Editing Jim Jarmusch (section)

==References==
{{Reflist|refs=
<ref name=sante>{{Harvnb|Hertzberg|2001|p=92}}</ref>

<ref name=bio>{{cite web |url=http://www.jim-jarmusch.net/bio/ |archive-url=https://web.archive.org/web/20080913154039/http://www.jim-jarmusch.net/bio/ |url-status=dead |archive-date=September 13, 2008 |title=Biography from ''Current Biography Yearbook 1990'' (abridged) |publisher=The Jim Jarmusch Resource Page |access-date=May 20, 2009 |last=Hertzberg |first=Ludvig }}</ref>

<ref name=nyt>{{cite news |url=https://www.nytimes.com/2009/04/26/movies/26lim.html?_r=1&pagewanted=all |title=A Director Content to Wander On |work=The New York Times 
|access-date=April 25, 2009 |last=Lim |first=Dennis |date=April 23, 2009 }}</ref>

<ref name=atclow>{{Harvnb|Suárez|2007|pp=6–11}}</ref>

<ref name=chron>{{Harvnb|Hertzberg|2001|pages=xi – xii}}</ref>

<ref name=correction>{{cite news|url=http://www.jim-jarmusch.net/films/dead_man/read_about_it/dead_man_talking_by_kristin.html|archive-url=https://web.archive.org/web/20090308001900/http://www.jim-jarmusch.net/films/dead_man/read_about_it/dead_man_talking_by_kristin.html|url-status=dead|archive-date=March 8, 2009|title=The Jarmusch clan|work=Los Angeles Times|date=May 12, 1996|access-date=May 13, 2009|first=Ann|last=Jarmusch|quote=We grew up near, not in, Akron, Ohio, in an idyllic area that seemed eons away from the stinky, grimy "Rubber Capital of the World." And our father worked for B.F. Goodrich, not Goodyear.}}</ref>

<ref name=sfgate>{{cite news|url=http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2004/05/09/PKG676DSNM1.DTL&type=printable|title=Jim Jarmusch|work=San Francisco Chronicle|access-date=April 27, 2009|last=Jarrell|first=Joe|date=May 9, 2004}}</ref>

<ref name=thunder>{{cite news|title=''Dead Man'' Talking |work=Los Angeles Times|date=May 5, 1996|first=Kristine|url=http://www.jim-jarmusch.net/films/dead_man/read_about_it/dead_man_talking_by_kristin.html|archive-url=https://web.archive.org/web/20090308001900/http://www.jim-jarmusch.net/films/dead_man/read_about_it/dead_man_talking_by_kristin.html|url-status=dead|archive-date=March 8, 2009|last=McKenna}}</ref>

<ref name=otlesw>{{cite news|url=https://www.nytimes.com/1992/04/30/garden/on-the-lower-east-side-with-jim-jarmusch-film-as-life-and-vice-versa.html?sec=&spon=&pagewanted=all|title=On The Lower East Side With: Jim Jarmusch; Film as Life, and Vice Versa|first=Karen|last=Schoemer|date=April 30, 1992|work=The New York Times|access-date=April 27, 2009}}</ref>

<ref name=allmovie>{{cite web|url=http://www.allmovie.com/artist/jim-jarmusch-95892/bio|title=Jim Jarmusch> Biography|work=allmovie|publisher=All Media Guide|first=Jonathan|last=Crow|access-date=October 1, 2009}}</ref>

<ref name=iFMagazine>{{cite web|url=http://ifmagazine.com/common/article.asp?articleID=570|title=The Way of the Indie God|work=iFMagazine|first=Matt|last=Langdon|date=March 17, 2000|archive-url=https://web.archive.org/web/20070210023842/http://ifmagazine.com/feature.asp?article=570|access-date=September 27, 2009|archive-date=February 10, 2007}}</ref>

<ref name=auster>{{cite web|url=http://www.criterion.com/current/posts/571|title=Night on Earth: New York – Jim Jarmusch, Poet|publisher=[[The Criterion Collection]]|date=September 7, 2007|access-date=May 10, 2009|last=Auster|first=Paul|author-link=Paul Auster}}</ref>

<ref name=lat>{{cite web|url=http://www.latimes.com/entertainment/news/la-ca-indiefocus26-2009apr26,0,1638552.story|title=Jim Jarmusch on 'The Limits of Control'|work=Los Angeles Times|access-date=May 7, 2009|last=Olsen|first=Mark|date=April 26, 2009}}</ref>

