Editing Henry Kendall (poet) (section)

==Adult life==

Returning from his maritime experience to Sydney when 17-years-old, Kendall found his mother keeping a boarding-school; it was necessary that he should do something to earn a living, and he became a shop-assistant. He had begun to write verses and this brought him in contact with two well-known verse writers of the day, Joseph Sheridan Moore who published a volume of verse, ''Spring Life Lyrics'', in 1864, and [[James Lionel Michael]]. Michael, who was a solicitor, took Kendall into his office and gave him the run of his library. He removed to [[Grafton, New South Wales|Grafton]] in 1861 and Kendall was again employed by him for about six months during the following year.<ref name=adbthkendall>[http://www.adb.online.anu.edu.au/biogs/A050017b.htm Australian Dictionary of Biography – Thomas Henry Kendall (1839–1882)]</ref>

Kendall made another friend in [[Henry Parkes]], who was editing ''The Empire'' from 1850 to 1857 and published a few of his youthful verses. In 1862 he sent some poems to the ''London Athenaeum'' which printed three of them and gave the author kindly praise. In the same year his first volume, ''Poems and Songs'', was published at Sydney. It was well received and eventually the whole edition of 500 copies was sold. Representations were made to the government, and in 1863 a position was found for the poet in the lands department. He was transferred to the colonial secretary's department in 1864 and appears to have discharged his duties in a conscientious way; his hours were not long and he had some leisure for literature. His salary, originally £150 a year, became increased to £250 and he was able to make a home for his mother and sisters.

In 1868 he married Charlotte Rutter, the daughter of a Sydney physician, and in the following year resigned from his position in the government service<ref name=adbthkendall/> and went to [[Melbourne]], which had become a larger city than Sydney and more of a literary centre. Kendall's decision to give up his position must at the time have seemed very unwise. But he had become financially embarrassed before his marriage on account of the extravagance of his family, and his wife found it impossible to live with his mother, who had joined the young couple. The elder Mrs Kendall was in fact practically a dipsomaniac, and the poet felt that the only chance of happiness for himself and his wife was to make a fresh start in another city. 

They travelled south to Melbourne where he was welcomed by his fellow writers, such as [[George Gordon McCrae]], [[Marcus Clarke]] and [[Adam Lindsay Gordon]]. He and Clarke worked together to produce the short-lived satirical magazine ''Humbug'' (1869-70). Kendall, however, had none of the qualities of a successful journalist. Some of his work was accepted by the press and [[George Robertson (bookseller)|George Robertson]] published his second volume of poetry, ''Leaves from Australian Forests'', soon after his arrival. The poem 'Bell-Birds', one of Australia's best-known poems, was published in that volume. The press notices were favourable, one reviewer in his enthusiasm going so far as to say that "Swinburne, Arnold and Morris are indulgently treated if we allow them an equal measure of poetic feeling with Kendall". Despite this, comparatively few copies were sold and the publisher made a loss.<ref name="adb.anu.edu.au">{{Cite book|url=http://adb.anu.edu.au/biography/kendall-thomas-henry-3941|title=Australian Dictionary of Biography|chapter=Thomas Henry Kendall (1839–1882) |publisher=National Centre of Biography, Australian National University}}</ref>

The poet found that he could not make a living by literature and, probably by the good offices of [[George Gordon McCrae]], a temporary position was found for him in the government statist's office. Kendall, however, had no head for figures. He did his best but found his tasks hopeless. One day McCrae was called out into the passage to see Kendall, an agitated, trembling figure who told him he must go, he could not stand it any longer. Years later [[Henry Lawson]] was to write

<poem>::"Just as in Southern climes they give
::The hard-up rhymer figures!"</poem>

Kendall had indeed lost heart; he drifted into drinking and [[Alexander Sutherland (educator)|Alexander Sutherland]] in his essay draws a lurid picture of the depths into which the poet had fallen. It is true that he had the authority of Kendall's poem "On a Street", but years afterwards George Gordon McCrae reported that Kendall "made the worst of everything including himself". McCrae had no doubt about Kendall having at times given way to excessive drinking, but stated positively that he had never actually seen him the worse for drink. McCrae was a good friend to Kendall and he had many other friends in spite of his retiring and sensitive nature. But his friends could not save him from himself, and his two years in Melbourne were among the most miserable of his life. A pathetic letter is still in existence, in which Kendall tells McCrae that he could not go to Gordon's funeral because he was penniless. In December 1870 he was charged with forging and uttering a cheque but found not guilty on the ground of insanity. Unable to support his family, he was forced back to Sydney by poverty, ill health and drunkenness.<ref name="adb.anu.edu.au"/> Intervals of dogged literary effort alternated with lapses into melancholia.  His wife had to return to her mother and Kendall became a derelict; in early 1873 he spent four months in the Gladesville Hospital for the Insane.<ref name=adbthkendall/> In November 1873<ref>"Henry Kendall, The man and the myths" by Michael Ackland, 1995</ref> Kendall was taken in by the Fagan brothers, timber merchants near Gosford, and was afterwards given a position in the business of one of the brothers, Michael Fagan, at [[Camden Haven]]. There he stayed six years and found again his self-respect. Writing in October 1880 to George Gordon McCrae he said, referring to his employer, "I want you to know the bearer. He is the man who led me out of Gethsemane and set me in the sunshine".

In 1880 he published his third volume, ''Songs from the Mountains''. It was an outstanding success, doing much to re-establish his reputation.<ref name="adb.anu.edu.au"/> The volume contained a satirical poem on a politician of the day and had to be withdrawn under threat of a libel action. The original edition is now very rare. The volume was reissued with another poem substituted.