Editing Paul Gauguin (section)

== Historical significance ==
[[Primitivism]] was an art movement of late 19th-century painting and sculpture, characterized by exaggerated body proportions, animal totems, geometric designs, and stark contrasts. The first artist to systematically use these effects and achieve broad public success was Paul Gauguin.<ref>Artspoke, Robert Atkins, 1993, {{ISBN|978-1-55859-388-6}}.</ref> The European cultural elite, discovering the art of Africa, Micronesia, and [[Indigenous peoples of the Americas|Native Americans]] for the first time, were fascinated, intrigued, and educated by the newness, wildness, and the stark power embodied in the art of those faraway places. Like [[Pablo Picasso]] in the early days of the 20th century, Gauguin was inspired and motivated by the raw power and simplicity of the so-called [[Primitive culture|Primitive]] Art of those foreign cultures.<ref>Douglas Cooper, [https://archive.org/stream/cubistepoch00coop#page/n0/mode/2up "The Cubist Epoch"], pp. 11–221, Phaidon Press Limited 1970 in association with the [[Los Angeles County Museum of Art]] and the [[Metropolitan Museum of Art]] {{ISBN|0-87587-041-4}}.</ref>

Gauguin is also considered a [[Post-Impressionist]] painter. His bold, colourful, and design oriented paintings significantly influenced [[Modern art]]. Artists and movements in the early 20th century inspired by him include [[Vincent van Gogh]], [[Henri Matisse]], [[Pablo Picasso]], [[Georges Braque]], [[André Derain]], [[Fauvism]], [[Cubism]], and [[orphism (art)|Orphism]], among others. Later, he influenced [[Arthur Frank Mathews]] and the American [[Arts and Crafts movement]].

[[John Rewald]], recognized as a foremost authority on late 19th-century art, wrote a series of books about the Post-Impressionist period, including ''Post-Impressionism: From Van Gogh to Gauguin'' (1956) and an essay, ''Paul Gauguin: Letters to Ambroise Vollard and André Fontainas'' (included in Rewald's ''Studies in Post-Impressionism'', 1986), discusses Gauguin's years in Tahiti and the struggles of his survival as seen through correspondence with the art dealer Vollard and others.<ref>John Rewald, (1986). ''Studies in Post-Impressionism'', ''Paul Gauguin–Letters to [[Ambroise Vollard]] and Andre Fontainas'', pp. 168–215.</ref>