Editing Beyond the Fringe (section)

==Controversy==
The revue was widely considered to be ahead of its time, both in its unapologetic willingness to debunk figures of authority, and by virtue of its inherently surrealistic comedic vein. Humiliation of authority was something only previously delved into in ''[[The Goon Show]]'' and, arguably, ''[[Hancock's Half Hour]]'', with such parliamentarians as [[Winston Churchill|Sir Winston Churchill]] and [[Harold Macmillan]] coming under special scrutiny—although the BBC were predisposed to frown upon it. Macmillan—according to Cook—was not particularly fond of the slurred caricature and charade of senile forgetfulness (marked by a failure to pronounce 'Conservative Party' coherently) handed down on him in Cook's impersonation. Since ''Beyond the Fringe'' was not owned by the BBC, however, the quartet enjoyed relative carte blanche. The only protocol they were obliged to adhere to was that, by law, their scripts had to be sent to the [[Lord Chamberlain]] for approval prior to performance, a requirement abolished in 1968.{{citation needed|date=June 2016}}

Most specifically, its lampooning of the British war effort in a sketch titled "The Aftermyth of War" was scorned by some war veterans for its supposed insensitivity.{{citation needed|date=June 2016}} One British visitor to the Broadway performance was said to have stood up and shouted 'rotters!' at a sketch he found distasteful, before apparently sitting down again and enjoying the remainder of the show, while another, at the first performance in Edinburgh, allegedly stood up and declared that the 'young bounders don't know the first thing about it!' and promptly left the auditorium.{{citation needed|date=June 2016}} In response to these negative audience reactions, the ''Beyond the Fringe'' team said{{citation needed|date=June 2016}} that they were not ridiculing the efforts of those involved in the war, but were challenging the subsequent media portrayal of them.