Editing Jean-Luc Godard (section)

=== Films ===
Amid the upheavals of the late 1960s, Godard became passionate about "making political films politically." Though many of his films from 1968 to 1972 are feature-length films, they are low-budget and challenge the notion of what a film can be. In addition to abandoning mainstream filmmaking, Godard also tried to escape the [[cult of personality]] that had formed around him. He worked anonymously in collaboration with other filmmakers, most notably [[Jean-Pierre Gorin]], with whom he formed the [[Dziga Vertov Group|Dziga-Vertov]] cinema collective. During this period Godard made films in England, Italy, Czechoslovakia, Palestine, and the U.S., as well as France. He and Gorin toured with their work, attempting to create discussion, mainly on college campuses. This period came to a climax with the big-budget production ''[[Tout Va Bien]]'', which starred [[Yves Montand]] and [[Jane Fonda]]. Owing to a motorcycle accident that severely incapacitated Godard, Gorin ended up directing this most celebrated of their work together almost single-handedly. As a companion piece to ''Tout va bien'', the pair made ''[[Letter to Jane]]'', a 50-minute "examination of a still" showing Jane Fonda visiting with the [[Viet Cong]] during the [[Vietnam War]]. The film is a deconstruction of Western imperialist ideology. This was the last film that Godard and Gorin made together.{{sfn|Brody|2008}}

In 1978 Godard was commissioned by the [[People's Republic of Mozambique|Mozambican]] government to make a short film. During this time his experience with [[Kodak]] film led him to criticise the film stock as "inherently racist" since it did not reflect the variety, nuance or complexity in dark brown or dark [[Human skin color|skin]]. This was because Kodak [[Shirley cards]] were only made for Caucasian subjects, a problem that was not rectified until 1995.<ref>{{cite news |title=Light And Dark: The Racial Biases That Remain In Photography |url=https://www.npr.org/sections/codeswitch/2014/04/16/303721251/light-and-dark-the-racial-biases-that-remain-in-photography |publisher=NPR |date=16 April 2014 |language=en |access-date=13 September 2022 |archive-date=13 September 2022 |archive-url=https://web.archive.org/web/20220913095752/https://www.npr.org/sections/codeswitch/2014/04/16/303721251/light-and-dark-the-racial-biases-that-remain-in-photography |url-status=live }}</ref>