/16448 |url-status=live }}</ref> ''Taxi Driver'' also marked the start of a series of collaborations between Scorsese and writer [[Paul Schrader]], whose influences included the diary of would-be assassin [[Arthur Bremer]], [[John Ford]]'s ''[[The Searchers]]'' (1956), and [[Robert Bresson]]'s [[Pickpocket (film)|''Pickpocket'']] (1959).<ref>{{cite web |last=Thurman |first=John |url=http://www.sensesofcinema.com/2005/37/taxi_driver/ |title=Citizen Bickle, or the Allusive Taxi Driver: Uses of Intertextuality |publisher=Sensesofcinema.com |date=April 5, 1976 |access-date=January 5, 2012 |url-status=live |archive-url=https://web.archive.org/web/20120128221305/http://www.sensesofcinema.com/2005/37/taxi_driver/ |archive-date=January 28, 2012}}</ref> Already controversial upon its release, ''Taxi Driver'' hit the headlines again five years later, when [[John Hinckley Jr.]] made an assassination attempt on then-president [[Ronald Reagan]]. He subsequently blamed his act on his obsession with Jodie Foster's ''Taxi Driver'' character (in the film, De Niro's character, Travis Bickle, makes an assassination attempt on a senator).<ref>{{cite news |url=http://film.guardian.co.uk/interview/interviewpages/0,,1813797,00.html |title=I was in a bad place |newspaper=[[The Guardian]] |date=July 6, 2006 |location=London |first=Geoffrey |last=MacNab |access-date=May 12, 2010 |url-status=live |archive-url=https://web.archive.org/web/20080720040533/http://film.guardian.co.uk/interview/interviewpages/0%2C%2C1813797%2C00.html |archive-date=July 20, 2008}}</ref>

''Taxi Driver'' won the {{lang|fr|[[Palme d'Or]]|italic=no}} at the 1976 Cannes Film Festival,<ref>{{cite web |title=Festival Archives: Taxi Driver |url=http://www.festival-cannes.fr/en/archives/ficheFilm/id/2123.html |publisher=Festival de Cannes |access-date=February 14, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20110614231841/http://www.festival-cannes.fr/en/archives/ficheFilm/id/2123.html |archive-date=June 14, 2011}}</ref> also receiving four [[Academy Awards|Oscar]] nominations, including [[Academy Award for Best Picture|Best Picture]]. The critical and financial success of ''Taxi Driver'' encouraged Scorsese to move ahead with his first big-budget project: the highly stylized musical ''[[New York, New York (1977 film)|New York, New York]]''. This tribute to Scorsese's home town and the classic Hollywood musical was a box-office failure. The film was the director's third collaboration with De Niro, co-starring with [[Liza Minnelli]]. The film is best remembered today for the title theme song, which was popularized by [[Frank Sinatra]]. Although possessing Scorsese's usual visual panache and stylistic bravura, many critics felt its enclosed studio-bound atmosphere left it leaden in comparison with his earlier work. Despite its weak reception, the film is regarded positively by some critics. [[Richard Brody]] wrote: {{blockquote|For Scorsese, a lifelong cinephile, the essence of New York could be found in its depiction in classic Hollywood movies. Remarkably, his backward-looking tribute to the golden age of musicals and noirish romantic melodramas turned out to be one of his most freewheeling and personal films.<ref>{{cite magazine |last=Brody |first=Richard |url=https://www.newyorker.com/arts/events/revivals/2008/01/28/080128gomo_GOAT_movies_brody |title=Top of the Heap |magazine=[[The New Yorker]] |at=DVD Notes (column) |date=January 28, 2008 |access-date=July 25, 2013|archive-url=https://web.archive.org/web/20080124000216/http://www.newyorker.com/arts/events/revivals/2008/01/28/080128gomo_GOAT_movies_brody|archive-date=January 24, 2008}}</ref>}}

In 1977, he directed the Broadway musical ''[[The Act (musical)|The Act]]'', starring Minnelli.<ref>{{cite web |last1=Bailey |first1=Jason |title=Martin Scorsese's Weirdest Projects – Page 2 |url=http://flavorwire.com/475332/martin-scorseses-weirdest-projects/2 |website=[[Flavorwire]] |access-date=May 17, 2016 |date=September 3, 2014 |url-status=live |archive-url=https://web.archive.org/web/20160616190243/http://flavorwire.com/475332/martin-scorseses-weirdest-projects/2 |archive-date=June 16, 2016}}</ref> The disappointing reception of ''New York, New York'' drove Scorsese into depression. By this stage Scorsese had developed a serious [[cocaine]] addiction. However, he did find the creative drive to make the highly regarded ''[[The Last Waltz]]'', documenting the final concert by [[The Band]]. It was held at the [[Winterland Ballroom]] in San Francisco on [[Thanksgiving Day]], 1976, and featured one of the most extensive lineups of prominent guest performers at a single concert, including [[Bob Dylan]], [[Neil Young]], [[Ringo Starr]], [[Muddy Waters]], [[Joni Mitchell]], [[Van Morrison]], [[Paul Butterfield]], [[Neil Diamond]], [[Ronnie Wood]] and [[Eric Clapton]]. However, Scorsese's commitments to other projects delayed the release of the film until 1978. Another Scorsese-directed documentary, titled ''[[American Boy: A Profile of Steven Prince|American Boy]]'', also appeared in 1978, focusing on Steven Prince, the cocky gun salesman who appeared in ''Taxi Driver''. A period of wild partying followed, damaging Scorsese's already fragile health. Scorsese helped provide footage for the documentary ''[[Elvis on Tour]]''.

By several accounts (Scorsese's included), De Niro saved Scorsese's life when he persuaded him to kick his [[cocaine]] addiction to make his highly regarded film ''[[Raging Bull]]''. [[Mark Singer (journalist)|Mark Singer]] summarized Scorsese's condition: <blockquote>He (Scorsese) was more than mildly depressed. Drug abuse, and abuse of his body in general, culminated in a terrifying episode of internal bleeding. Robert De Niro came to see him in the hospital and asked, in so many words, whether he wanted to live or die. If you want to live, De Niro proposed, let's make this picture—referring to ''Raging Bull'', an as-told-to book by Jake LaMotta, the former world middleweight boxing champion, that De Niro had given him to read years earlier.<ref>{{cite magazine| author=Singer, Mark| title=The Man Who Forgets Nothing.| magazine=[[The New Yorker]]| date= March 19, 2000| url=https://www.newyorker.com/magazine/2000/03/27/the-man-who-forgets-nothing-2}}</ref></blockquote> Convinced that he would never make another movie, he poured his energies into making the violent biopic of middleweight boxing champion [[Jake LaMotta]], calling it a [[kamikaze]] method of film-making.<ref>{{cite news |url=http://film.guardian.co.uk/interview/interviewpages/0,6737,867652,00.html |title=Are we ever going to make this picture? |newspaper=[[The Guardian]] |date=January 3, 2003 |first=Alex |last=Williams |location=London |url-status=live |archive-url=https://web.archive.org/web/20080210025056/http://film.guardian.co.uk/interview/interviewpages/0%2C6737%2C867652%2C00.html |archive-date=February 10, 2008}}</ref> The film is widely viewed as a masterpiece and was voted the greatest film of the 1980s by Britain's ''[[Sight & Sound]]'' magazine.<ref>{{cite news |url=http://film.guardian.co.uk/Century_Of_Films/Story/0,,112416,00.html |title=Martin Scorsese: Raging Bull |newspaper=The Guardian |date=December 9, 1999 |first=Derek |last=Malcolm |location=London |url-status=live |archive-url=https://web.archive.org/web/20080512004828/http://film.guardian.co.uk/Century_Of_Films/Story/0%2C%2C112416%2C00.html |archive-date=May 12, 2008}}</ref><ref>{{Cite news |url=https://www.usatoday.com/life/movies/news/2005-02-07-dvd-raging-bull_x.htm |title='Raging Bull' returns to the ring |work=[[USA Today]] |date=February 7, 2005 |first=Mike |last=Snider|access-date=September 4, 2017|archive-url=https://web.archive.org/web/20120512114656/http://www.usatoday.com/life/movies/news/2005-02-07-dvd-raging-bull_x.htm|archive-date=May 12, 2012|url-status=live}}</ref> It received eight Oscar nominations, including Best Picture, [[Academy Award for Best Actor|Best Actor]] for De Niro, [[Academy Award for Best Supporting Actress|Best Supporting Actress]] for [[Cathy Moriarty]], [[Academy Award for Best Supporting Actor|Best Supporting Actor]] for [[Joe Pesci]] and Scorsese's first for [[Academy Award for Best Director|Best Director]]. De Niro won, as did Thelma Schoonmaker for editing, but Best Director went to [[Robert Redford]] for ''[[Ordinary People]]''. From this work onwards, Scorsese's films are always labeled as "A Martin Scorsese Picture" on promotional material. ''Raging Bull'', filmed in high contrast black and white, is where Scorsese's style reached its zenith: ''Taxi Driver'' and ''New York, New York'' had used elements of [[expressionism]] to replicate psychological points of view, but here the style was taken to new extremes, employing extensive [[slow-motion]], complex [[tracking shot]]s, and extravagant distortion of perspective (for example, the size of boxing rings would change from fight to fight).<ref>{{cite web |url=http://www.eufs.org.uk/films/raging_bull.html |title=Raging Bull |publisher=Eufs.org.uk |date=March 5, 2001 |access-date=March 3, 2010 |url-status=dead |archive-url=https://web.archive.org/web/20090430185450/http://www.eufs.org.uk/films/raging_bull.html |archive-date=April 30, 2009}}</ref> Thematically too, the concerns carried on from ''Mean Streets'' and ''Taxi Driver'': insecure males, violence, guilt, and redemption.

[[File:Paul Schrader Montclair Film Festival (cropped).jpg|thumb|left|170px|Scorsese collaborator [[Paul Schrader]] wrote the scripts for ''[[Taxi Driver (film)|Taxi Driver]]'' (1976) and ''[[Raging Bull]]'' (1980)]]
Although the screenplay for ''Raging Bull'' was credited to Paul Schrader and [[Mardik Martin]] (who earlier co-wrote ''Mean Streets''), the finished script differed extensively from Schrader's original draft. It was rewritten several times by various writers including [[Jay Cocks]]. The final draft was largely written by Scorsese and De Niro.<ref>{{cite news |title=Ageing bulls return |newspaper=Observer |url=http://film.guardian.co.uk/Feature_Story/feature_story/0,,98151,00.html |date=October 31, 1999 |first=Mark |last=Morris |location=London |url-status=live |archive-url=https://web.archive.org/web/20080111064454/http://film.guardian.co.uk/Feature_Story/feature_story/0%2C%2C98151%2C00.html |archive-date=January 11, 2008}}</ref> In 1997, the [[American Film Institute]] ranked ''Raging Bull'' as the twenty-fourth greatest American film of all time on their [[AFI's 100 Years&nbsp;... 100 Movies]] list. In 2007, they ranked ''Raging Bull'' as the fourth American greatest film on their [[AFI's 100 Years&nbsp;... 100 Movies (10th Anniversary Edition)]] list.

Scorsese's next project was his fifth collaboration with De Niro, ''[[The King of Comedy (film)|The King of Comedy]]'' (1982). It is a [[satire]] on the world of media and celebrity, whose central character is a troubled [[loner]] who ironically becomes famous through a criminal act ([[kidnapping]]).<ref>{{cite web |url=https://www.timeout.com/film/78730.html |title=The King of Comedy Film Review |work=Timeout.com |access-date=March 3, 2010 |url-status=live |archive-url=https://web.archive.org/web/20080110220949/http://www.timeout.com/film/78730.html |archive-date=January 10, 2008}}</ref> The film was an obvious departure from the more emotionally committed films he had become associated with. Visually, it was far less kinetic than the style Scorsese had developed previously, often using a static camera and long takes.<ref>{{cite web |author=evil jimi |url=http://www.ehrensteinland.com/htmls/library/koc.html |title=The King of Comedy |publisher=Ehrensteinland.com |access-date=March 3, 2010 |url-status=live |archive-url=https://web.archive.org/web/20090326054035/http://www.ehrensteinland.com/htmls/library/koc.html |archive-date=March 26, 2009}}</ref> Here the expressionism of his previous work gave way to moments of almost total [[surrealism]]. It still bore many of Scorsese's trademarks, however. ''The'' ''King of Comedy'' failed at the box office, but has become increasingly well regarded by critics in the years since its release. German director [[Wim Wenders]] numbered it among his 15 favorite films.<ref>{{cite web |url=http://www.wim-wenders.com/news_reel/2002/apr02-directorsonfilm.htm |title=The Official Site |publisher=[[Wim Wenders]] |access-date=March 3, 2010|archive-url=https://web.archive.org/web/20020618113722/http://www.wim-wenders.com/news_reel/2002/apr02-directorsonfilm.htm|archive-date=June 18, 2002}}</ref> In 1983, Scorsese made a brief [[cameo appearance]] in ''[[Anna Pavlova (film)|Anna Pavlova]]'' (also known as ''A Woman for All Time''), originally intended to be directed by one of his heroes, [[Michael Powell]]. This led to a more significant acting appearance in [[Bertrand Tavernier]]'s [[jazz]] film ''[[Round Midnight (film)|Round Midnight]]''. He also made a brief venture into television, directing an episode of [[Steven Spielberg]]'s ''[[Amazing Stories (1985 TV series)|Amazing Stories]]''.