<ref name=starwars>{{cite news|first=Mark|last=Kennedy|url=https://news.google.com/newspapers?id=z7wKAAAAIBAJ&pg=7054,1505589&dq=allintitle:+jim-jarmusch|agency=[[Associated Press]]|work=[[The Columbian]]|title=Jim Jarmusch refuses to go along|date=March 19, 2000|quote=He's never seen Obi-Wan Kenobi spar with Darth Vader, or Rhett Butler pop off to Scarlett.<br />Jim Jarmusch, the art-house filmmaker who helped spark a renaissance in independent film, refuses to actually sit through some of the classics of American cinema.<br />"I pledge I will go to my grave having never seen ''Gone with the Wind'' or any ''Star Wars'' film," Jarmusch says. "Just to be obstinate. No other good reason."<br />It's a typical stance from a moviemaker who stubbornly creates films that critics often complain are too long, too meandering, and too often in black and white.}}</ref><ref name=suarez>{{Harvnb|Suárez|2007|p=21}}</ref>

<ref name=first>{{cite web|url=https://www.theguardian.com/film/1999/nov/15/guardianinterviewsatbfisouthbank3|title=Jim Jarmusch|work=The Guardian|access-date=May 12, 2009|date=November 15, 1999}}</ref>

<ref name=second>{{cite web|url=https://www.theguardian.com/film/1999/nov/15/guardianinterviewsatbfisouthbank1|title=Jim Jarmusch – part two|work=The Guardian|access-date=May 12, 2009|date=November 15, 1999}}</ref>

<ref name=vacation>{{cite news|title=Jim Jarmusch's First Feature at Archives|first=Vincent|last=Canby|work=The New York Times|access-date=May 12, 2009|url=https://www.nytimes.com/1990/09/20/movies/jim-jarmusch-s-first-feature-at-archives.html|date=September 20, 1990}}</ref>

<ref name=hinson>{{cite news|url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/mysterytrainrhinson_a0a8cc.htm|title=''Mystery Train'' (R)|first=Hal|last=Hinson|newspaper=The Washington Post|date=February 2, 1990|access-date=September 27, 2009}}</ref>

<ref name=rediscovering>{{cite news|url=https://www.washingtonpost.com/wp-dyn/content/article/2007/08/30/AR2007083000633_pf.html|newspaper=[[The Washington Post]]|publisher=Washington Post Company|date=August 31, 2007|first=Mark|last=Jenkins|title=Rediscovering Jarmusch's Minimalist ''Paradise''|access-date=September 27, 2009}}</ref>

<ref name=sterritt>{{cite news|quote=Jim Jarmusch brought in "Stranger Than Paradise" for about $125,000. That's not a budget in today's movie world; it's lunch money.|title=On the fringes of film: writer-director Jim Jarmusch|work=[[The Christian Science Monitor]]|first=David|last=Sterritt|date=February 21, 1985}}</ref>

<ref name=avclub>{{cite web|url=https://www.avclub.com/jim-jarmusch-1798208341|title=Jim Jarmusch|work=[[The A.V. Club]]|access-date=May 3, 2009|date=May 19, 2004|last=Tobias|first=Scott}}</ref>

<ref name=hartl>{{cite web|url=https://archive.seattletimes.com/archive/20000316/4010335/new-on-videotape|title=New on videotape|work=[[The Seattle Times]]|access-date=May 11, 2009|last=Hartl|first=John|date=March 16, 2000|archive-date=December 23, 2011|archive-url=https://web.archive.org/web/20111223125855/http://community.seattletimes.nwsource.com/archive/?date=20000316&slug=4010335|url-status=live}}</ref>

<ref name=criterionstranger>{{cite web|url=http://www.criterion.com/films/252|title=Stranger Than Paradise (1984)|publisher=[[The Criterion Collection]]|access-date=May 2, 2009}}</ref>

<ref name=law>{{cite news|url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/downbylawrkempley_a0caf0.htm|title=''Down by Law''|newspaper=The Washington Post|access-date=May 12, 2009|last=Kempley|first=Rita|date=October 3, 1986}}</ref>

