Editing Gerard Manley Hopkins (section)

==Oxford and priesthood==
Hopkins studied classics at [[Balliol College, Oxford]] (1863–1867).<ref name="Gardnerxvii">Gardner (1963), ''Gerard Manley Hopkins: Poems and Prose'', p. xvii.</ref> He began his time in Oxford as a keen socialite and prolific poet but seems to have alarmed himself with resulting changes in his behaviour. There he forged a lifelong friendship with [[Robert Bridges]] (later [[Poet Laureate of the United Kingdom]]), which would be important to his development as a poet and in establishing his posthumous acclaim.<ref Name="Gardnerxvii"/> Hopkins was deeply impressed with the work of [[Christina Rossetti]], who became one of his great contemporary influences. The two met in 1864.<ref Name="Gardnerxviii">Gardner (1963), ''Gerard Manley Hopkins: Poems and Prose'', p. xviii.</ref> During this time he studied with the writer and critic [[Walter Pater]], who tutored him in 1866 and remained a friend until Hopkins left Oxford for the second time in October 1879.<ref>Jude Nixon (1993), ''Gerard Manley Hopkins and His Contemporaries'', Liddon, Newman, Darwin, and Pater p. 175.</ref>

[[File:Alfred William Garrett; William Alexander Comyn Macfarlane; Gerard Manley Hopkins by Thomas C. Bayfield.jpg|thumb|upright|left|Alfred William Garrett, William Alexander Comyn Macfarlane and Hopkins (left to right), by Thomas C. Bayfield, 1866]]
In a journal entry of 6 November 1865, Hopkins declared an ascetic intention for his life and work: "On this day by God's grace I resolved to give up all beauty until I had His leave for it."<ref>Journal entry (6 November 1865), as reported in ''Extremity: A Study of Gerard Manley Hopkins'' (1978) by John Robinson, p. 1.</ref> On 18 January 1866, Hopkins composed his most ascetic poem, ''The Habit of Perfection''. On 23 January, he included poetry in a list of things to be given up for [[Lent]]. In July, he decided to become a Roman Catholic and travelled to Birmingham in September to consult the leader of the Oxford converts, [[John Henry Newman]].<ref Name="Gardnerxviii"/> Newman received him into the [[Roman Catholic Church]] on 21 October 1866.

The decision to convert estranged Hopkins from his family and from a number of acquaintances. After graduating in 1867, he was provided by Newman with a teaching post at the Oratory in Birmingham. While there he began to study the violin. On 5 May 1868 Hopkins firmly "resolved to be a religious." Less than a week later, he made a bonfire of his poetry and gave it up almost entirely for seven years. He also felt a call to enter the ministry and decided to become a [[Society of Jesus|Jesuit]]. He paused first to visit [[Switzerland]], which officially forbade Jesuits to enter.<ref name="PF"/><ref name="ReferenceA">Kitchen, P. (1978), ''Gerard Manley Hopkins'', London.</ref>

In September 1868, Hopkins began his Jesuit novitiate at [[Parkstead House|Manresa House]], [[Roehampton]], under the guidance of [[Alfred Weld]]. Two years later he moved to St Mary's Hall, [[Stonyhurst]], for philosophical studies, taking vows of poverty, chastity and obedience on 8 September 1870.<ref>{{Cite web |url=http://www.gerardmanleyhopkins.net/about/gerard_manley_hopkins.html |title=Gerard Manley Hopkins, Poet Priest Artist Writer Musician |work=Gerard Manley Hopkins' poems to music |first=Sean |last=O'Leary |access-date=15 May 2017 |date=July 2006}}</ref> He felt that his interest in poetry had stopped him devoting himself wholly to religion. However, on reading [[Duns Scotus]] in 1872, he saw how the two need not conflict.<ref>Everett, Glenn (1988), [http://www.victorianweb.org/authors/hopkins/hopkins12.html "Gerard Manley Hopkins: A Brief Biography"], ''The Victorian Web''.</ref> He continued to write a detailed prose journal in 1868–1875. Unable to suppress a desire to describe the natural world, he also wrote music, sketched, and for church occasions, wrote "verses", as he called them. He later wrote sermons and other religious pieces.

