Editing Auditory illusion (section)

== In music ==
Composers have long been using the spatial components of music to alter the overall sound experienced by the listener.<ref>{{Cite journal|last=Begault|first=Durand R.|date=1990|title=The Composition of Auditory Space: Recent Developments in Headphone Music|url=https://www.jstor.org/stable/1578465|journal=Leonardo|volume=23|issue=1|pages=45–52|doi=10.2307/1578465|jstor=1578465|s2cid=191375886|issn=0024-094X}}</ref> One of the more common methods of sound synthesis is the use of combination tones. Combination tones are illusions that are not physically present as sound waves, but rather, they are created by one's own neuromechanics.<ref>{{Cite journal|last1=Kendall|first1=Gary S.|last2=Haworth|first2=Christopher|last3=Cádiz|first3=Rodrigo F.|date=2014|title=Sound Synthesis with Auditory Distortion Products|url=https://www.jstor.org/stable/24265446|journal=Computer Music Journal|volume=38|issue=4|pages=5–23|doi=10.1162/COMJ_a_00265|jstor=24265446|s2cid=15744586|issn=0148-9267|doi-access=free|hdl=2027/spo.bbp2372.2012.016|hdl-access=free}}</ref> According to Purwins,<ref name="purwins">
{{cite book|last1=Purwins|first1=Hendrik|url=http://ccrma.stanford.edu/~purwins/purwinsPhD.pdf |archive-url=https://ghostarchive.org/archive/20221009/http://ccrma.stanford.edu/~purwins/purwinsPhD.pdf |archive-date=2022-10-09 |url-status=live|title=Profiles of pitch classes circularity of relative pitch and key-experiments, models, computational music analysis, and perspectives|year=2005|pages=110–120}}
</ref> auditory illusions have been used effectively by the following: [[Ludwig van Beethoven|Beethoven]] (Leonore Overture), [[Alban Berg|Berg]] (''[[Wozzeck]]''), [[Ernst Krenek|Krenek]] (''Spiritus Intelligentiae, Sanctus''), [[György Ligeti|Ligeti]] ([[Études (Ligeti)|Études]]), [[Violin Concerto (Ligeti)|Violin Concerto]], Double Concerto, for flute, oboe and orchestra), [[Arthur Honegger|Honegger]] (''[[Pacific 231]]''), and [[Manfred Stahnke|Stahnke]] (Partota 12).