<ref name=rascaroli>{{Cite book|first2=Laura|last2=Rascaroli|author-link=Ewa Mazierska|last1=Mazierska|first1=Ewa|title=Crossing New Europe|publisher=Wallflower Press|page=3|year=2006|isbn=1-904764-67-3|oclc=63137371|quote=In reverse, North American directors started to absorb the influence of European road cinema, usually mediated by the 'American' films by Wim Wenders and Werner Herzog (''Stroszek'', 1977). The most influential representative of this trend in recent times is Jim Jarmusch, starting with his ''Stranger than Paradise'' from 1984.}}</ref>

<ref name=rosen>{{cite news|title=Change may be in the wind: Jarmusch indie film has mainstream feel |first=Steven |last=Rosen |work=The Denver Post |date=March 19, 2000 |quote=Jim Jarmusch, one of the most fiercely independent of current American writer-directors, has never cared if his movies gain mass acceptance.<br />He's been content to appeal to the devoted if limited audience that responds to film as art. And that audience has embraced his ''Stranger Than Paradise'', ''Down By Law'', ''Mystery Train'' and ''Night on Earth''.}}</ref>

<ref name=katzman>{{cite news|title=The Jarmusch touch in ''Night on Earth'', America's coolest director exhudes a new warmth|work=Chicago Tribune|first=Lisa|last=Katzman|date=May 3, 1992|quote=Walking into the cafe where we've agreed to meet on a hot spring day, director Jim Jarmusch takes off his signature black leather jacket. It's the type worn by blues musicians, '50s greasers and the downbeat bohemian odd couple Willie and Eddie of Jarmusch's second film ''Stranger than Paradise''. A small triangular silver Triumph motorcycle pin affixed to the lapel is a tip-off to one of Jarmusch's chief recreational passions. Among Jarmusch cognoscenti, the shock of thick, almost white hair that rises from his head in a handsomely shaped post-punk spike is another unmistakable signature.<br />In the eight years since ''Stranger than Paradise'' became an arthouse hit, Jarmusch has garnered a loyal but limited American audience. Yet abroad, particularly in Japan and Europe, both Jarmusch and his films have achieved cult status. For foreigners, perhaps even more so than for Americans, Jarmusch's films are the sine qua non of post-modern American hipdom. They articulate a distinctly funky, low-tech, outcast vision of American society that in both ethos and esthetics draws upon and amusingly blends the past five decades of postwar culture. While in content his films quietly defy Hollywood's myths of American progress and prosperity, in form (due to their stylistic simplicity and small budgets) they are a retort to the movie industry's bloated excess.<br />Recently, at the Yugoslavian film festival, 6,000 people turned out to fill a 4,000-seat theater for a midnight showing of Jarmusch's latest film, ''Night on Earth'' in wartorn Belgrade. In the past several months a traveling "Jim Jarmusch Film Festival" was held in major cities throughout Poland. {{Sic|nolink=y|Czechosl|avakia}} will soon hold such a festival. And in Japan, where the director is a national celebrity, he is offered huge sums to appear in and direct commercials. To date he has turned down all offers.}}
</ref>

<ref name=tasker>{{Cite book|author-link1=Yvonne Tasker|last=Tasker|first=Yvonne|title=Fifty Contemporary Filmmakers|publisher=Routledge|location=New York|year=2002|isbn=0-415-18974-8|oclc=47764371|series=Routledge Key Guides|chapter=Stranger than Fiction: The rise and fall of Jim Jarmusch|pages=[https://archive.org/details/fiftycontemporar0000unse/page/177 177–78]|chapter-url=https://archive.org/details/fiftycontemporar0000unse/page/177}}</ref><ref name=susman>{{cite web|url=http://www.bostonphoenix.com/alt1/archive/movies/reviews/05-09-96/DEAD_BAR.html|first=Gary|last=Susman|access-date=September 27, 2009|work=[[Boston Phoenix]]|title=''Dead Man'' talking|publisher=Phoenix Media/Communications Group|date=May 9–16, 1996|url-status=dead|archive-url=https://web.archive.org/web/20090501164336/http://www.bostonphoenix.com/alt1/archive/movies/reviews/05-09-96/DEAD_BAR.html|archive-date=May 1, 2009}}</ref>