With ''[[After Hours (film)|After Hours]]'' (1985), for which he won a [[Cannes Film Festival Award for Best Director|Best Director Award]] at Cannes, Scorsese made an esthetic shift back to a pared-down, almost "underground" film-making style. Filmed on an extremely low budget, on location, and at night in the [[SoHo]] neighborhood of Manhattan, the film is a black comedy about one increasingly misfortunate night for a mild New York word processor ([[Griffin Dunne]]) and features cameos by such disparate actors as [[Teri Garr]] and [[Cheech & Chong]]. Along with the 1987 [[Michael Jackson]] music video "[[Bad (Michael Jackson song)#Music video|Bad]]", in 1986 Scorsese made ''[[The Color of Money]]'', a sequel to [[Robert Rossen]]'s ''[[The Hustler]]'' (1961) with [[Paul Newman]], which co-starred [[Tom Cruise]]. Although adhering to Scorsese's established style, ''The Color of Money'' was Scorsese's first official foray into mainstream film-making. The film finally won Newman an Oscar and gave Scorsese the clout to finally secure backing for a project that had been a longtime goal for him: ''[[The Last Temptation of Christ (film)|The Last Temptation of Christ]]''.

In 1983, Scorsese began work on this long-cherished personal project. ''The Last Temptation of Christ'', based on the [[The Last Temptation of Christ (novel)|1955 novel]] by [[Nikos Kazantzakis]], retold the life of [[Christ]] in human rather than divine terms. [[Barbara Hershey]] recalls introducing Scorsese to the book while they were filming ''Boxcar Bertha''.<ref name=TCM>{{cite web |url=https://www.tcm.com/this-month/article/194050 |publisher=[[Turner Classic Movies]] |title=Boxcar Bertha |access-date=November 17, 2015 |url-status=live |archive-url=https://web.archive.org/web/20101006002322/http://www.tcm.com/thismonth/article/?cid=194050 |archive-date=October 6, 2010}}</ref> The film was slated to shoot under the [[Paramount Pictures]] banner, but shortly before principal photography was to start, Paramount pulled the plug on the project, citing pressure from religious groups. In this aborted 1983 version, [[Aidan Quinn]] was cast as Jesus, and [[Sting (musician)|Sting]] was cast as [[Pontius Pilate]]. (In the 1988 version, these roles were played by [[Willem Dafoe]] and [[David Bowie]] respectively.) However, following his mid-1980s flirtation with commercial Hollywood, Scorsese made a major return to personal filmmaking with the project; [[Universal Pictures]] agreed to finance the film as Scorsese agreed to make a more mainstream film for the studio in the future (it eventually resulted in ''[[Cape Fear (1991 film)|Cape Fear]]'').<ref>{{cite web |url=https://www.carseywolf.ucsb.edu/wp-content/uploads/2018/07/MIP_TomPollock_Interview.pdf |archive-url=https://web.archive.org/web/20211003040133/https://www.carseywolf.ucsb.edu/wp-content/uploads/2018/07/MIP_TomPollock_Interview.pdf |archive-date=October 3, 2021 |title=Tom Pollock, Montecito Picture Company |website=carseywolf.ucsb.edu |date=October 22, 2010 |access-date=November 12, 2021}}</ref> Even prior to its 1988 release, the film (adapted by ''Taxi Driver'' and ''Raging Bull'' veteran Paul Schrader) caused a massive furor, with worldwide protests against its perceived [[blasphemy]] effectively turning a low-budget independent film into a media sensation.<ref>{{cite news |url=https://www.pbs.org/wgbh/cultureshock/flashpoints/theater/lasttemptation.html |title=Martin Scorsese's The Last Temptation of Christ |publisher=[[Pbs.org]] |access-date=March 3, 2010 |url-status=live |archive-url=https://web.archive.org/web/20100830074627/http://www.pbs.org/wgbh/cultureshock/flashpoints/theater/lasttemptation.html |archive-date=August 30, 2010}}</ref> Most of the controversy centered on the final passages of the film, which depicted Christ marrying and raising a family with [[Mary Magdalene]] in a [[Satan]]-induced [[hallucination]] while on the cross.

In 1986, Scorsese directed the 18-minute short film ''[[Bad (Michael Jackson song)|Bad]]'' featuring [[Michael Jackson]] and [[Wesley Snipes]] (in his film debut). The short also serves as a [[music video]] and was shot in the [[Hoyt–Schermerhorn Streets station]] in [[Brooklyn]] over a 6-week period during November and December 1986. Chapman was the film's cinematographer. The direction and choreography were heavily influenced by ''[[West Side Story (1961 film)|West Side Story]]'' (1961). Scorsese also noted the influence of ''Taxi Driver'' in [[Spike Lee]]'s documentary ''[[Bad 25 (film)|Bad 25]]'' (2012).<ref>{{cite web|url= https://www.youtube.com/watch?v=RA3TasRXh8U|title= Michael Jackson – Making Of Bad (BAD 25) Documentary|website= [[YouTube]]|access-date= November 26, 2020|archive-date= November 21, 2020|archive-url= https://web.archive.org/web/20201121011538/https://www.youtube.com/watch?v=RA3TasRXh8U|url-status= live}}</ref> The short has been praised by critics as one of the greatest and most iconic videos of all time.<ref>{{Cite magazine|url=https://www.billboard.com/articles/columns/pop/7949240/michael-jackson-bad-interviews-quincy-jones-welsey-snipes|title=Michael Jackson's 'Bad': Quincy Jones, Wesley Snipes & Other Collaborators Tell the Stories of the Album's Five No. 1 Singles|magazine=Billboard|access-date=November 6, 2019|archive-date=December 27, 2020|archive-url=https://web.archive.org/web/20201227045128/https://www.billboard.com/articles/columns/pop/7949240/michael-jackson-bad-interviews-quincy-jones-welsey-snipes|url-status=live}}</ref><ref name=":0">{{Cite web|url=https://www.theyoungfolks.com/review/108840/from-the-record-crate-michael-jackson-bad-1987/|title=From the Record Crate: Michael Jackson – "Bad" (1987) |website=The Young Folks|date=August 31, 2017|access-date=November 6, 2019|archive-date=November 1, 2020|archive-url=https://web.archive.org/web/20201101213023/https://www.theyoungfolks.com/review/108840/from-the-record-crate-michael-jackson-bad-1987/|url-status=live}}</ref><ref>{{Cite web|url=http://www.upscalehype.com/2018/09/how-michael-jacksons-bad-music-video-influenced-fashion/|title=How Michael Jackson's 'BAD' Music Video Influenced Fashion|date=September 5, 2018|website=UpscaleHype|access-date=November 6, 2019|archive-date=December 27, 2020|archive-url=https://web.archive.org/web/20201227045131/http://www.upscalehype.com/2018/09/how-michael-jacksons-bad-music-video-influenced-fashion/|url-status=live}}</ref> That year, he had signed a deal with upstart major [[Walt Disney Studios (division)|The Walt Disney Studios]] to produce and direct features, following the success of ''[[The Color of Money]]''.<ref>{{Cite news|last=Galbraith|first=Jane|date=November 12, 1986|title=Scorsese In 2-Year Producing-Directing Deal At Walt Disney|pages=4, 23|work=[[Variety (magazine)|Variety]]}}</ref>

Looking past the controversy, ''The Last Temptation of Christ'' gained critical acclaim and remains an important work in Scorsese's canon: an explicit attempt to wrestle with the spirituality underpinning his films up until that point. He received his second nomination for a Best Director Academy Award (again unsuccessfully, this time losing to [[Barry Levinson]] for ''[[Rain Man]]''). Scorsese directed "Life Lessons", one of three segments in the anthology film ''[[New York Stories]]'' (1989). Ebert gave the film a mixed review, while praising Scorsese's short as "really successful".<ref>{{cite web|url= https://www.rogerebert.com/reviews/new-york-stories-1989|title= New York Stories|website= Rogerebert.com|access-date= November 26, 2020|archive-date= December 27, 2020|archive-url= https://web.archive.org/web/20201227045146/https://www.rogerebert.com/reviews/new-york-stories-1989|url-status= live}}</ref>

=== 1990–1999: Established director ===
[[File:RobertdeNiro26.JPG|thumb|left|170px|Scorsese collaborated with [[Robert De Niro]] on numerous projects.]]
After a decade of films considered by critics to be mixed results, some considered Scorsese's gangster epic ''[[Goodfellas]]'' (1990) his return to directorial form, and his most confident and fully realized film since ''Raging Bull''. De Niro and [[Joe Pesci]] offered a virtuoso display of Scorsese's bravura cinematic technique in the film and re-established, enhanced, and consolidated his reputation. After the film was released, [[Roger Ebert]], a friend and supporter of Scorsese, named ''Goodfellas'' "the best mob movie ever". It is ranked No. 1 on Ebert's movie list for 1990, along with those of [[Gene Siskel]] and [[Peter Travers]]', and is widely considered one of the director's greatest achievements.<ref>{{Cite news |url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19900902/REVIEWS/9020301/1023 |title=:: rogerebert.com :: Reviews :: GoodFellas (xhtml) |publisher=Rogerebert.suntimes.com |date=September 2, 1990 |access-date=March 3, 2010 |url-status=live |archive-url=https://web.archive.org/web/20100730045115/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F19900902%2FREVIEWS%2F9020301%2F1023 |archive-date=July 30, 2010}}</ref><ref>{{Cite news |url=https://www.hollywoodreporter.com/thr/reviews/review_display.jsp?vnu_content_id=1000623089 |title=GoodFellas |work=[[The Hollywood Reporter]] |access-date=March 3, 2010 |archive-url=https://web.archive.org/web/20050206091630/http://www.hollywoodreporter.com/thr/reviews/review_display.jsp?vnu_content_id=1000623089 |archive-date=February 6, 2005 |first=Stephen |last=Dalton |url-status=live}}</ref><ref>{{cite web |url=http://www.filmsite.org/goodf.html |title=GoodFellas (1990) |publisher=Filmsite.org |access-date=March 3, 2010 |url-status=live |archive-url=https://web.archive.org/web/20100110122117/http://www.filmsite.org/goodf.html |archive-date=January 10, 2010}}</ref> The film was nominated for six Academy Awards, including Best Picture and Best Director, and Scorsese earned his third Best Director nomination but again lost to a first-time director, [[Kevin Costner]] (''[[Dances with Wolves]]''). Joe Pesci earned the [[Academy Award for Best Supporting Actor]] for his performance. Scorsese and the film also won many other awards, including five [[BAFTA]] Awards, a [[Silver Lion]] and more. The American Film Institute placed ''Goodfellas'' at No. 94 on the AFI's 100 Years&nbsp;... 100 Movies list. On the 2007 updated version, they moved ''Goodfellas'' up to No. 92 on the AFI's 100 Years&nbsp;... 100 Movies list (10th Anniversary Edition) and put ''Goodfellas'' at No. 2 on [[AFI's 10 Top 10#Gangster|their list of the top 10 gangster films]] (after ''[[The Godfather]]'').

In 1990, he released his only short-form documentary: ''[[Made in Milan]]'' about fashion designer [[Giorgio Armani]]. The following year brought ''[[Cape Fear (1991 film)|Cape Fear]]'', a remake of a cult [[Cape Fear (1962 film)|1962 movie]] of the same name and the director's seventh collaboration with De Niro. Another foray into the mainstream, the film was a stylized thriller taking its cues heavily from [[Alfred Hitchcock]] and [[Charles Laughton]]'s ''[[The Night of the Hunter (film)|The Night of the Hunter]]'' (1955). ''Cape Fear'' received a mixed critical reception and was lambasted in many quarters for its scenes depicting [[misogynistic]] violence. However, the lurid subject matter gave Scorsese a chance to experiment with visual tricks and effects. The film garnered two Oscar nominations. Earning $80 million domestically, it stood as Scorsese's most commercially successful release until ''The Aviator'' (2004), and then ''The Departed'' (2006). The film also marked the first time Scorsese used wide-screen Panavision with an aspect ratio of 2.39:1.

In 1990, Scorsese acted in a small role as [[Vincent van Gogh]] in the film ''[[Dreams (1990 film)|Dreams]]'' by Japanese director [[Akira Kurosawa]]. Scorsese's 1994 cameo appearance in the [[Robert Redford]] film ''[[Quiz Show (film)|Quiz Show]]'' is remembered for the telling line: "You see, the audience didn't tune in to watch some amazing display of intellectual ability. They just wanted to watch the money."

In 1994, Scorsese and producer Barbara De Fina formed the production company 
De Fina-Cappa.<ref>{{cite web |url=https://letterboxd.com/studio/de-fina-cappa |title=Films produced by De Fina-Cappa |work=[[Letterboxd]] |access-date=November 15, 2010 |url-status=live |archive-url=https://web.archive.org/web/20140903011625/http://letterboxd.com/studio/de-fina-cappa/ |archive-date=September 3, 2014}}</ref> In the early 1990s, Scorsese also expanded his role as a film producer. He produced a wide range of films, including major Hollywood studio productions (''[[Mad Dog and Glory]]'', ''[[Clockers (film)|Clockers]]''), low-budget independent films (''[[The Grifters (film)|The Grifters]]'', ''[[Naked in New York]]'', ''[[Grace of My Heart]]'', ''[[Search and Destroy (1995 film)|Search and Destroy]]'', ''[[The Hi-Lo Country]]''), and even the foreign film ''[[Con gli occhi chiusi]]'' (''With Closed Eyes'').

