Editing John Garfield (section)

==New York theater and the Group==
Garfield received feature billing in his next role, that of Henry the office boy in [[Elmer Rice]]'s play ''Counsellor-at-Law'', starring [[Paul Muni]]. The play ran for three months, made an Eastern tour and returned for an unprecedented second, repeat engagement, only closing when Muni was contractually compelled to go back to Hollywood to make a film for Warners. At this point, Warners expressed an interest in Garfield and sought a [[screen test]]. He turned them down.

Garfield's former colleagues Crawford, Clurman and Strasberg had begun a new theater collective, calling it simply "[[Group Theatre (New York)|the Group]]", and Garfield lobbied his friends hard to get in. After months of rejection, he began frequenting the inside steps of the [[Broadhurst Theater]] where the Group had its offices. Cheryl Crawford noticed him one day and greeted him warmly. Feeling encouraged, he made his request for apprenticeship. Something intangible impressed her, and she recommended him to the other directors. They made no objection.

[[Clifford Odets]] had been a close friend of Garfield from the early days in the Bronx. After Odets' one-act play ''[[Waiting for Lefty]]'' became a surprise hit, the Group announced it would mount a production of his full-length drama ''[[Awake and Sing]]''. At the playwright's insistence, Garfield was cast as Ralph, the sensitive young son who pleads for "a chance to get to first base". The play opened in February 1935, and Garfield was singled out by critic [[Brooks Atkinson]] for having a "splendid sense of character development". Garfield's apprenticeship was officially over; he was voted full membership by the company. Odets was the man of the moment, and he claimed to the press that Garfield was his "find" and that he would soon write a play just for him. That play would turn out to be ''[[Golden Boy (play)|Golden Boy]]'', but when [[Luther Adler]] was cast in the lead role instead, a disillusioned Garfield began to take a second look at the overtures being made by [[Hollywood (film industry)|Hollywood]].<ref name=Nott/>