Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Giuseppe Verdi
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
===Reception=== Although Verdi's operas brought him a popular following, not all contemporary critics approved of his work. The English critic [[Henry Chorley]] allowed in 1846 that "he is the only modern man...having a style—for better or worse", but found all his output unacceptable. "[His] faults [are] grave ones, calculated to destroy and degrade taste beyond those of any Italian composer in the long list" wrote Chorley, whilst conceding that "howsoever incomplete may have been his training, howsoever mistaken his aspirations may have proved...he ''has'' aspired."{{sfn|Chorley|1972|pp=182, 185–186}} But by the time of Verdi's death, 55 years later, his reputation was assured, and the 1910 edition of [[The New Grove Dictionary of Music and Musicians#Grove's Dictionary of Music and Musicians |''Grove's Dictionary'']] pronounced him "one of the greatest and most popular opera composers of the nineteenth century".{{sfn|Mazzucato|1910|p=247}} Verdi had no pupils apart from Muzio and no school of composers sought to follow his style. By his death, ''[[Verismo (music)|verismo]]'' was the accepted style of young Italian composers.{{sfn|Parker|2001|loc=§10 (ii)}} The [[New York Metropolitan Opera]] frequently staged ''Rigoletto, Trovatore'' and ''Traviata'' during this period and featured ''Aida'' in every season from 1898 to 1945. Interest in the operas reawakened in mid-1920s Germany and this sparked a revival in England and elsewhere. From the 1930s onward there began to appear scholarly biographies and publications of documentation and correspondence.{{sfn|Harwood|2004|p=272}} In 1959 the Instituto di Studi Verdiani (from 1989 the Istituto Nazionale di Studi Verdiani) was founded in Parma and became a leading centre for research and publication of Verdi studies,<ref>[http://www.studiverdiani.it/presentazione_en.html "Who we are"] {{Webarchive|url=https://web.archive.org/web/20160425231316/http://www.studiverdiani.it/presentazione_en.html |date=25 April 2016 }} website of the Istituto di studi verdiani, accessed 27 June 2015.</ref> and in the 1970s the American Institute for Verdi Studies was founded at [[New York University]].<ref>[http://www.nyu.edu/projects/verdi/ "American Institute for Verdi Studies"] at NYU website, accessed 27 June 2015.</ref>{{sfn|Harwood|2004|p=273}}
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Giuseppe Verdi
(section)
Add topic