[[File:Martin Scorsese 03.jpg|thumb|right|Scorsese in 1995]]

''[[The Age of Innocence (1993 film)|The Age of Innocence]]'' (1993) was a significant departure for Scorsese, a period adaptation of the [[Edith Wharton]] [[The Age of Innocence|novel]] about the constrictive high society of late-19th century New York. It was highly lauded by critics upon its original release but was a [[box office bomb]], making an overall loss. As noted in ''Scorsese on Scorsese'' by editor–interviewer Ian Christie, the news that Scorsese wanted to make a film about a failed 19th-century romance raised many eyebrows among the film fraternity; all the more when Scorsese made it clear that it was a personal project and not a studio for-hire job.

Scorsese was interested in doing a "romantic piece", and he was strongly drawn to the characters and the story of Wharton's text. Scorsese wanted his film to be as rich an emotional experience as the book was to him rather than the traditional academic adaptations of literary works. To this end, Scorsese sought influence from diverse period films that had had an emotional impact on him. In ''Scorsese on Scorsese'', he documents influences from films such as [[Luchino Visconti]]'s ''[[Senso (film)|Senso]]'' and his ''[[The Leopard (1963 film)|Il Gattopardo]]'' (''The Leopard'') as well as [[Orson Welles]]'s ''[[The Magnificent Ambersons (film)|The Magnificent Ambersons]]'' and also Roberto Rossellini's ''[[La prise de pouvoir par Louis&nbsp;XIV]]'' (''The Taking of Power by Louis&nbsp;XIV''). Although ''The Age of Innocence'' was ultimately different from these films in terms of narrative, story, and thematic concern, the presence of a lost society, of lost values as well as detailed re-creations of social customs and rituals continues the tradition of these films. It came back into the public eye, especially in countries such as the UK and France, but still is largely neglected in North America. The film earned five Academy Award nominations (including Best Adapted Screenplay for Scorsese), winning the Costume Design Oscar. This was his first collaboration with the Academy Award-winning actor [[Daniel Day-Lewis]], with whom he would work again on ''Gangs of New York''. This was Scorsese's first film to be shot on Super 35 format.

''[[Casino (1995 film)|Casino]]'' (1995), like ''The Age of Innocence'' before it, focused on a tightly wound male whose well-ordered life is disrupted by the arrival of unpredictable forces. The fact that it was a violent gangster film made it more palatable to the director's fans who perhaps were baffled by the apparent departure of the earlier film. ''Casino'' was a box office success,<ref name="variety-gross">{{cite news |url=https://variety.com/2013/film/news/andrew-garfield-to-star-in-martin-scorseses-silence-exclusive-1200470625/ |work=[[Variety (magazine)|Variety]] |first=Scott |last=Foundas |title=Andrew Garfield to Star in Martin Scorsese's 'Silence' (EXCLUSIVE) |date=May 7, 2013 |url-status=live |archive-url=https://web.archive.org/web/20140430081104/http://variety.com/2013/film/news/andrew-garfield-to-star-in-martin-scorseses-silence-exclusive-1200470625/ |archive-date=April 30, 2014}}</ref> and it received generally positive notices from critics. Comparisons were drawn to his earlier film ''Goodfellas'', and Scorsese admitted ''Casino'' bore a superficial resemblance to it, but he maintained that the story was significantly larger in scope.<ref>{{Cite web|date=2016|title=Beyond The Frame: Casino|url=https://ascmag.com/articles/beyond-the-frame-casino-1995|access-date=November 1, 2020|website=[[American Cinematographer]]|archive-date=December 27, 2020|archive-url=https://web.archive.org/web/20201227045146/https://ascmag.com/articles/beyond-the-frame-casino-1995|url-status=live}}</ref> [[Sharon Stone]] was nominated for the [[Academy Award for Best Actress|Best Actress Academy Award]] for her performance. During the filming, Scorsese played a background part as a gambler at one of the tables.

Scorsese still found time for a four-hour documentary in 1995, titled ''[[A Personal Journey with Martin Scorsese Through American Movies]]'', offering a thorough trek through American cinema. It covered the silent era to 1969, a year after which Scorsese began his feature career. He said, "I wouldn't feel right commenting on myself or my contemporaries." In the four-hour documentary, Scorsese lists the four aspects of the director he believes are the most important as (1) the director as storyteller; (2) the director as an illusionist: D. W. Griffith or F. W. Murnau, who created new editing techniques among other innovations that made the appearance of sound and color possible later on; (3) the director as a smuggler—filmmakers such as [[Douglas Sirk]], Samuel Fuller, and [[Vincente Minnelli]], who used to hide subversive messages in their films; and (4) the director as iconoclast. In the preface to this documentary, Scorsese states his commitment to the "Director's Dilemma", in which a successful contemporary director must be pragmatic about the realities of getting financing for films of personal esthetic interest by accepting the need of "making one film for the studio, and (then) making one for oneself."

If ''The Age of Innocence'' alienated and confused some fans, then ''[[Kundun]]'' (1997) went several steps further, offering an account of the early life of [[Tenzin Gyatso, the 14th Dalai Lama]], the [[People's Liberation Army]]'s entry into [[Tibet]], and the Dalai Lama's subsequent exile to India. Not only a departure in subject matter, ''Kundun'' saw Scorsese employing a fresh narrative and visual approach. Traditional dramatic devices were substituted for a trance-like meditation achieved through an elaborate [[tableau vivant|tableau]] of colorful visual images.<ref>{{cite magazine |url=https://www.timeout.com/film/78857.html |title=Kundun |magazine=[[Time Out (magazine)|Time Out]] |access-date=March 3, 2010 |url-status=live |archive-url=https://web.archive.org/web/20080110232624/http://www.timeout.com/film/78857.html |archive-date=January 10, 2008}}</ref> The film was a source of turmoil for its distributor, [[Walt Disney Studios Motion Pictures|Buena Vista Pictures]], which was planning significant expansion into the Chinese market at the time. Initially defiant in the face of pressure from Chinese officials, Disney has since distanced itself from the project, hurting ''Kundun''{{'}}s commercial profile. In the short term, the sheer eclecticism in evidence enhanced the director's reputation. In the long term, however, it appears ''Kundun'' has been sidelined in most critical appraisals of the director, mostly noted as a stylistic and thematic detour. ''Kundun'' was Scorsese's second attempt to profile the life of a great religious leader, following ''The Last Temptation of Christ''.

''[[Bringing Out the Dead]]'' (1999) was a return to familiar territory, with the director and writer Paul Schrader constructing a pitch-black comic take on their own earlier ''Taxi Driver''.<ref>{{cite web |title=New York Stories: A Complete Ranking of Martin Scorsese's Films Read More: Ranking Martin Scorsese's Movies From Best to Worst |date=December 20, 2013 |url=https://screencrush.com/scorsese-list/ |publisher=[[ScreenCrush]] |access-date=April 18, 2014 |url-status=live |archive-url=https://web.archive.org/web/20140428142744/http://screencrush.com/scorsese-list/ |archive-date=April 28, 2014}}</ref> Like earlier Scorsese-Schrader collaborations, its final scenes of spiritual redemption explicitly recall the films of Robert Bresson.<ref>{{cite web |url=http://www.film-philosophy.com/vol4-2000/n12reinert |title=Reinert on Bringing Out the Dead |publisher=Film-philosophy.com |access-date=March 3, 2010 |url-status=live |archive-url=https://web.archive.org/web/20110629174544/http://www.film-philosophy.com/vol4-2000/n12reinert |archive-date=June 29, 2011}}</ref> (It is also worth noting that the film's incident-filled nocturnal setting is reminiscent of ''After Hours''.) It received generally positive reviews,<ref>{{cite web |website=rottentomatoes.com |url=https://www.rottentomatoes.com/m/bringing_out_the_dead/ |title=Bringing Out the Dead |date=October 22, 1999 |archive-url=https://web.archive.org/web/20100305070758/http://www.rottentomatoes.com/m/bringing_out_the_dead/ |archive-date=March 5, 2010 |access-date=January 29, 2007}}</ref> although not the universal critical acclaim of some of his other films. It stars [[Nicolas Cage]], [[Ving Rhames]], [[John Goodman]], [[Tom Sizemore]], and [[Patricia Arquette]].

On various occasions Scorsese has been asked to present the [[Honorary Academy Award]] during the Oscar telecast. In 1998, at the [[70th Academy Awards]], Scorsese presented the award to film legend [[Stanley Donen]]. When accepting the award Donen quipped, "Marty this is backwards, I should be giving this to you, believe me".<ref>{{cite web|url=https://www.indiewire.com/2019/02/stanley-donen-oscar-speech-lifetime-achievement-1202046260/|title=Stanley Donen's Oscar Speech was an all time classic|website=[[IndieWire]]|date=February 23, 2019|access-date=March 20, 2020|archive-url=https://web.archive.org/web/20200321064901/https://www.indiewire.com/2019/02/stanley-donen-oscar-speech-lifetime-achievement-1202046260/|archive-date=March 21, 2020|url-status=live}}</ref> In 1999, at the [[71st Academy Awards]], Scorsese and De Niro presented the award to film director [[Elia Kazan]]. This was a controversial pick for the academy due to Kazan's involvement with the [[Hollywood blacklist]] in the 1950s.<ref>{{cite news|url=https://www.nytimes.com/1999/03/22/arts/amid-protests-elia-kazan-receives-his-oscar.html|title=Amid Protests Elia azan Receives His Oscar|newspaper=[[The New York Times]]|date=March 22, 1999|access-date=March 20, 2020|archive-url=https://web.archive.org/web/20100411082939/http://www.nytimes.com/1999/03/22/arts/amid-protests-elia-kazan-receives-his-oscar.html|archive-date=April 11, 2010|url-status=live|last1=Weinraub|first1=Bernard}}</ref> Several members of the audience including [[Nick Nolte]] and [[Ed Harris]] refused to applaud Kazan when he received the award while others such as [[Warren Beatty]], [[Meryl Streep]], [[Kathy Bates]], and [[Kurt Russell]] gave him a standing ovation.<ref>{{cite web|url=https://www.theguardian.com/culture/1999/mar/22/awardsandprizes|title=Praise and silent protest greet Kazan's Oscar|website=[[The Guardian]]|date=March 22, 1999|access-date=March 20, 2020|archive-url=https://web.archive.org/web/20200321064859/https://www.theguardian.com/culture/1999/mar/22/awardsandprizes|archive-date=March 21, 2020|url-status=live}}</ref><ref>{{cite web|url=https://www.latimes.com/archives/la-xpm-1999-mar-22-mn-19738-story.html|title=Many Refuse to Clap as Kazan Receives Oscar|website=[[The Los Angeles Times]]|date=March 22, 1999|access-date=March 20, 2020|archive-url=https://web.archive.org/web/20200321064900/https://www.latimes.com/archives/la-xpm-1999-mar-22-mn-19738-story.html|archive-date=March 21, 2020|url-status=live}}</ref>

=== 2000–2015: Film and television work ===
[[File:Leo Scor Diaz(GangsofNY)-.jpg|thumb|left|At the ''[[Gangs of New York]]'' screening at the [[2002 Cannes Film Festival]] with [[Leonardo DiCaprio]] and [[Cameron Diaz]]]]

In 1999, Scorsese directed a documentary on Italian filmmakers titled ''Il Mio Viaggio in Italia'', also known as ''[[My Voyage to Italy]]''. The documentary foreshadowed Scorsese's next project, the epic ''[[Gangs of New York]]'' (2002), influenced by (amongst many others) major Italian directors such as Luchino Visconti and filmed in its entirety at Rome's famous [[Cinecittà]] film studios. With a production budget said to be in excess of $100 million, ''Gangs of New York'' was Scorsese's biggest and arguably most mainstream venture to date. Like ''The Age of Innocence'', it was set in 19th-century New York, although focusing on the other end of the social scale (and like that film, also starring Daniel Day-Lewis). The film marked the first collaboration between Scorsese and actor [[Leonardo DiCaprio]], who became a fixture in later Scorsese films. The production was highly troubled, with many rumors referring to the director's conflict with [[Miramax|Miramax Films]] boss [[Harvey Weinstein]].<ref>{{Cite news |url=http://film.guardian.co.uk/news/story/0,,860378,00.html |title=Gangs of Los Angeles |work=The Guardian |date=December 15, 2002 |access-date=March 3, 2010 |location=London |url-status=live |archive-url=https://web.archive.org/web/20080111091503/http://film.guardian.co.uk/news/story/0%2C%2C860378%2C00.html |archive-date=January 11, 2008}}</ref> The final cut of the movie ran to 168 minutes, while Scorsese's original cut was over 180 minutes long.<ref name="guardian_film_of_the_week">{{Cite news |author=Peter Bradshaw |date=January 10, 2003 |title=Gangs of New York |url=http://film.guardian.co.uk/News_Story/Critic_Review/Guardian_Film_of_the_week/0,,871400,00.html |url-status=live |archive-url=https://web.archive.org/web/20080111091432/http://film.guardian.co.uk/News_Story/Critic_Review/Guardian_Film_of_the_week/0%2C%2C871400%2C00.html |archive-date=January 11, 2008 |access-date=March 3, 2010 |work=The Guardian |location=London}}</ref>

