Editing Poetry (section)

===Shi===
{{Main|Shi (poetry)}}
[[File:Dufucalligraphy.jpg|thumb|left|upright|[[Du Fu]], "On Visiting the Temple of [[Laozi]]"]]
''Shi'' ({{zh|t=[[wikt:詩|詩]]|s=[[wikt:诗|诗]]|p=shī|w=shih}}) Is the main type of [[Classical Chinese poetry]].<ref>[[Burton Watson|Watson, Burton]] (1971). ''Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century''. (New York: Columbia University Press). {{ISBN|0-231-03464-4}}, 1</ref> Within this form of poetry the most important variations are "folk song" styled verse (''[[yuefu]]''), "old style" verse (''[[gushi (poetry)|gushi]]''), "modern style" verse (''[[jintishi]]''). In all cases, rhyming is obligatory. The Yuefu is a folk ballad or a poem written in the folk ballad style, and the number of lines and the length of the lines could be irregular. For the other variations of ''shi'' poetry, generally either a four line (quatrain, or ''[[jueju]]'') or else an eight-line poem is normal; either way with the even numbered lines rhyming. The line length is scanned by an according number of characters (according to the convention that one character equals one syllable), and are predominantly either five or seven characters long, with a [[caesura]] before the final three syllables. The lines are generally end-stopped, considered as a series of couplets, and exhibit verbal parallelism as a key poetic device.<ref>[[Burton Watson|Watson, Burton]] (1971). ''Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century''. (New York: Columbia University Press). {{ISBN|0-231-03464-4}}, 1–2 and 15–18</ref> The "old style" verse (''Gushi'') is less formally strict than the ''jintishi'', or regulated verse, which, despite the name "new style" verse actually had its theoretical basis laid as far back as [[Shen Yue]] (441–513 CE), although not considered to have reached its full development until the time of [[Chen Zi'ang]] (661–702 CE).<ref>[[Burton Watson|Watson, Burton]] (1971). ''Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century''. (New York: Columbia University Press). {{ISBN|0-231-03464-4}}, 111 and 115</ref> A good example of a poet known for his ''Gushi'' poems is [[Li Bai]] (701–762 CE). Among its other rules, the jintishi rules regulate the tonal variations within a poem, including the use of set patterns of the [[Four tones (Middle Chinese)|four tones]] of [[Middle Chinese]]. The basic form of jintishi (sushi) has eight lines in four couplets, with parallelism between the lines in the second and third couplets. The couplets with parallel lines contain contrasting content but an identical grammatical relationship between words. Jintishi often have a rich poetic diction, full of [[allusion]], and can have a wide range of subject, including history and politics.<ref>{{Cite book |last=Faurot |first=Jeannette L |url=https://archive.org/details/drinkingwithmoon0000unse/page/30 |title=Drinking with the moon |publisher=China Books & Periodicals |year=1998 |isbn=978-0-8351-2639-7 |page=[https://archive.org/details/drinkingwithmoon0000unse/page/30 30]}}</ref><ref>{{Cite journal |last=Wang |first=Yugen |date=1 June 2004 |title=Shige: The Popular Poetics of Regulated Verse |journal=T'ang Studies |volume=2004 |issue=22 |pages=81–125 |doi=10.1179/073750304788913221|s2cid=163239068 }}</ref> One of the masters of the form was [[Du Fu]] (712–770 CE), who wrote during the Tang Dynasty (8th century).<ref>{{Cite book |last=Schirokauer |first=Conrad |title=A brief history of Chinese and Japanese civilizations |publisher=Harcourt Brace Jovanovich |year=1989 |isbn=978-0-15-505569-8 |edition=2nd |page=119}}</ref>