<ref name=revisionism>{{cite journal|last=Hall|first=Mary Katherine|title=Now You Are a Killer of White Men: Jim Jarmusch's ''Dead Man'' and Traditions of Revisionism in the Western|journal=Journal of Film and Video|volume=52|issue=4|date=Winter 2000|pages=3–14}}</ref>

<ref name=rush>{{cite news|title=With 'Coffee', Jim Jarmusch lacks for rush|work=Chicago Tribune|first=Mark|last=Caro|date=May 28, 2004|url=http://chicago.metromix.com/movies/review/movie-review-coffee-and/158893/content|access-date=May 10, 2009|quote=But then 1992's "Somewhere in California", which won the Cannes Film Festival's short-film Palme D'Or, offers the delicious spectacle of [Iggy Pop] and [Tom Waits] meeting in some remote dumpy bar, with Iggy playing the shaggy, eager-to-please puppy while the edgy Waits finds ways to take constant umbrage.|url-status=dead|archive-url=https://web.archive.org/web/20090817011226/http://chicago.metromix.com/movies/review/movie-review-coffee-and/158893/content|archive-date=August 17, 2009}}</ref>

<ref name=dawtrey>{{cite news|work=[[Variety (magazine)|Daily Variety]]|date=May 17, 2005|last=Dawtrey|first=Adam|publisher=Reed Business Information|quote=Jim Jarmusch, whose latest pic "Broken Flowers" premieres in the Cannes competition today, has struck a multi-year first-look deal with Fortissimo Films.<br />This is the first time Fortissimo has entered a formal long-term relationship with an individual filmmaker, and marks a major step forward by the Hong Kong and Amsterdam-based sales company in its drive for English-language movies.<br />Fortissimo has agreed to provide financing to upcoming Jarmusch films, including a contribution to the overheads of his New York-based production banner Exoskeleton.|title=Jim Jarmusch}}</ref>

<ref name=rinaldi>{{cite web|url=http://limitedcontrol.posterous.com/behind-jim-jarmusch|work=Limited Control|first=Ludwig|last=Hertzberg|date=June 24, 2009|access-date=August 15, 2009|publisher=Posterous|title=Behind Jim Jarmusch|archive-date=January 4, 2013|archive-url=https://archive.today/20130104092044/http://limitedcontrol.posterous.com/behind-jim-jarmusch|url-status=dead}}</ref>

<ref name=golden>{{cite web|url=http://www.moviemaker.com/directing/article/jim_jarmusch_2972|title=Jim Jarmusch's Golden Rules|work=[[MovieMaker Magazine]]|publisher=MovieMaker Publishing|access-date=April 26, 2009|date=January 22, 2004|last=Jarmusch|first=Jim|url-status=dead|archive-url=https://web.archive.org/web/20090506115857/http://www.moviemaker.com/directing/article/jim_jarmusch_2972|archive-date=May 6, 2009}}</ref>

<ref name=burr>{{cite magazine|url=http://www.ew.com/ew/article/0,,275620,00.html|title=Ghost Dog: The Way of the Samurai|magazine=Entertainment Weekly|access-date=May 17, 2009|last=Burr|first=Ty|date=March 10, 2000|quote=... minimalist director who found fame with 1984's ''Stranger Than Paradise'' ...|archive-date=October 12, 2008|archive-url=https://web.archive.org/web/20081012165735/http://www.ew.com/ew/article/0,,275620,00.html|url-status=dead}}</ref>

<ref name=tribune>{{Cite news|work=[[The News Tribune]]|date=April 21, 2000|title=Director Jim Jarmusch delivers offbeat mob movie ''Ghost Dog''|quote=Jim Jarmusch makes movies unlike anyone else's. They're unhurried. They're populated by the oddest characters. They do not proceed in straight lines. They're one of a kind.}}</ref>

<ref name=hattenstone>{{cite web|url=https://www.theguardian.com/film/2004/nov/13/features.weekend|title=Interview: Simon Hattenstone meets Jim Jarmusch|work=The Guardian|access-date=May 2, 2009|date=November 13, 2004|last=Hattenstone|first=Simon}}</ref>

<ref name=rolling>{{cite magazine|url=https://www.rollingstone.com/reviews/movie/5948043/review/5948044/night_on_earth|archive-url=https://web.archive.org/web/20071122163220/http://www.rollingstone.com/reviews/movie/5948043/review/5948044/night_on_earth|url-status=dead|archive-date=November 22, 2007|title=Night on Earth: Review|magazine=Rolling Stone|access-date=May 7, 2009|last=Travers|first=Peter|date=April 11, 2001}}</ref>