Despite denials of artistic compromise, some felt that ''Gangs of New York'' was Scorsese's most conventional film, featuring standard film tropes that Scorsese had traditionally avoided, such as characters existing purely for [[exposition (literary technique)|exposition]] purposes and explanatory [[flashback (literary technique)|flashbacks]].<ref name="guardian_film_of_the_week" /><ref>{{cite web |date=July 1, 2003 |title=Compare Prices and Read Reviews on Gangs of New York at |url=http://www.epinions.com/content_136317079172 |archive-url=https://web.archive.org/web/20071012014134/http://epinions.com/content_136317079172 |archive-date=October 12, 2007 |access-date=March 3, 2010 |publisher=Epinions.com}}</ref><ref>{{Cite news |author=Xan Brooks |date=January 9, 2003 |title=Past master |url=http://film.guardian.co.uk/features/featurepages/0,,871715,00.html |url-status=live |archive-url=https://web.archive.org/web/20080111091447/http://film.guardian.co.uk/features/featurepages/0%2C%2C871715%2C00.html |archive-date=January 11, 2008 |access-date=March 3, 2010 |work=The Guardian |location=London}}</ref> Even so, the film received generally positive reviews with the review aggregator [[Rotten Tomatoes]] reporting that 75 percent of the reviews for the film they tallied were positive and summarizing the critics writing, "Though flawed, the sprawling, messy ''Gangs of New York'' is redeemed by impressive production design and Day-Lewis's electrifying performance."<ref>{{cite web |url=https://www.rottentomatoes.com/m/gangs_of_new_york/ |title=Gangs of New York |website=Rotten Tomatoes |date=December 20, 2002 |access-date=January 5, 2012 |url-status=live |archive-url=https://web.archive.org/web/20120105013039/http://www.rottentomatoes.com/m/gangs_of_new_york/ |archive-date=January 5, 2012}}</ref> The film's central themes are consistent with Scorsese's established concerns: New York, violence as culturally endemic, and subcultural divisions down ethnic lines. Originally filmed for a release in the winter of 2001 (to qualify for Academy Award nominations), Scorsese delayed the final production of the film until after the beginning of 2002; Miramax Films consequently delayed the film until its release in the [[Oscar season]] of late 2002.<ref>{{Cite news |url=http://film.guardian.co.uk/News_Story/Exclusive/0,,680795,00.html |title=In briefs: Gangs of New York release delayed again |work=The Guardian |date=April 8, 2002 |access-date=March 3, 2010 |location=London |url-status=live |archive-url=https://web.archive.org/web/20080111064545/http://film.guardian.co.uk/News_Story/Exclusive/0%2C%2C680795%2C00.html |archive-date=January 11, 2008}}</ref> ''Gangs of New York'' earned Scorsese his first Golden Globe for Best Director. In February 2003, ''Gangs of New York'' received 10 Academy Award nominations, including Best Picture, Best Director, and Best Actor for Daniel Day-Lewis; however, it did not win in any category.

The following year, Scorsese completed production of ''[[The Blues (film)|The Blues]]'', an expansive seven-part documentary tracing the history of blues music from its African roots to the Mississippi Delta and beyond. Seven filmmakers including Wim Wenders, [[Clint Eastwood]], [[Mike Figgis]], and Scorsese himself each contributed a 90-minute film (Scorsese's entry was titled ''Feel Like Going Home''). In the early 2000s, Scorsese produced several films for up-and-coming directors, such as ''[[You Can Count on Me]]'' (directed by [[Kenneth Lonergan]]), ''Rain'' (directed by Katherine Lindberg), ''[[Lymelife]]'' (directed by [[Derick Martini]]) and ''[[The Young Victoria]]'' (directed by [[Jean-Marc Vallée]]). At that time, he established [[Sikelia Productions]].<ref>{{cite web |url=https://variety.com/exec/martin-scorsese |title=Martin Scorsese |work=[[Variety (magazine)|Variety]] |access-date=September 3, 2013 |url-status=live |archive-url=https://web.archive.org/web/20140111054732/http://variety.com/exec/martin-scorsese/ |archive-date=January 11, 2014}}</ref> In 2003, producer [[Emma Tillinger Koskoff]] joined the company.<ref name="SD">[http://www.screendaily.com/tillinger-named-production-president-at-scorseses-sikelia/4027253.article Tillinger named production president at Scorsese's Sikelia] {{webarchive|url=https://web.archive.org/web/20140224143634/http://www.screendaily.com/tillinger-named-production-president-at-scorseses-sikelia/4027253.article |date=February 24, 2014 }}, screendaily.com, retrieved February 19, 2014</ref> Scorsese also produced several documentaries, such as ''[[The Soul of a Man]]'' (directed by Wim Wenders) and ''Lightning in a Bottle'' (directed by [[Antoine Fuqua]]).

[[File:Martin Scorsese y Leonardo DiCaprio.jpg|thumb|Scorsese (left) with [[Leonardo DiCaprio]] at the 2007 [[Marrakech International Film Festival]]]]
Scorsese's film ''[[The Aviator (2004 film)|The Aviator]]'' (2004) is a lavish, large-scale [[biopic]] of eccentric aviation pioneer and film mogul [[Howard Hughes]] and reunited Scorsese with actor Leonardo DiCaprio. The film received highly positive reviews.<ref>{{cite web |url=https://www.rottentomatoes.com/m/aviator/ |title=The Aviator |date=December 25, 2004 |publisher=Rottentomatoes.com |access-date=January 24, 2014 |url-status=live |archive-url=https://web.archive.org/web/20090928003516/http://www.rottentomatoes.com/m/aviator/ |archive-date=September 28, 2009}}</ref><ref>{{Cite news |author=Brian Libby |url=http://film.guardian.co.uk/salon/0,,1404293,00.html |title=Are you talking to me – again? |work=The Guardian |date=February 2, 2005 |access-date=March 3, 2010 |location=London |url-status=live |archive-url=https://web.archive.org/web/20080111091508/http://film.guardian.co.uk/salon/0%2C%2C1404293%2C00.html |archive-date=January 11, 2008}}</ref><ref>{{Cite news |url=http://www.theage.com.au/news/Film/Right-guy-wrong-film/2005/02/25/1109180100911.html |title=Right guy, wrong film |publisher=The Age |date=February 27, 2005 |access-date=March 3, 2010 |location=Melbourne |url-status=live |archive-url=https://web.archive.org/web/20100119074237/http://www.theage.com.au/news/Film/Right-guy-wrong-film/2005/02/25/1109180100911.html |archive-date=January 19, 2010}}</ref><ref>{{cite web |url=https://www.empireonline.com/reviews/reviewcomplete.asp?DVDID=10596 |title=Empire Reviews Central – Review of The Aviator |publisher=Empireonline.com |access-date=March 3, 2010 |url-status=live |archive-url=https://web.archive.org/web/20120118171316/http://www.empireonline.com/reviews/reviewcomplete.asp?DVDID=10596 |archive-date=January 18, 2012}}</ref><ref>{{cite magazine |author=Travers, Peter |url=https://www.rollingstone.com/reviews/movie/6143001/review/6769078/the_aviator |title=Aviator: Review |magazine=[[Rolling Stone]] |date=December 15, 2004 |access-date=March 3, 2010 |url-status=dead |archive-url=https://web.archive.org/web/20090421123728/http://www.rollingstone.com/reviews/movie/6143001/review/6769078/the_aviator |archive-date=April 21, 2009}}</ref> The film was a widespread box office success and gained Academy recognition. ''The Aviator'' was nominated for six [[Golden Globe Awards]], including [[Golden Globe Award for Best Motion Picture – Drama|Best Motion Picture-Drama]], [[Golden Globe Award for Best Director|Best Director]], [[Golden Globe Award for Best Screenplay|Best Screenplay]], and [[Golden Globe Award for Best Actor – Motion Picture Drama|Best Actor-Motion Picture Drama]] for Leonardo DiCaprio. It won three, including Best Motion Picture-Drama and Best Actor-Motion Picture Drama. In January 2005 ''The Aviator'' became the most-nominated film of the [[77th Academy Awards]] nominations, nominated in 11 categories including Best Picture. The film also garnered nominations in nearly all the other major categories, including a fifth Best Director nomination for Scorsese. Despite having the most nominations, the film won only five Oscars. Scorsese lost again, this time to director Clint Eastwood for ''[[Million Dollar Baby]]'' (which also won Best Picture).

''[[No Direction Home]]'' is a documentary film by Scorsese that tells of the life of Bob Dylan, and his impact on American popular music and the culture of the 20th century. The film does not cover Dylan's entire career; it focuses on his beginnings, his rise to fame in the 1960s, his then-[[Electric Dylan controversy|controversial transformation]] from an acoustic guitar-based musician and performer to an electric guitar-influenced sound and his "retirement" from touring in 1966 following an infamous motorcycle accident. The film was first presented on television in both the United States (as part of the [[Public Broadcasting Service|PBS]] ''[[American Masters]]'' series) and the United Kingdom (as part of the [[BBC Two]] ''[[Arena (UK TV series)|Arena]]'' series) on September 26 to 27, 2005. A DVD version of the film was released the same month. The film won a [[Peabody Award]] and the [[Grammy Award for Best Long Form Music Video]]. In addition, Scorsese received a [[Primetime Emmy Awards|Primetime Emmy Award]] nomination for [[Primetime Emmy Award for Outstanding Directing for a Documentary/Nonfiction Program|Outstanding Directing for a Documentary/Nonfiction Program]], losing to ''[[Baghdad ER]]''.
[[File:Martin Scorsese at the 65th Annual Peabody Awards.jpg|thumb|upright|left|Scorsese at the 65th Annual Peabody Awards in mid-2006]]
Scorsese returned to the crime genre with the Boston-set thriller ''[[The Departed]]'', based on the Hong Kong police drama ''[[Infernal Affairs]]'' (which is co-directed by [[Andrew Lau]] and [[Alan Mak (director)|Alan Mak]]). The film continued Scorsese's collaboration with Leonardo DiCaprio and was the first time he worked with [[Matt Damon]], [[Jack Nicholson]], [[Mark Wahlberg]], and [[Martin Sheen]]. ''The Departed'' opened to widespread critical acclaim, with some proclaiming it as one of the best efforts Scorsese had brought to the screen since 1990's ''Goodfellas'',<ref>{{cite web |url=http://www.chud.com/index.php?type=reviews&id=7778 |title=Review: Departed, The |publisher=Chud.com |access-date=March 3, 2010 |url-status=live |archive-url=https://web.archive.org/web/20071217030945/http://www.chud.com/index.php?type=reviews&id=7778 |archive-date=December 17, 2007}}</ref><ref>{{cite web |url=http://efilmcritic.com/review.php?movie=15256&reviewer=198 |title=Movie Review – Departed, The |publisher=eFilmCritic |access-date=March 3, 2010 |url-status=live |archive-url=https://web.archive.org/web/20100228074450/http://efilmcritic.com/review.php?movie=15256&reviewer=198 |archive-date=February 28, 2010}}</ref> and still others putting it at the same level as Scorsese's most celebrated classics ''Taxi Driver'' and ''Raging Bull''.<ref>{{cite web |url=http://www.reelviews.net/movies/d/departed.html |title=Reel Views |publisher=Reel Views |access-date=March 3, 2010 |url-status=live |archive-url=https://web.archive.org/web/20100707001223/http://www.reelviews.net/movies/d/departed.html |archive-date=July 7, 2010}}</ref><ref>{{cite web |url=https://www.allmovie.com/work/the-departed-310756/review |title=All Movie – The Departed |publisher=Allmovie.com |date=October 6, 2006 |access-date=January 5, 2012 |url-status=live |archive-url=https://web.archive.org/web/20100124103211/http://www.allmovie.com/work/the-departed-310756/review |archive-date=January 24, 2010}}</ref> With domestic box office receipts surpassing {{US$|129.4{{nbsp}}|link=yes}}million, ''The Departed'' was Scorsese's highest-grossing film (not accounting for inflation) until 2010's ''[[Shutter Island (film)|Shutter Island]]''. ''The Departed'' earned Scorsese a second Golden Globe for Best Director, as well as a Critics' Choice Award, his first [[Directors Guild of America]] Award, and the Academy Award for Best Director. Presented with the latter, Scorsese poked fun at his track record of nominations, asking, "Could you double-check the envelope?"<ref>{{cite web|url=https://www.nytimes.com/2007/02/26/movies/awardsseason/26osca.html|title='The Departed' Wins Best Picture, Scorsese Best Director|work=The New York Times|date=February 26, 2007|access-date=February 10, 2020|archive-url=https://web.archive.org/web/20140304193333/http://www.nytimes.com/2007/02/26/movies/awardsseason/26osca.html|archive-date=March 4, 2014|url-status=live}}</ref> The award was presented by his longtime friends and colleagues [[Francis Ford Coppola]], [[George Lucas]] and [[Steven Spielberg]]. ''The Departed'' also received the Academy Award for the Best Motion Picture of 2006, Best Adapted Screenplay, and Best Film Editing by longtime Scorsese editor Thelma Schoonmaker, her third win for a Scorsese film.

