Editing Francesco Andreini (section)

==Accomplishments==
He published his dialogue as Captain Spavento as "La bravura del Capitano Spavento". This dialogue takes place between the captain and his servant, Trappola.<ref>{{Cite journal|last=Boughner|first=Daniel C.|date=1940|title=Don Armado and the "Commedia Dell'Arte"|journal=Studies in Philology|volume=37|issue=2|pages=201–224|jstor=4172484}}</ref> Francesco Andreini wrote four to five page boasts in his publication of his dialogue; although Andreini may have elaborated on these speeches in print, it is clear that he was trying to give the audience the intense verbosity within. Similarly, Andreini elaborates on the fact that the doctor was only talk, while the lovers could get carried away with themselves to any extent.<ref>{{Cite journal|last=SCHMITT|first=NATALIE CROHN|date=September 2010|title=Improvisation in the Commedia dell'Arte in its Golden Age: Why, What, How|url=http://dx.doi.org/10.1086/rd.38.41917476|journal=Renaissance Drama|volume=38|pages=225–249|doi=10.1086/rd.38.41917476|s2cid=225071353 |issn=0486-3739}}</ref>

Andreini spoke a handful of languages including Italian, Turkish, English and French. He used a combination of these languages while performing. As Capitano, he often combined Italian and Turkish claiming it was Arabic. He also used [[Grammelot]] in his works and was one of the original inventors.<ref name=":0">{{Cite journal|last=Jaffe-Berg|first=Erith|date=2008-01-01|title=New Perspectives on Language, Oral Transmission, and Multilingualism in Commedia dell'Arte|journal=Early Theatre|volume=11|issue=2|doi=10.12745/et.11.2.779|issn=1206-9078|doi-access=free}}</ref>