<ref name=yabroff>{{cite journal|first=Jennie|last=Yabroff|journal=[[Addicted to Noise]]|volume=2|issue=6|archive-url=https://web.archive.org/web/20020803221149/http://www.addict.com/issues/2.06/html/hifi/Features/Jarmusch/index.html|archive-date=August 3, 2002|title=Jim Jarmusch, Rock and Roll Director|access-date=September 27, 2009|url=http://www.addict.com/issues/2.06/html/hifi/Features/Jarmusch/index.html}}</ref>

<ref name=means>{{cite news|quote=Jim Jarmusch has always applied the Cuisinart approach to moviemaking, blending film styles and genres with sharp wit and dark humor|first=Sean P.|last=Means|title=A Samurai Warrior Haunts New Jersey in ''Ghost Dog''|date=April 21, 2000|work=[[The Salt Lake Tribune]]}}</ref>

<ref name=tobias>{{cite web|url=https://www.avclub.com/jim-jarmusch-1798216444|title=Jim Jarmusch|work=[[The A.V. Club]]|publisher=The Onion|last=Tobias|first=Scott|date=May 8, 2009|access-date=September 23, 2009}}</ref>

<ref name=klein>{{cite web|url=https://www.avclub.com/jim-jarmusch-1798208132|title=Jim Jarmusch|work=[[The A.V. Club]]|access-date=May 5, 2009|date=March 15, 2000|last=Klein|first=Joshua}}</ref>

<ref name=morned>{{cite episode|title=Profile: Jim Jarmusch{{'}}s new film, ''Ghost Dog: The Way of the Samurai''|series=Morning Edition|credits=Host: [[Bob Edwards]]|network=[[National Public Radio]]|airdate=March 10, 2000|quote=The 1984 movie ''Stranger Than Paradise'' by Jim Jarmusch is credited with launching the independent film movement. Two years later, Jarmusch introduced American audiences to the wacky Italian actor Roberto Benigni in ''Down by Law''.}}</ref>

<ref name=last>{{cite news|url=https://www.nytimes.com/2005/07/31/magazine/31JARMUSCH.html?pagewanted=print|title=The Last of the Indies|access-date=April 27, 2009|work=The New York Times|last=Hirschberg|first=Lynn|date=July 31, 2005}}</ref>

<ref name=indians>{{cite news|title=Poets and Indians: Jim Jarmusch goes West to bring ''Dead Man'' to life|work=Chicago Tribune|first=Gary|last=Dretzk|date=June 30, 1996|quote=An idiosyncratic filmmaker whose hip, ironic style has wowed the art-house crowd since the quirky ''Stranger Than Paradise'' was released in 1984, Jarmusch embodies urban cool and uncompromising auteurism. His pictures are at once funny, gritty, highly challenging and undeniably American in their multicultural vision.}}</ref>

<ref name=rosenbaum>{{cite journal|url=http://www.sfgoth.com/~kali/onsite10.html|access-date=September 26, 2009|title=A gun up your ass: an interview with Jim Jarmusch|journal=[[Cineaste (magazine)|Cineaste]]|date=March 22, 1996|last=Rosenbaum|first=Jonathan|url-status=dead|archive-url=https://web.archive.org/web/20090427080329/http://www.sfgoth.com/~kali/onsite10.html|archive-date=April 27, 2009}}</ref>

<ref name=blair>{{cite news|work=Chicago Tribune|date=March 2, 2000|first=Iain|last=Blair|title=From writing to directing, Jarmusch is in charge|quote=Over the last decade [Jim] Jarmusch has established himself as one of the leading independent filmmakers of his generation with such comedic and ironic films as "Stranger Than Paradise", "Down by Law", "Mystery Train", "Night on Earth", and "Dead Man". With his latest film, which he wrote, produced and directed, Jarmusch once again marches to the beat of his own drummer.}}</ref>