''[[Shine a Light (film)|Shine a Light]]'' captures [[rock and roll]] band [[the Rolling Stones]]' performing at New York City's [[Beacon Theatre (New York City)|Beacon Theatre]] on October 29 and November 1, 2006, intercut with brief news and interview footage from throughout their career. The film was initially scheduled for release on September 21, 2007, but [[Paramount Classics]] postponed its general release until April 2008. Its world premiere was at the opening of the 58th [[Berlinale]] Film Festival on February 7, 2008. "Marty did an amazing job of making us look great{{nbsp}}..." observed drummer [[Charlie Watts]]. "It's all in the edits and the cuts. That's a movie maker rather than a guy just shooting a band onstage{{nbsp}}... It's not ''[[Casablanca (film)|Casablanca]]'', but it's a great thing to have from our point of view, not being egotistical. It's a document."<ref>{{cite magazine|first=Will|last=Lawrence|title=King Charles|magazine=[[Q (magazine)|Q]]|date=May 2008|issue=262|page=46}}</ref>

In 2009, Scorsese signed a petition in support of director [[Roman Polanski]], who had been detained while traveling to a film festival in relation to his 1977 [[Roman Polanski sexual abuse case|sexual abuse charges]], which the petition argued would undermine the tradition of film festivals as a place for works to be shown "freely and safely", and that arresting filmmakers traveling to neutral countries could open the door "for actions of which no-one can know the effects."<ref>{{Cite web |date=June 4, 2012 |title=Le cinéma soutient Roman Polanski / Petition for Roman Polanski – SACD |url=http://www.sacd.fr/Le-cinema-soutient-Roman-Polanski-Petition-for-Roman-Polanski.1340.0.html |archive-url=https://web.archive.org/web/20170322120027/http://www.sacd.fr/Le-cinema-soutient-Roman-Polanski-Petition-for-Roman-Polanski.1340.0.html |url-status=dead |archive-date=March 22, 2017 |access-date=April 20, 2022 |website=archive.ph }}</ref><ref>{{cite news |last1=Shoard |first1=Catherine |author2=Agencies |date=September 29, 2009 |title=Release Polanski, demands petition by film industry luminaries |newspaper=The Guardian |url=https://www.theguardian.com/film/2009/sep/29/roman-polanski-petition |url-status=live |access-date=June 12, 2019 |archive-url=https://web.archive.org/web/20190628013652/https://www.theguardian.com/film/2009/sep/29/roman-polanski-petition |archive-date=June 28, 2019}}</ref>

On October 22, 2007, ''[[Variety (magazine)|Daily Variety]]'' reported that Scorsese would reunite with Leonardo DiCaprio on a fourth picture, ''Shutter Island''. Principal photography on the Laeta Kalogridis screenplay, based on the novel of the same name by [[Dennis Lehane]], began in [[Massachusetts]] in March 2008.<ref>{{Cite news |title=Scorsese, DiCaprio team for 'Island' |first=Michael|last= Fleming |url=https://www.variety.com/VR1117974525.html?query=shutter+island |work=Variety |date=October 22, 2007|access-date=October 28, 2007|archive-url=https://web.archive.org/web/20071102084801/http://www.variety.com/VR1117974525.html?query=shutter+island|archive-date=November 2, 2007|url-status=live}}</ref><ref>{{Cite news |title=Scorsese, Leo head to 'Shutter Island |year=2007 |url=http://www.upi.com/NewsTrack/Entertainment/2007/10/23/scorsese_leo_head_to_shutter_island/7373/ |url-status=dead |archive-url=https://web.archive.org/web/20090304081207/http://www.upi.com/NewsTrack/Entertainment/2007/10/23/scorsese_leo_head_to_shutter_island/7373/ |archive-date=March 4, 2009}}</ref> In December 2007, actors [[Mark Ruffalo]], [[Max von Sydow]], [[Ben Kingsley]], and [[Michelle Williams (actress)|Michelle Williams]] joined the cast,<ref>{{cite magazine |author=Tatiana Siegel |url=https://variety.com/2007/film/markets-festivals/kingsley-signs-on-to-shutter-island-2-1117976953/ |title=Kingsley signs on to 'Shutter Island' |magazine=[[Variety (magazine)|Variety]] |date=December 3, 2007 |access-date=January 8, 2008 |url-status=live |archive-url=https://web.archive.org/web/20080106180051/http://www.variety.com/article/VR1117976953.html?categoryid=1236&cs=1 |archive-date=January 6, 2008}}</ref><ref>{{cite magazine |first=Michael|last= Fleming |url=https://variety.com/2007/film/features/michelle-williams-joins-island-2-1117977184/ |title=Michelle Williams joins 'Island' |magazine=[[Variety (magazine)|Variety]] |date=December 6, 2007 |access-date=January 8, 2008 |url-status=live |archive-url=https://web.archive.org/web/20080110042717/http://www.variety.com/article/VR1117977184.html?categoryid=13&cs=1 |archive-date=January 10, 2008}}</ref> marking the first time these actors had worked with Scorsese. The film was released on February 19, 2010.<ref>{{cite magazine |first=Pamela|last= McClintock |url=https://www.variety.com/VR1117980912.html |title='Star Trek' pushed back to 2009 |magazine=[[Variety (magazine)|Variety]] |date=February 13, 2008 |access-date=February 13, 2008 |url-status=live |archive-url=https://web.archive.org/web/20080215012143/http://www.variety.com/VR1117980912.html |archive-date=February 15, 2008}}</ref> On May 20, 2010, ''Shutter Island'' became Scorsese's highest-grossing film.<ref>{{cite web |last=Grey|first= Brandon|website=Box Office Mojo|url=https://www.boxofficemojo.com/news/?id=2783&p=.htm|title='Shutter Island' Is Scorsese's Top Movie Worldwide |access-date=May 21, 2010 |url-status=live |archive-url=https://web.archive.org/web/20100523072933/http://www.boxofficemojo.com/news/?id=2783&p=.htm |archive-date=May 23, 2010|date= May 21, 2010}}</ref> In 2010, ''[[The Wall Street Journal]]'' reported that Scorsese was supporting the [[David Lynch Foundation]]'s initiative to help 10,000 military veterans overcome [[posttraumatic stress disorder]] through [[Transcendental Meditation technique|Transcendental Meditation]];<ref>{{cite news |title=Filmmaker Introduces Veterans to Meditation |url=https://www.wsj.com/articles/SB10001424052748704638304575636911988306800 |work=[[The Wall Street Journal]] |access-date=February 13, 2014 |date=November 26, 2010 |url-status=live |archive-url=https://web.archive.org/web/20140222141347/http://online.wsj.com/news/articles/SB10001424052748704638304575636911988306800?mod=googlenews_wsj&mg=reno64-wsj&url=http%3A%2F%2Fonline.wsj.com%2Farticle%2FSB10001424052748704638304575636911988306800.html%3Fmod%3Dgooglenews_wsj |archive-date=February 22, 2014 |url-access=subscription}}</ref> Scorsese has publicly discussed his own practice of TM.<ref>{{cite news |title=David Lynch Is Back ... as a Guru of Transcendental Meditation |first=Claire |last=Hoffman |work=[[The New York Times]] |date=February 22, 2013 |url=https://www.nytimes.com/2013/02/24/magazine/david-lynch-transcendental-meditation.html | access-date=December 17, 2016 | archive-url=https://web.archive.org/web/20130222211638/http://www.nytimes.com/2013/02/24/magazine/david-lynch-transcendental-meditation.html |archive-date=February 22, 2013 | url-status=live}}</ref>
[[File:Martin Scorsese Cannes 2010.jpg|thumb|upright|Scorsese at Cannes in 2010]]
Scorsese directed a television commercial for [[Chanel]]'s then-new men's fragrance, ''[[Bleu de Chanel]]'', starring French actor [[Gaspard Ulliel]]. Filmed in New York City, it debuted online on August 25, 2010, and was released on TV in September 2010.<ref>{{cite magazine |url=https://www.vanityfair.com/style/2010/08/scorsese-dons-chanel |title=Scorsese Dons Chanel |first1=SunHee |last1=Grinnell |date=August 23, 2010 |magazine=Vanity Fair |access-date=January 26, 2022 |archive-date=May 15, 2021 |archive-url=https://web.archive.org/web/20210515144601/https://www.vanityfair.com/style/2010/08/scorsese-dons-chanel |url-status=live }}</ref> Scorsese directed [[Pilot (Boardwalk Empire)|the series premiere]] for ''[[Boardwalk Empire]]'', an HBO drama series,<ref>{{Cite news |title=Michael Pitt set for Scorsese's HBO pilot |author=Nellie Andreeva |year=2008 |url=https://www.hollywoodreporter.com/news/michael-pitt-set-scorseses-hbo-124985 |url-status=dead |archive-url=https://web.archive.org/web/20140907195005/http://www.hollywoodreporter.com/news/michael-pitt-set-scorseses-hbo-124985 |archive-date=September 7, 2014 |work=The Hollywood Reporter}}</ref> starring [[Steve Buscemi]] and [[Michael Pitt]], based on Nelson Johnson's book ''Boardwalk Empire: The Birth, High Times and Corruption of Atlantic City''.<ref name="boardwalk">{{cite web |title=''Boardwalk Empire'' website |url=http://www.hbo.com/boardwalk-empire |access-date=February 6, 2010 |url-status=live |archive-url=https://web.archive.org/web/20100127091652/http://www.hbo.com/boardwalk-empire |archive-date=January 27, 2010}}</ref> [[Terence Winter]], who wrote for ''[[The Sopranos]]'', created the series. In addition to directing the pilot (for which he won the 2011 Primetime Emmy Award for Outstanding Directing), Scorsese also served as an executive producer on the series.<ref name="boardwalk" /> The series premiered on September 19, 2010, and ran for five seasons.<ref name="boardwalk" />

Scorsese directed the three-and-a-half-hour documentary ''[[George Harrison: Living in the Material World]]'' about the life and music of former [[The Beatles|Beatles]]' member [[George Harrison]], which premiered in the United States on [[HBO]] over two parts on October 5 and 6, 2011.<ref>{{YouTube |id=Xnx87LIDO9k |title=Trailer For Martin Scorsese's George Harrison: Living In The Material World }}</ref> His next film ''[[Hugo (film)|Hugo]]'' is a [[3D film|3D]] [[Adventure film|adventure]] [[Drama (film and television)|drama film]] based on [[Brian Selznick]]'s novel ''[[The Invention of Hugo Cabret]]''. The film stars [[Asa Butterfield]], [[Chloë Grace Moretz]], Ben Kingsley, [[Sacha Baron Cohen]], [[Ray Winstone]], [[Emily Mortimer]], [[Christopher Lee]], and [[Jude Law]]. The film has been met with critical acclaim<ref>{{cite news |url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20111121/REVIEWS/111119982 |work=[[Chicago Sun-Times]] |title=Hugo |date=November 21, 2011 |url-status=live |archive-url=https://web.archive.org/web/20111202030422/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F20111121%2FREVIEWS%2F111119982 |archive-date=December 2, 2011}}</ref><ref>{{cite web |url=https://www.empireonline.com/reviews/review.asp?FID=136891 |title=Empire's Hugo Movie Review |publisher=Empireonline.com |date=December 5, 2006 |access-date=January 5, 2012 |url-status=live |archive-url=https://web.archive.org/web/20120118173106/http://www.empireonline.com/reviews/review.asp?FID=136891 |archive-date=January 18, 2012}}</ref> and earned Scorsese his third [[Golden Globe Award]] for Best Director. The film was also nominated for 11 Academy Awards, winning five of them and becoming tied with [[Michel Hazanavicius]]'s film [[The Artist (film)|''The Artist'']] for the most Academy Awards won by a single film in 2011. ''Hugo'' also won two [[British Academy of Film and Television Arts|BAFTA]] awards, among [[Hugo (film)#Accolades|numerous other awards and nominations]]. ''Hugo'' was Scorsese's first [[3-D film|3D]] film and was released in the United States on November 23, 2011.<ref name="ReleaseDates">{{cite web |url=http://www.hugomovie.com/intl/releasedates/release-dates.html |title=Global Sites & Release Dates |work=[[Paramount Pictures]] |access-date=August 11, 2011 |url-status=live |archive-url=https://web.archive.org/web/20111028143750/http://www.hugomovie.com/intl/releasedates/release-dates.html |archive-date=October 28, 2011}}</ref>
[[File:Martin Scorsese Tribeca 2007 Shankbone.jpg|thumb|upright|left|At the [[Tribeca Film Festival]] in 2007]]
Scorsese's 2013 film, ''[[The Wolf of Wall Street (2013 film)|The Wolf of Wall Street]]'',<ref>{{cite web |last=Silver |first=Stephen |title=Scorsese, DiCaprio Team Again on 'Wolf of Wall Street' |url=http://www.technologytell.com/entertainment/481/scorsese-dicaprio-team-again-on-wolf-of-wall-street/ |work=Entertainmenttell |publisher=Technologytell.com |access-date=April 24, 2012 |url-status=live |archive-url=https://web.archive.org/web/20120422200144/http://www.technologytell.com/entertainment/481/scorsese-dicaprio-team-again-on-wolf-of-wall-street/ |archive-date=April 22, 2012}}</ref> is an American [[Biographical film|biographical]] [[black comedy]] based on [[Jordan Belfort]]'s memoir of the same name. The screenplay was written by Terence Winter and starred Leonardo DiCaprio as Belfort, along with [[Jonah Hill]], [[Matthew McConaughey]], and others. The film marked the fifth collaboration between Scorsese and DiCaprio and the second between Scorsese and Winter after ''Boardwalk Empire''. It was released on December 25, 2013. The film tells the story of a New York stockbroker, played by DiCaprio, who engages in a large [[securities fraud]] case involving illicit stock manipulation, by way of the practice of "[[pump and dump]]". DiCaprio was given the award for [[Golden Globe Award for Best Actor – Motion Picture Musical or Comedy|Best Actor-Motion Picture Musical or Comedy]] at the [[71st Golden Globe Awards|2014 Golden Globe Awards]]. The film was also nominated for [[Golden Globe Award for Best Motion Picture – Musical or Comedy|Best Motion Picture-Musical or Comedy]] as well. ''The Wolf of Wall Street'' was nominated for five Academy Awards, including Best Picture, Best Actor for Leonardo DiCaprio, Best Supporting Actor for Jonah Hill, Best Director for Martin Scorsese, and [[Academy Award for Best Adapted Screenplay|Best Adapted Screenplay]] for Terence Winter but did not win in any category.<ref>{{cite news |last=Brown |first=Tracy |title=Oscars 2014: The complete list of nominees and winners |url=https://www.latimes.com/entertainment/envelope/moviesnow/la-et-mn-oscars-2014-nominations-winners-list,0,6878721.story#axzz2uuFYdmaS |newspaper=[[Los Angeles Times]] |access-date=March 3, 2014 |url-status=live |archive-url=https://web.archive.org/web/20140302210739/http://www.latimes.com/entertainment/envelope/moviesnow/la-et-mn-oscars-2014-nominations-winners-list%2C0%2C6878721.story |archive-date=March 2, 2014}}</ref> In a 2016 critics' poll conducted by the [[BBC]], the film was ranked among the 100 greatest motion pictures since 2000.<ref>{{cite web |title=The 21st Century's 100 greatest films |url=http://www.bbc.com/culture/story/20160819-the-21st-centurys-100-greatest-films |publisher=[[BBC]] |access-date=January 31, 2017 |date=August 23, 2016 |url-status=live |archive-url=https://web.archive.org/web/20170131124228/http://www.bbc.com/culture/story/20160819-the-21st-centurys-100-greatest-films |archive-date=January 31, 2017}}</ref>