In 1874, Hopkins returned to Manresa House to teach classics. While studying in the Jesuit house of theological studies, [[St Beuno's Ignatian Spirituality Centre|St Beuno's College]], near [[St Asaph]] in [[Wales]], he was asked by his religious superior to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he took up poetry once more to write a lengthy piece, "[[The Wreck of the Deutschland]]", inspired by the ''[[Deutschland (1866)|Deutschland]]'' incident, a maritime disaster in which 157 people died, including five [[Franciscan]] nuns who had been leaving Germany due to harsh [[anti-Catholic]] laws (see [[Kulturkampf]]). The work displays both the religious concerns and some of the unusual [[meter (poetry)|metre]] and rhythms of his subsequent poetry not present in his few remaining early works. It not only depicts the dramatic events and heroic deeds but tells of him reconciling the terrible events with God's higher purpose. The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry, most of which remained unpublished until after his death.

[[File:GerardManleyHopkinsBluePlaque.jpg|thumb|Blue plaque commemorating Hopkins in [[Roehampton]], London]]
Hopkins chose the austere and restrictive life of a Jesuit and was gloomy at times. His biographer [[Robert Bernard Martin]] notes that "the life expectancy of a man becoming a novice at twenty-one was twenty-three more years rather than the forty years of males of the same age in the general population."<ref name=Ricks/> The brilliant student who had left Oxford with first-class honours failed his final theology exam. This almost certainly meant that despite his ordination in 1877, Hopkins would not progress in the order. In 1877 he wrote ''God's Grandeur'', an array of sonnets that included "The Starlight Night". He finished "[[The Windhover]]" only a few months before his ordination. His life as a Jesuit trainee, though rigorous, isolated and sometimes unpleasant, at least had some stability; the uncertain and varied work after ordination was even harder on his sensibilities. In October 1877, not long after completing "The Sea and the Skylark" and only a month after his ordination, Hopkins took up duties as sub-minister and teacher at [[Mount St Mary's College]] near Sheffield. In July 1878 he became curate at the Jesuit church in [[Mount Street, London|Mount Street]], London, and in December that of [[Oxford Oratory|St Aloysius's Church, Oxford]], then moving to Manchester, Liverpool and Glasgow.<ref name="PF"/> While ministering in Oxford, he became a founding member of [[The Newman Society]], established in 1878 for Catholic members of the [[University of Oxford]]. He taught Greek and Latin at [[Mount St Mary's College]], Sheffield, and [[Stonyhurst College]], Lancashire.

In the late 1880s Hopkins met [[Matthew Russell (priest)|Matthew Russell]] of the ''[[Irish Monthly]]'', who introduced him to [[Katharine Tynan]] and [[W. B. Yeats]].<ref>{{Cite journal |first=Norman |last=White |author-link=Norman White |url=https://academic.oup.com/nq/article-abstract/32/3/363/1169956?redirectedFrom=fulltext |title=A Newly Discovered Version of a Verse Translation by Gerard Manley Hopkins |journal=[[Notes and Queries]] |volume=32 |issue=3 |date=September 1985 |pages=363–364 |publisher=[[Oxford University Press]] |access-date=June 17, 2020 |doi=10.1093/notesj/32.3.363 |issn=0029-3970 |oclc=6941186639}}</ref>

In 1884, Hopkins became a professor of Greek and Latin at [[University College Dublin]].<ref>New English key notes 2013, Mentor Books, Dublin.</ref> His English roots and disagreement with the Irish politics of the time, along with his small stature ({{convert|5|ft|2|in|m|abbr=on|disp=or}}), unprepossessing nature and personal oddities, reduced his effectiveness as a teacher. This and his isolation in Ireland deepened a gloom that was reflected in his poems of the time, such as "I Wake and Feel the Fell of Dark, not Day". They came to be known as the "terrible sonnets", not for their quality but according to Hopkins's friend Canon Richard Watson Dixon, because they reached the "terrible crystal", meaning they crystallised the melancholic dejection that plagued the latter part of Hopkins's life.