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==Analysis== '''Models and influences''' {{Original research|section|date=August 2021}} * [[Mikhail Glinka]]: ''[[A Life for the Tsar]]'' (1836), ''[[Ruslan and Ludmila]]''(1842) * [[Alexander Serov|Aleksandr Serov]]: ''[[Judith (Serov)|Judith]]'' (1863), ''[[Rogneda (opera)|Rogneda]]'' (1865), ''[[The Power of the Fiend]]'' (1871) * [[Giuseppe Verdi]]: ''[[Don Carlos]]'' (1867) * [[César Cui]]: ''[[William Ratcliff (Cui)|William Ratcliff]]'' (1868) * [[Alexander Dargomyzhsky|Aleksandr Dargomïzhsky]]: ''[[The Stone Guest (Dargomyzhsky)|The Stone Guest]]'' (1869) * [[Nikolai Rimsky-Korsakov|Nikolay Rimsky-Korsakov]]: ''[[The Maid of Pskov]]'' (1872) <!-- * ''Skillful musical characterization'' * ''Thematic development'' * ''Key themes borrowed from [[Salammbô (Mussorgsky)|Salammbô]]'' * ''Use of [[leitmotiv]]e'' * ''Use of [[Musical mode|modes]]'' * ''Speech melody'' -->
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