Scorsese and David Tedeschi made a documentary about the history of ''[[The New York Review of Books]]'', titled ''[[The 50 Year Argument]]''. It screened as a work in progress at the [[Berlin International Film Festival]] in February 2014 and premiered in June 2014 at the [[Sheffield DocFest]].<ref>Barnes, Henry. [https://www.theguardian.com/film/2014/jun/07/sheffield-doc-fest-2014-50-year-argument-martin-scorsese "Sheffield Doc/Fest 2014 review: ''The 50 Year Argument'' – Scorsese's love letter to old media"] {{webarchive|url=https://web.archive.org/web/20161231042103/https://www.theguardian.com/film/2014/jun/07/sheffield-doc-fest-2014-50-year-argument-martin-scorsese |date=December 31, 2016 }}, ''The Guardian'', June 7, 2014</ref><ref>[https://www.bbc.com/news/entertainment-arts-27323501 "Martin Scorsese premiere for Sheffield Doc/Fest"] {{Webarchive|url=https://web.archive.org/web/20180205213510/http://www.bbc.com/news/entertainment-arts-27323501 |date=February 5, 2018 }}, BBC News Online, May 8, 2014; Roddy, Michael. [https://www.chicagotribune.com/entertainment/sns-rt-us-berlin-scorsese-20140215,0,5134948.story "Scorsese says ''NY Review'' film meant as guide to young"] {{webarchive|url=https://web.archive.org/web/20140226231456/http://www.chicagotribune.com/entertainment/sns-rt-us-berlin-scorsese-20140215%2C0%2C5134948.story |date=February 26, 2014 }}, ''Chicago Tribune'', February 15, 2014; and Han, Angie. [https://www.slashfilm.com/martin-scorsese-has-a-new-york-review-of-books-doc-premiering-in-berlin/ "Martin Scorsese Has a ''New York Review of Books'' Doc Premiering in Berlin"] {{webarchive|url=https://web.archive.org/web/20140417021420/http://www.slashfilm.com/martin-scorsese-has-a-new-york-review-of-books-doc-premiering-in-berlin/ |date=April 17, 2014 }}, Slashfilm.com, January 28, 2014</ref> It was also screened in [[Oslo]],<ref>Brady, M. Michael. [http://theforeigner.no/pages/columns/the-50-year-argument-premiere-in-scandinavia/ "''The 50 Year Argument'' premiere in Scandinavia"] {{webarchive|url=https://web.archive.org/web/20141006123552/http://theforeigner.no/pages/columns/the-50-year-argument-premiere-in-scandinavia/ |date=October 6, 2014 }}, ''The Foreigner'', June 12, 2014</ref> and [[Jerusalem Film Festival|Jerusalem]]<ref>[http://www.jff.org.il/?CategoryID=1214&ArticleID=1813 "Masters: ''The 50 Year Argument''"] {{webarchive |url=https://web.archive.org/web/20140810194540/http://www.jff.org.il/?CategoryID=1214&ArticleID=1813 |date=August 10, 2014 }}, Jerusalem Film Festival, accessed September 12, 2014</ref> before being shown on the BBC's ''Arena'' series in July<ref>Dalton, Stephen. [https://www.hollywoodreporter.com/review/50-year-argument-sheffield-review-710080 "''The 50 Year Argument'': Sheffield Review"] {{webarchive|url=https://web.archive.org/web/20140901151911/http://www.hollywoodreporter.com/review/50-year-argument-sheffield-review-710080 |date=September 1, 2014 }}, ''The Hollywood Reporter'', June 7, 2014</ref> and at [[Telluride Film Festival|Telluride]] in August.<ref>Feinberg, Scott. [https://www.hollywoodreporter.com/race/telluride-50-year-argument-continues-729394 "Telluride: ''The 50 Year Argument'' Continues In the Rockies"] {{webarchive|url=https://web.archive.org/web/20140905061440/http://www.hollywoodreporter.com/race/telluride-50-year-argument-continues-729394 |date=September 5, 2014 }}, ''The Hollywood Reporter'', September 2, 2014</ref> In September, it was screened at the [[Toronto International Film Festival|Toronto]]<ref>Powers, Thom. [http://www.tiff.net/festivals/thefestival/programmes/mavericks/50-year-argument "''The 50 Year Argument''"], TIFF.net, accessed September 3, 2014 {{webarchive |url=https://web.archive.org/web/20140822025449/http://www.tiff.net/festivals/thefestival/programmes/mavericks/50-year-argument |date=August 22, 2014 }}</ref> and [[Calgary International Film Festival]]s,<ref>Volmers, Eric. [https://calgaryherald.com/entertainment/movie-guide/Around+world+with+Calgary+International+Film+Festival/10168366/story.html "Around the world with the Calgary International Film Festival: Full lineup announced"] {{Webarchive|url=https://web.archive.org/web/20141006143006/http://www.calgaryherald.com/entertainment/movie-guide/Around+world+with+Calgary+International+Film+Festival/10168366/story.html |date=October 6, 2014 }}, ''The Calgary Herald'', September 2, 2014</ref> and the [[New York Film Festival]].<ref>[http://www.filmlinc.com/films/on-sale/the-50-year-argument ''The 50 Year Argument''] {{Webarchive|url=https://web.archive.org/web/20140823054640/http://www.filmlinc.com/films/on-sale/the-50-year-argument |date=August 23, 2014 }}, Film Society of Lincoln Center, accessed September 9, 2014</ref> It aired on HBO on September 29, 2014.<ref>Thompson, Anne. [http://blogs.indiewire.com/thompsononhollywood/hbo-dates-scorsese-doc-on-new-york-review-of-books-the-50-year-argument-20140811 "HBO Dates Scorsese Doc on ''New York Review of Books'', ''The 50 Year Argument''"] {{webarchive|url=https://web.archive.org/web/20140814012647/http://blogs.indiewire.com/thompsononhollywood/hbo-dates-scorsese-doc-on-new-york-review-of-books-the-50-year-argument-20140811 |date=August 14, 2014 }}, IndieWire.com, August 11, 2014</ref>

Scorsese directed the pilot for ''[[Vinyl (TV series)|Vinyl]]'' written by Terence Winter and [[George Mastras]], with [[Mick Jagger]] producing and Mastras as [[showrunner]]. The series stars [[Bobby Cannavale]] as Richie Finestra, founder and president of a top-tier record label, set in 1970s New York City's drug-and sex-fueled music business as punk and disco were breaking out, all told through the eyes of Finestra trying to resurrect his label and find the next new sound. Filming began on July 25, 2014.<ref>{{cite web |url=https://www.deadline.com/2014/07/mick-jagger-hbo-untitled-rock-n-roll-drama-martin-scorsese-tweet/ |title=Mick Jagger Tweets From Set Of HBO's Untitled Rock 'N' Roll Drama – Deadline |author=The Deadline Team |work=Deadline |date=July 25, 2014 |access-date=September 12, 2015 |url-status=dead |archive-url=https://web.archive.org/web/20140808053144/http://www.deadline.com/2014/07/mick-jagger-hbo-untitled-rock-n-roll-drama-martin-scorsese-tweet/ |archive-date=August 8, 2014}}</ref> Co-stars include [[Ray Romano]], [[Olivia Wilde]], [[Juno Temple]], [[Andrew Dice Clay]], [[Ato Essandoh]], [[Max Casella]], and James Jagger. On December 2, 2014, ''Vinyl'' was picked up by HBO.<ref>{{cite web |title=Martin Scorsese, Mick Jagger, and Terence Winter's Rock 'N" Roll Drama Picked Up to Series by HBO |url=https://deadline.com/2014/12/martin-scorsese-mick-jagger-terence-winter-rock-n-roll-series-pickup-hbo-1201306279/ |author=Nellie Andreeva |date=December 2, 2014 |access-date=December 2, 2014 |url-status=live |archive-url=https://web.archive.org/web/20141203144415/http://deadline.com/2014/12/martin-scorsese-mick-jagger-terence-winter-rock-n-roll-series-pickup-hbo-1201306279/ |archive-date=December 3, 2014}}</ref> The series lasted one season. Scorsese has acted as executive producer of several indie films, like the 2014 ''[[The Third Side of the River]]'' (directed by his protege Celina Murga), another 2014 film ''[[Revenge of the Green Dragons]]'' (co-directed by Andrew Lau, whose film ''Infernal Affairs'' inspired ''The Departed''),<ref>{{cite web |url=http://remezcla.com/film/meet-celina-murga-director-of-la-tercera-orilla-martin-scorseses-bff/ |title=Meet Celina Murga, Director of 'La Tercera Orilla' & Martin Scorsese's BFF |work=[[Remezcla]] |date=February 19, 2014 |access-date=September 12, 2015 |url-status=live |archive-url=https://web.archive.org/web/20150916181429/http://remezcla.com/film/meet-celina-murga-director-of-la-tercera-orilla-martin-scorseses-bff/ |archive-date=September 16, 2015}}</ref> as well as ''[[Bleed for This]]'' and ''[[Free Fire (film)|Free Fire]]''.<ref>{{Cite magazine |url=https://www.rollingstone.com/movies/movie-features/martin-scorsese-and-ben-wheatley-on-free-fire-gunfights-and-crime-flicks-120766/ |title=Martin Scorsese and Ben Wheatley on 'Free Fire,' Gunfights and Crime Flicks |access-date=September 19, 2018 |archive-url=https://web.archive.org/web/20180919082315/https://www.rollingstone.com/movies/movie-features/martin-scorsese-and-ben-wheatley-on-free-fire-gunfights-and-crime-flicks-120766/ |archive-date=September 19, 2018 |url-status=live|magazine=Rolling Stone|first=Stephen|last= Garrett|date=April 24, 2017 }}</ref>

Scorsese directed ''[[The Audition (2015 film)|The Audition]]'', a short film that also served as a promotional piece for casinos [[Studio City (Macau)|Studio City]] in [[Macau]] and [[City of Dreams Manila|City of Dreams]] in [[Manila, Philippines]]. The short brought together Scorsese's long-time muses Leonardo DiCaprio and Robert De Niro for the first time under his direction. The short film featured the two actors, playing fictionalized versions of themselves, competing for a role in Scorsese's next film. It was Scorsese's first collaboration with De Niro in two decades.<ref>{{cite magazine |title=Watch De Niro and DiCaprio Square Off in Scorsese Short |first=Ryan |last=Reed |url=https://www.rollingstone.com/movies/videos/martin-scorsese-reunites-robert-de-niro-leonardo-dicaprio-20150114 |magazine=Rolling Stone |date=January 14, 2015 |access-date=January 18, 2015 |url-status=live |archive-url=https://web.archive.org/web/20150118060444/http://www.rollingstone.com/movies/videos/martin-scorsese-reunites-robert-de-niro-leonardo-dicaprio-20150114 |archive-date=January 18, 2015}}</ref> The film premiered in October 2015 in conjunction with the grand opening of Studio City.<ref name="reuters">{{cite news |url=https://www.reuters.com/article/us-film-theaudition-idUSKCN0SL23U20151027 |title=De Niro, DiCaprio face off for role in Scorsese's "The Audition" |last=Gumuchian |first=Marie-Louise |date=October 27, 2015 |work=Reuters |access-date=November 12, 2016 |url-status=live |archive-url=https://web.archive.org/web/20161112204941/https://www.reuters.com/article/us-film-theaudition-idUSKCN0SL23U20151027 |archive-date=November 12, 2016}}</ref>