<ref name=slpd>{{Cite news|quote=With the possible exception of John Sayles, there is no independent director who has influenced the modern independent film world more than Jim Jarmusch.<br />By combining odd characters, dark comedy and an incredibly hip atmosphere in classic art-house films such as ''Down by Law'' and ''Stranger Than Paradise'', Jarmusch has influenced and assisted younger indie directors in finding a modicum of commercial success with less-than-mainstream fare.|title=Forest Whitaker personifies cool in Jarmusch's latest offbeat film|first=Joe|last=Holleman|work=[[St. Louis Post-Dispatch]]|date=March 24, 2000}}</ref>

<ref name=canby>{{cite news|url=https://www.nytimes.com/1989/11/12/movies/film-view-the-giddy-minimalism-of-jim-jarmusch.html?pagewanted=all|work=The New York Times|first=Vincent|last=Canby|author-link=Vincent Canby|title=The Giddy Minimalism Of Jim Jarmusch|date=November 12, 1989|access-date=April 27, 2009}}</ref>

<ref name=provincetown>{{cite news|title=Jarmusch will journey to Provincetown for nod|work=[[Variety (magazine)|Daily Variety]]|date=April 6, 2004|last=Kimmel|first=Dan |quote=Indie filmmaker Jim Jarmusch will be the sixth recipient of the Filmmaker on the Edge award at the 2004 Provincetown Film Festival, to be held June 16–20 in Provincetown, Mass.}}</ref>

<ref name=afi>{{cite news|newspaper=The Washington Post|quote=This month at its Silver Theatre (8633 Colesville Rd., Silver Spring), the American Film Institute is presenting "The Sad and Beautiful World of Jim Jarmusch", a retrospective of most of the filmmaker's works|title=Now at AFI: The World of Jim Jarmusch|date=August 5, 2005}}</ref>

<ref name=king>{{cite news|quote= Jim Jarmusch has big hair – Lyle Lovett big. It suits the man whose too-hip-to-live reputation has made him the King of Counterculture Film and whose work is featured in a Walker Art Center retrospective this month. Jarmusch's disjointed, oddly comic movies and short films, which include ''Stranger Than Paradise'' and ''Night on Earth'', have established him as a master of the minutely observed detail. In his little-seen debut,...|title=Connect the dots|work=[[St. Paul Pioneer Press]]|date=February 14, 1994}}</ref>

<ref name=private>{{cite web|url=http://limitedcontrol.posterous.com/the-private-life-of-james-r-ja|title=The Private Life of James R. Jarmusch|work=Limited Control|publisher=Posterous.com|access-date=November 2, 2009|date=October 28, 2008|last=Hertzberg|first=Ludvig|archive-date=June 29, 2012|archive-url=https://archive.today/20120629105311/http://limitedcontrol.posterous.com/the-private-life-of-james-r-ja|url-status=dead}}</ref>

<ref name=freshair>{{cite interview|url=https://www.npr.org/templates/story/story.php?storyId=4801740|first=Jim|last=Jarmusch|title=Fresh Air|date=August 16, 2005|work=[[National Public Radio]]|interviewer=Terry Gross|publisher=WHYY|access-date=May 3, 2009|type=Interview: audio}}</ref>

<ref name=darkday>{{cite web|url=http://limitedcontrol.posterous.com/dark-day|title=Dark Day|work=Limited Control|publisher=Posterous.com|date=September 15, 2008|access-date=May 14, 2009|last=Hertzberg|first=Ludvig|archive-date=January 4, 2013|archive-url=https://archive.today/20130104112522/http://limitedcontrol.posterous.com/dark-day|url-status=dead}}</ref>

<ref name=fennessy>{{cite web|url=http://pitchfork.com/reviews/albums/8748-dreddy-krueger-presentsthink-differently-music-wu-tang-meets-the-indie-culture|title=Pitchfork: Various Artists: Dreddy Krueger Presents...Think Differently Music: Wu-Tang Meets the Indie Culture|website=[[Pitchfork (website)|Pitchfork]]|access-date=May 2, 2009|last=Fennessy|first=Sean}}</ref><ref name=connecting>{{cite web|url=http://limitedcontrol.posterous.com/connecting-the-white-stripes|title=Connecting the white stripes|work=Limited Control|publisher=Posterous.com|date=September 17, 2008|access-date=May 14, 2009|last=Hertzberg|first=Ludvig|archive-date=July 17, 2012|archive-url=https://archive.today/20120717102723/http://limitedcontrol.posterous.com/connecting-the-white-stripes|url-status=dead}}</ref>
<ref name=hertzberg187>{{Harvnb|Hertzberg|2001|p=187}}</ref><ref name=postcards>{{cite journal|url=http://www.jim-jarmusch.net/biblio/online/shawn_levy_postcards_from_m.html|archive-url=https://web.archive.org/web/20110716230951/http://www.jim-jarmusch.net/biblio/online/shawn_levy_postcards_from_m.html|url-status=dead|archive-date=July 16, 2011|first=Shawn|last=Levy|title=Postcards from Mars|journal=[[Sight & Sound]]|volume=10|issue=4|date=April 2000|pages=22–24|access-date=October 1, 2009}}</ref>