=== 2016–present ===
[[File:Fran Lebowitz @ BBF (6160549581).jpg|thumb|right|Scorsese profiled author [[Fran Lebowitz]] in the [[Netflix]] series ''[[Pretend It's a City]]'' (2021)]]
Scorsese had long anticipated filming an adaptation of [[Shūsaku Endō]]'s novel ''[[Silence (Endō novel)|Silence]]'', a drama about the lives of two Portuguese [[Society of Jesus|Jesuit]] priests in Japan during the 17th century. He had originally planned ''Silence'' as his next project following ''Shutter Island.''<ref>{{Cite news |last=Fleming |first=Michael |title=Scorsese, King talking up 'Silence' – Daniel Day-Lewis, Benicio Del Toro to star |url=https://variety.com/2009/film/markets-festivals/scorsese-king-talking-up-silence-1117999411/ |work=[[Variety (magazine)|Variety]] |date=February 1, 2009 |url-status=live |archive-url=https://web.archive.org/web/20101013085806/http://www.variety.com/article/VR1117999411.html?categoryid=13&cs=1 |archive-date=October 13, 2010}}</ref> On April 19, 2013, financing was secured for ''[[Silence (2016 film)|Silence]]'' by [[Emmett/Furla/Oasis Films|Emmett/Furla Films]],<ref>{{Cite news |last=Jagernauth |first=Kevin |title=Martin Scorsese's 'Silence' Gets Funding, Will Shoot In July 2014 |url=http://blogs.indiewire.com/theplaylist/martin-scorseses-silence-gets-funding-will-shoot-in-july-2014-20130419 |date=April 19, 2013 |url-status=dead |archive-url=https://web.archive.org/web/20131019102018/http://blogs.indiewire.com/theplaylist/martin-scorseses-silence-gets-funding-will-shoot-in-july-2014-20130419 |archive-date=October 19, 2013 |access-date=December 4, 2018}}</ref> and filming began in January 2015. By November 2016, the film had completed post-production. It was written by Jay Cocks and Scorsese, based on the novel, and stars [[Andrew Garfield]], [[Liam Neeson]], and [[Adam Driver]].<ref>{{cite web |first=Dave |last=McNary |title=Martin Scorsese Locks Funding for 'Silence' |url=https://variety.com/2015/film/news/martin-scorsese-locks-funding-for-silence-1201412246/ |work=Variety |date=January 22, 2015 |access-date=February 26, 2016 |url-status=live |archive-url=https://web.archive.org/web/20160207163506/http://variety.com/2015/film/news/martin-scorsese-locks-funding-for-silence-1201412246/ |archive-date=February 7, 2016}}</ref> The film was released on December 23, 2016, to positive reviews from critics.<ref>{{cite web |last=Ford |first=Rebecca |title=Martin Scorsese's 'Silence' Gets December Release Date |url=https://www.hollywoodreporter.com/news/martin-scorseses-silence-gets-december-932451 |work=[[The Hollywood Reporter]] |date=September 26, 2016 |access-date=September 26, 2016 |url-status=live |archive-url=https://web.archive.org/web/20160926192424/http://www.hollywoodreporter.com/news/martin-scorseses-silence-gets-december-932451 |archive-date=September 26, 2016}}</ref><ref>{{cite web |first=Brent |last=Lang |title=Martin Scorsese's 'Silence' Lands Oscar-Season Release Date |work=Variety |url=https://variety.com/2016/film/news/silence-martin-scorsese-1201870272/ |date=September 26, 2016 |access-date=September 26, 2016 |url-status=live |archive-url=https://web.archive.org/web/20160927123220/http://variety.com/2016/film/news/silence-martin-scorsese-1201870272/ |archive-date=September 27, 2016}}</ref> Scorsese was recognized as an Italian citizen by ''[[jus sanguinis]]'' in 2018.<ref name="cittadino-italiano">{{cite web |url=http://www.ansa.it/sito/notizie/topnews/2018/09/26/scorsese-cittadino-italiano_626557d5-addc-468e-aa8f-69e22f310b6f.html |title=Scorsese cittadino italiano |website=ANSA.it |language=it |date=September 26, 2018|access-date=September 26, 2018|archive-url=https://web.archive.org/web/20180926200416/http://www.ansa.it/sito/notizie/topnews/2018/09/26/scorsese-cittadino-italiano_626557d5-addc-468e-aa8f-69e22f310b6f.html|archive-date=September 26, 2018|url-status=live}}</ref>

On January 10, 2019, ''Variety''{{'}}s Chris Willman reported that Scorsese's long-anticipated documentary of Bob Dylan's 1975 tour, the [[Rolling Thunder Revue]], would be released by [[Netflix]]: "''[[Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese]]'' captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year. Part documentary, part concert film, part fever dream, ''Rolling Thunder'' is a one of a kind experience, from master filmmaker Martin Scorsese."<ref>{{cite web |last1=Willman |first1=Chris |title=Bob Dylan, Martin Scorsese Reunite for 'Rolling Thunder' Film, Coming to Netflix in 2019 (Exclusive) |url=https://variety.com/2019/music/news/bob-dylan-martin-scorsese-rolling-thunder-film-netflix-1203104499/ |website=[[Variety (magazine)|Variety]] |access-date=April 20, 2019 |date=January 10, 2019|archive-url=https://web.archive.org/web/20190428140817/https://variety.com/2019/music/news/bob-dylan-martin-scorsese-rolling-thunder-film-netflix-1203104499/|archive-date=April 28, 2019|url-status=live}}</ref> On April 25, 2019, it was announced that the documentary would be released on Netflix on June 12, 2019, with a concurrent theatrical engagement in twenty American, European, and Australian cities the night before, and an extended theatrical schedule in Los Angeles and New York so that the film will qualify for award consideration.<ref>{{cite web |last1=Willman |first1=Chris |title=Martin Scorsese's 'Rolling Thunder' Bob Dylan Doc Hits Netflix June 12 (EXCLUSIVE) |url=https://news.yahoo.com/martin-scorsese-rolling-thunder-bob-160036502.html |website=[[Variety (magazine)|Variety]] |access-date=April 25, 2019 |date=April 25, 2019|archive-url=https://web.archive.org/web/20190425162434/https://news.yahoo.com/martin-scorsese-rolling-thunder-bob-160036502.html|archive-date=April 25, 2019|url-status=live}}</ref><ref>{{cite web |url=https://mkefilm.org/oriental-theatre/events/rolling-thunder-revue-a-bob-dylan-story-by-martin |title=Rolling Thunder Review: A Bob Dylan Story by Martin Scorsese |work=Milwaukee Film |archive-url=https://web.archive.org/web/20190510114956/https://mkefilm.org/oriental-theatre/events/rolling-thunder-revue-a-bob-dylan-story-by-martin |archive-date=May 10, 2019 |access-date=May 7, 2019}}</ref> After years of development, principal photography on Scorsese's crime film ''[[The Irishman]]'', based on the book ''[[I Heard You Paint Houses]]'' by [[Charles Brandt]], began in August 2017, starring Robert De Niro, Joe Pesci, and [[Al Pacino]].<ref>{{cite web |url=https://deadline.com/2016/05/martin-scorsese-the-irishman-coming-together-deniro-pesci-pacino-paramount-1201749235/ |title=Martin Scorsese's 'The Irishman' Coming Together Quickly: Could This Be The Hottest Title At Cannes? |last1=Tartaglione |first1=Nancy |last2=Busch |first2=Anita |last3=Jaafar |first3=Ali |date=May 6, 2016 |website=Deadline |access-date=May 7, 2016 |url-status=live |archive-url=https://web.archive.org/web/20160507055921/http://deadline.com/2016/05/martin-scorsese-the-irishman-coming-together-deniro-pesci-pacino-paramount-1201749235/ |archive-date=May 7, 2016}}</ref> The film had its world premiere at the [[57th New York Film Festival]] on September 27, 2019.<ref>{{cite web |url=https://www.pastemagazine.com/articles/2019/07/the-irishman-martin-scorsese-premiere-date.html |archive-url=https://web.archive.org/web/20190819103424/https://www.pastemagazine.com/articles/2019/07/the-irishman-martin-scorsese-premiere-date.html |title=Martin Scorsese's ''The Irishman'' Gets First-Look Photos, World Premiere Date |website=[[Paste (magazine)|Paste]] |first=Harry |last=Todd |date=July 29, 2019 |access-date=August 19, 2019 |archive-date=August 19, 2019 |url-status=live}}</ref> It received a limited theatrical release on November 1, 2019, followed by digital streaming on November 27, 2019, on Netflix.<ref>{{cite web |first=Mike Jr. |last=Fleming |title=Netflix Sets November 1 Theatrical Bow For Martin Scorsese-Directed 'The Irishman:' 27 Day US & UK Rollout Comes Before Pic Streams For Thanksgiving Holiday |url=https://deadline.com/2019/08/the-irishman-netflix-november-1-theatrical-bow-martin-scorsese-robert-deniro-27-day-us-uk-rollout-stream-thanksgiving-holiday-1202704994/ |archive-url=https://web.archive.org/web/20190827140928/https://deadline.com/2019/08/the-irishman-netflix-november-1-theatrical-bow-martin-scorsese-robert-deniro-27-day-us-uk-rollout-stream-thanksgiving-holiday-1202704994/ |website=[[Deadline Hollywood|Deadline]] |date=August 27, 2019 |access-date=August 27, 2019 |archive-date=August 27, 2019 |url-status=live}}</ref> In January 2020, ''The Irishman'' received ten [[Academy Awards|Academy Award]] nominations, including for [[Academy Award for Best Picture|Best Picture]], [[Academy Award for Best Director|Best Director]], [[Academy Award for Best Adapted Screenplay|Best Adapted Screenplay]], and [[Academy Award for Best Supporting Actor|Best Supporting Actor]] for Pacino and Pesci.<ref>{{Cite web|url=https://variety.com/2020/film/news/netflix-oscar-nominations-2020-the-irishman-marriage-story-1203463792/|title=Netflix Leads Oscar Nominations for the First Time Behind 'Irishman,' 'Marriage Story'|last=Donnelly|first=Matt|date=January 13, 2020|website=Variety|url-status=live|access-date=January 25, 2020|archive-url=https://web.archive.org/web/20200125204835/https://variety.com/2020/film/news/netflix-oscar-nominations-2020-the-irishman-marriage-story-1203463792/|archive-date=January 25, 2020}}</ref>

On December 29, 2020, the trailer for Scorsese's [[Netflix]] documentary series ''[[Pretend It's a City]]'' was released. The series features [[Fran Lebowitz]] and Scorsese as they delve into her personal beliefs and thoughts on [[New York City]].<ref>{{cite magazine|title=Martin Scorsese Reveals New Fran Lebowitz Doc, 'Pretend It's a City'|url=https://www.rollingstone.com/movies/movie-news/martin-scorsese-fran-lebowitz-doc-pretend-city-netflix-1107985/|access-date=December 30, 2020|magazine=Rolling Stone|date=December 28, 2020|archive-date=December 29, 2020|archive-url=https://web.archive.org/web/20201229234523/https://www.rollingstone.com/movies/movie-news/martin-scorsese-fran-lebowitz-doc-pretend-city-netflix-1107985/|url-status=live}}</ref> The project was released January 8, 2021, on [[Netflix]].<ref>{{cite web|title=Pretend It's a City Trailer: Martin Scorsese Presents Fran Lebowitz's New York|url=https://www.vulture.com/2020/12/pretend-its-a-city-trailer-martin-scorsese-fran-lebowitz.html|access-date=December 30, 2020|website=Vulture|date=December 28, 2020|archive-date=December 29, 2020|archive-url=https://web.archive.org/web/20201229224723/https://www.vulture.com/2020/12/pretend-its-a-city-trailer-martin-scorsese-fran-lebowitz.html|url-status=live}}</ref> This is Scorsese's second documentary featuring Lebowitz, the first being ''[[Public Speaking (film)|Public Speaking]]'' (2010), which was released on [[HBO]].<ref>{{cite web|title=Fran Lebowitz vs. the World Talking (on a landline) with the star of Martin Scorsese's cranky, necessary love letter to New York, Pretend It's a City.|url=https://www.curbed.com/article/fran-lebowitz-pretend-its-a-city.html|access-date=December 30, 2020|website=Curbed|date=December 29, 2020|archive-date=December 29, 2020|archive-url=https://web.archive.org/web/20201229190019/https://www.curbed.com/article/fran-lebowitz-pretend-its-a-city.html|url-status=live}}</ref> In October 2022, Scorsese and David Tedeschi premiered their collaborative film ''Personality Crisis: One Night Only'', at the New York Film Festival. The film is a documentary about [[David Johansen]], featuring both contemporary concert footage shot for the project as well as archival footage.<ref>{{Cite web |last1=Complex |first1=Valerie |date=October 16, 2022 |title='Personality Crisis: One Night Only' Review: Martin Scorsese And David Tedeschi Rock Out To The Music Of New York Legend David Johansen |url=https://deadline.com/2022/10/personality-crisis-one-night-only-review-martin-scorsese-and-david-tedeschi-1235146172/ |access-date=October 28, 2022 |website=Deadline |archive-date=October 27, 2022 |archive-url=https://web.archive.org/web/20221027142914/https://deadline.com/2022/10/personality-crisis-one-night-only-review-martin-scorsese-and-david-tedeschi-1235146172/ |url-status=live }}</ref>