<ref name=esquire>{{cite journal|url=http://www.esquire.com/features/qa/ESQ0604-JUNE_JARMUSCH|title=Q&A with Jim Jarmusch|journal=[[Esquire (magazine)|Esquire]]|access-date=May 19, 2009|date=June 1, 2005|last=Torday|first=Daniel|archive-date=December 5, 2013|archive-url=https://web.archive.org/web/20131205215724/http://www.esquire.com/features/qa/ESQ0604-JUNE_JARMUSCH|url-status=dead}}</ref>

<ref name=pitchforkinterview>{{cite news|url=http://pitchfork.com/news/39726-filmmaker-jim-jarmusch-talks-atp|title=Filmmaker Jim Jarmusch Talks ATP|last=Breihan|first=Tom|work=Pitchfork.com|date=August 20, 2010|access-date=August 20, 2010}}</ref>

<ref name=thr120130>{{cite news|url=http://www.hollywoodreporter.com/news/tilda-swinton-john-hurt-Jim-jarmusch-only-lovers-left-alive-285758|title=Tilda Swinton, John Hurt Join Jim Jarmusch's Vampire Film 'Only Lovers Left Alive'|first=Scott|last=Roxborough|date=January 30, 2012|work=The Hollywood Reporter}}</ref>}}

'''Other sources'''
* {{Cite book|last=Hertzberg|first=Ludvig|title=Jim Jarmusch: Interviews|publisher=[[University Press of Mississippi]]|location=Jackson|year=2001|isbn=1-57806-379-5|oclc=46319700}}
* Gonzalez, Éric, "[http://volume.revues.org/1973 Jim Jarmusch's Aesthetics of Sampling in Ghost Dog–The Way of the Samurai]", ''[[Volume!]]'', vol. 3, n° 2, Nantes: Éditions Mélanie Seteun, 2004, pp.&nbsp;109–21.<!-- ISSN/ISBN needed -->
* {{Cite book|last=Suárez|first=Juan Antonio|title=Jim Jarmusch|publisher=[[University of Illinois Press]]|location=Urbana|year=2007|isbn=978-0-252-07443-1|oclc=71275566}}
* Ródenas, Gabri (2009), ''Guía para ver y analizar'' Noche en la Tierra ''de Jim Jarmusch'', Barcelona/Valencia: Octaedro/Nau Llibres. {{ISBN|978-84-8063-931-6}}/978-84-7642-776-7
* Ródenas, Gabri (2009), "Jarmusch y Carver: Se ha roto el frigorífico" in Fernández, P. (Ed.), ''Rompiendo moldes: Discursos, género e hibridación en el siglo XXI''. Zamora/Sevilla: Editorial Comunicación Social; {{ISBN|978-84-96082-88-5}}. Available at Google Books.
* Ródenas, Gabri (2009), "Jarmusch Vs Reagan" in ''Revista Odisea''. Almería: University of Almería. December 2009. {{ISSN|1578-3820}}.
* Ródenas, Gabri (2010), "Jim Jarmusch: Del insomnio americano al insomnio universal", in ''Comunicación y sociedad'', Navarra: University of Navarra, June 2010; {{ISSN|0214-0039}}.
* Ródenas, Gabri (2011), ''Jim Jarmusch: Lecturas sobre el insomnio americano (1980–1991)'', Spain/Germany: –	[[Editorial Académica Española]] – [[LAP Lambert Academic Publishing GmbH & Co. KG]]; {{ISBN|978-3-8443-3503-3}}.
* Mentana, Umberto (2016), ''Il cinema di Jim Jarmusch. Una filmografia per un'analisi della cultura e del cinema postmoderno'', Aracne Editrice; {{ISBN|978-88-548-9115-9}}