[[File:ScorseseScreentalk071023 (6 of 27) (53241781347).jpg|thumb|left|Scorsese with [[Edgar Wright]] at the [[London Film Festival]] in 2023]]
In July 2019, Scorsese started scouting locations in preparation for the 2020 filming of his next film ''[[Killers of the Flower Moon (film)|Killers of the Flower Moon]]'', a film adaptation of the [[Killers of the Flower Moon (book)|book of the same name]] by [[David Grann]]. Scorsese would [[Martin Scorsese and Leonardo DiCaprio|team up with Leonardo DiCaprio for the sixth time]] and [[Martin Scorsese and Robert De Niro|Robert De Niro for the tenth time]].<ref>{{cite web|url=https://hnentertainment.co/robert-deniro-reportedly-joins-leonardo-dicaprio-in-martin-scorsese-crime-thriller-killers-of-the-flower-moon-begins-filming-next-spring-summer/|title=Robert De Niro Reportedly Joins Leonardo DiCaprio In Martin Scorsese's Crime Thriller 'Killers of The Flower Moon'|website=HN Entertainment|access-date=October 25, 2019|date=July 27, 2019|url-status=live|archive-url=https://web.archive.org/web/20191022034909/https://hnentertainment.co/robert-deniro-reportedly-joins-leonardo-dicaprio-in-martin-scorsese-crime-thriller-killers-of-the-flower-moon-begins-filming-next-spring-summer/|archive-date=October 22, 2019}}</ref> In December 2019, Scorsese's frequent cinematographer [[Rodrigo Prieto]] confirmed that ''Flower Moon'' was gearing up to start principal photography in March 2020, which was postponed due to the [[COVID-19 pandemic]].<ref>"Scorsese, DiCaprio's 'Flower Moon' Eyes March 2020 Start," by Zack Sharf. December 2, 2019, ''IndieWire''. [https://www.indiewire.com/2019/12/scorsese-dicaprio-killers-flower-moon-filming-march-2020-tone-1202193610/] {{Webarchive|url=https://web.archive.org/web/20191227091805/https://www.indiewire.com/2019/12/scorsese-dicaprio-killers-flower-moon-filming-march-2020-tone-1202193610/|date=December 27, 2019}}</ref> In April 2020, it was announced that filming for ''Killers of the Flower Moon'' had been postponed indefinitely in response to the COVID-19 pandemic, that the potential cost of the film had ballooned to $200 million, and that Scorsese was in talks with [[Netflix]] or [[Apple Inc.|Apple]] to produce and distribute, with [[Paramount Pictures]] involved as a partner.<ref>{{cite web |last=Sharf |first=Zack |url=https://www.krmg.com/news/local/postponement-killers-the-august-moon-leads-chance-part-the-movie/7qBMQ9oXtIOxs0Ef18e8wN/ |title=Postponement of Killers of the Flower Moon leads to a chance to be in the movie |website=[[KRMG (AM)|KRMG]] |date=April 16, 2020 |access-date=August 11, 2020 |archive-url=https://web.archive.org/web/20200811172746/https://www.krmg.com/news/local/postponement-killers-the-august-moon-leads-chance-part-the-movie/7qBMQ9oXtIOxs0Ef18e8wN/ |archive-date=August 11, 2020 |url-status=dead }}</ref><ref>{{cite web |url=https://www.indiewire.com/2020/04/martin-scorsese-talks-apple-netflix-distribute-killers-of-the-flower-moon-1202224149/ |title=Martin Scorsese Talking With Apple, Netflix to Distribute Next Film — Report |first=Tyler |last=Hersko |work=IndieWire |date=April 10, 2020 |access-date=April 10, 2020 |archive-date=April 10, 2020 |archive-url=https://web.archive.org/web/20200410064800/https://www.indiewire.com/2020/04/martin-scorsese-talks-apple-netflix-distribute-killers-of-the-flower-moon-1202224149/ |url-status=live }}</ref> On May 27, 2020, Apple bought the production and distribution rights to the film, which was released theatrically by Paramount and streamed on [[Apple TV+]].<ref>{{cite web |url=https://deadline.com/2020/05/killers-of-the-flower-moon-martin-scorsese-leonardo-dicaprio-robert-de-niro-apple-paramount-1202904816/ |title=Apple Partners With Paramount on Martin Scorsese and Leonardo DiCaprio's 'Killers of the Flower Moon' |first=Mike Jr. |last=Fleming |work=Deadline Hollywood |date=May 27, 2020 |access-date=May 27, 2020 |archive-date=May 28, 2020 |archive-url=https://web.archive.org/web/20200528002737/https://deadline.com/2020/05/killers-of-the-flower-moon-martin-scorsese-leonardo-dicaprio-robert-de-niro-apple-paramount-1202904816/ |url-status=live }}</ref> Principal photography commenced in April 2021.<ref>{{Cite web|last=Sharf|first=Zack|date=February 18, 2021|title=Jesse Plemons Takes Over DiCaprio's Original Role in Scorsese's 'Flower Moon' After Script Changes|url=https://www.indiewire.com/2021/02/flower-moon-script-changes-jesse-plemons-dicaprio-role-1234617674/|access-date=February 23, 2021|website=IndieWire|archive-date=February 28, 2021|archive-url=https://web.archive.org/web/20210228004955/https://www.indiewire.com/2021/02/flower-moon-script-changes-jesse-plemons-dicaprio-role-1234617674/|url-status=live}}</ref> It premiered at the [[2023 Cannes Film Festival|76th Cannes Film Festival]] on May 20, 2023, receiving a nine-minute standing ovation and was released theatrically on October 20, 2023.<ref>{{Cite web |last=Wiseman |first=Andreas |date=March 31, 2023 |title=Martin Scorsese's 'Killers Of The Flower Moon' Officially Confirmed For Cannes Film Festival |url=https://deadline.com/2023/03/martin-scorsese-killers-flower-moon-cannes-film-festival-leonardo-dicaprio-debut-1235314406/ |access-date=April 27, 2023 |website=Deadline |archive-date=April 7, 2023 |archive-url=https://web.archive.org/web/20230407092953/https://deadline.com/2023/03/martin-scorsese-killers-flower-moon-cannes-film-festival-leonardo-dicaprio-debut-1235314406/ |url-status=live }}</ref> On May 16, 2023, while promoting ''Killers of the Flower Moon'', Scorsese spoke about his eagerness to continue working, stating: "I'm old. I read stuff. I see things. I want to tell stories, and there's no more time."<ref>{{Cite web |last=Fleming |first=Mike Jr. |date=May 16, 2023 |title=Martin Scorsese, Leonardo DiCaprio & Robert De Niro On How They Found The Emotional Handle For Their Cannes Epic 'Killers Of The Flower Moon' |url=https://deadline.com/2023/10/martin-scorsese-interview-killers-of-the-flower-moon-leonardo-dicaprio-robert-de-niro-1235359006/ |access-date=May 20, 2023 |website=Deadline |archive-date=May 20, 2023 |archive-url=https://web.archive.org/web/20230520221259/https://deadline.com/2023/05/martin-scorsese-interview-killers-of-the-flower-moon-leonardo-dicaprio-robert-de-niro-1235359006/ |url-status=live }}</ref> It was nominated for ten Oscars, and seven Golden Globes, winning one for Best Actress in a Drama [[Lily Gladstone]]. That same year, he directed a commercial for [[Bleu de Chanel]] starring [[Timothée Chalamet]].<ref>{{cite web|url= https://www.avclub.com/martin-scorsese-timothee-chalamet-chanel-ad-1850978059|title= You won't even have time for a pee break during Martin Scorsese's 60-second perfume ad|website= AV Club|date= October 31, 2023|accessdate= November 1, 2023|archive-date= November 1, 2023|archive-url= https://web.archive.org/web/20231101013531/https://www.avclub.com/martin-scorsese-timothee-chalamet-chanel-ad-1850978059|url-status= live}}</ref>

In 2024, Scorsese narrated the documentary film ''[[Made in England: The Films of Powell and Pressburger]]'' directed by David Hinton. Guy Lodge of ''[[Variety (magazine)|Variety]]'' wrote: "Scorsese may not have directed this engaging tour through a vital filmography, but he narrates with palpable, personal devotion to his subject."<ref>{{cite web|url= https://variety.com/2024/film/reviews/made-in-england-the-films-of-powell-and-pressburger-review-martin-scorsese-1235917890/|title= 'Made in England: The Films of Powell and Pressburger' Review: Martin Scorsese Sends a Valentine to British Cinema's Great Dreamers|website= Variety|date= February 21, 2024|accessdate= April 27, 2024}}</ref> The film premiered at the [[Berlin International Film Festival]] where it was picked up for distribution by [[MUBI]].<ref>{{cite web|url= https://deadline.com/2024/02/martin-scorsese-film-made-england-films-powell-pressburger-us-distribution-deals-berlin-1235832767/|title= Martin Scorsese-Narrated Documentary 'Made In England: The Films Of Powell And Pressburger' Gets U.S. Distribution Deals Ahead Of Berlin Premiere|website= [[Deadline Hollywood]]|date= February 21, 2024|accessdate= April 27, 2024}}</ref>

==== Upcoming projects ====
In November 2021, Scorsese was set to direct a biopic feature about rock band the [[Grateful Dead]] for [[Apple TV+|Apple Studios]] featuring [[Jonah Hill]].<ref>{{cite news|title=Jonah Hill To Play Jerry Garcia In Martin Scorsese-Directed Grateful Dead Pic For Apple|url=https://deadline.com/2021/11/jonah-hill-jerry-garcia-martin-scorsese-grateful-dead-pic-apple-1234875832/|work=Deadline Hollywood|date=November 18, 2021|first=Justin|last=Kroll|access-date=February 10, 2024|archive-date=November 19, 2021|archive-url=https://web.archive.org/web/20211119040607/https://deadline.com/2021/11/jonah-hill-jerry-garcia-martin-scorsese-grateful-dead-pic-apple-1234875832/|url-status=live}}</ref> In July 2022, it was announced Scorsese would direct an adaptation of David Grann's non-fiction novel ''[[The Wager: A Tale of Shipwreck, Mutiny and Murder|The Wager]]'' for [[Apple Studios (production company)|Apple Studios]], reteaming once again with DiCaprio.<ref>{{cite news|title=Leonardo DiCaprio & Martin Scorsese Reteam For Apple Film 'The Wager' Based On David Grann Book|url=https://deadline.com/2022/07/leonardo-dicaprio-martin-scorsese-reteam-for-apple-film-the-wager-1235081275/|work=[[Deadline Hollywood]]|date=July 29, 2022|first=Matt|last=Grobar|access-date=August 4, 2022|archive-date=August 4, 2022|archive-url=https://web.archive.org/web/20220804205539/https://deadline.com/2022/07/leonardo-dicaprio-martin-scorsese-reteam-for-apple-film-the-wager-1235081275/|url-status=live}}</ref> In May 2023, after meeting with [[Pope Francis]], Scorsese said he was considering writing and directing a new film about Jesus.<ref>{{cite news|url=https://variety.com/2023/film/global/martin-scorsese-pope-francis-film-about-jesus-1235627620/|title=Martin Scorsese Meets Pope Francis, Announces Film About Jesus – Report|work=[[Variety (website)|Variety]]|date=May 29, 2023|first=Nick|last=Vivarelli|access-date=May 29, 2023|archive-date=May 29, 2023|archive-url=https://web.archive.org/web/20230529111935/https://variety.com/2023/film/global/martin-scorsese-pope-francis-film-about-jesus-1235627620/|url-status=live}}</ref> More details were revealed in January 2024, revealing that it would likely be Scorsese's next film and that he had co-written it with [[Kent Jones (critic)|Kent Jones]], based on the [[Shūsaku Endō]] novel ''A Life of Jesus''.<ref>{{cite news|url=https://www.indiewire.com/news/general-news/martin-scorsese-confirms-a-life-of-jesus-script-finished-1234941542/|title=Martin Scorsese Confirms 'A Life of Jesus' Script Is Finished: 80-Minute Movie Will Not 'Proselytize'|work=Indiewire|date=January 8, 2024|first=Samantha|last=Bergeson|access-date=January 9, 2024|archive-date=January 8, 2024|archive-url=https://web.archive.org/web/20240108235951/https://www.indiewire.com/news/general-news/martin-scorsese-confirms-a-life-of-jesus-script-finished-1234941542/|url-status=live}}</ref> In 2023, during an interview with ''[[GQ]]'', it was revealed that Scorsese was working on an adaptation of [[Marilynne Robinson]]'s ''[[Home (Robinson novel)|Home]]'' with [[Todd Field]] and Jones.<ref>{{cite web|url= https://www.gq.com/story/martin-scorsese-profile|title= Martin Scorsese: "I Have To Find Out Who The Hell I Am."|website= GQ|date= September 25, 2023|accessdate= September 25, 2023|archive-date= September 25, 2023|archive-url= https://web.archive.org/web/20230925132509/https://www.gq.com/story/martin-scorsese-profile|url-status= live}}</ref> It was reported in February 2025 that Scorsese would be directing a mob movie set in [[Hawaii]], starring and being co-produced by [[Dwayne Johnson]], Leonardo DiCaprio and [[Emily Blunt]]. Johnson and Blunt pitched the plot to Scorsese and DiCaprio, which was described as being "a cross between ''[[Goodfellas]]'' and ''[[The Departed]]''", and [[Nick Bilton]] was hired as a screenwriter.<ref>{{cite web|url= https://variety.com/2025/film/news/martin-scorsese-dwayne-johnson-leonardo-dicaprio-emily-blunt-crime-movie-1236314279/|title= Martin Scorsese and Leonardo DiCaprio Attached to Hawaii-Set Crime Film From Dwayne Johnson and Emily Blunt|website= Variety|date= February 20, 2025|accessdate= February 20, 2025}}</ref> In March 2025, it was announced that he would be adapting Robinson's ''Home'' for Apple TV+ with DiCaprio starring.<ref>{{cite web|url=https://theplaylist.net/home-martin-scorsese-leo-dicaprio-marilynne-robinson-apple-todd-field-20250310/|title=Martin Scorsese's 'Home' Starring Leo DiCaprio Lands At Apple|website=ThePlaylist|date=March 10, 2025}}</ref>