Editing Twelve-tone technique (section)

===Sources===
{{div col|colwidth=45em}}
* Alegant, Brian. 2010. ''The Twelve-Tone Music of Luigi Dallapiccola''. Eastman Studies in Music 76. Rochester, New York: University of Rochester Press. {{ISBN|978-1-58046-325-6}}.
* [[Milton Babbitt|Babbitt, Milton]]. 1960. "Twelve-Tone Invariants as Compositional Determinants". ''[[The Musical Quarterly]]'' 46, no. 2, Special Issue: Problems of Modern Music: The Princeton Seminar in Advanced Musical Studies (April): 246–259. {{doi|10.1093/mq/XLVI.2.246}}. {{JSTOR|740374}}{{Subscription required}}.
* Babbitt, Milton. 1961. "Set Structure as a Compositional Determinant". ''[[Journal of Music Theory]]'' 5, no. 1 (Spring): 72–94. {{JSTOR|842871}}{{Subscription required}}.
* Benson, Dave. 2007 ''[https://books.google.com/books?id=Ko1NsIq4qLIC&pg=PA348 Music: A Mathematical Offering]''. Cambridge and New York: Cambridge University Press. {{ISBN|978-0-521-85387-3}}.
* Brett, Philip. "Britten, Benjamin." ''[[Grove Music Online]]'' ed. L. Macy (Accessed 8 January 2007)
* [[Gilbert Chase|Chase, Gilbert]]. 1987. ''America's Music: From the Pilgrims to the Present'', revised third edition. Music in American Life. Urbana: University of Illinois Press. {{ISBN|0-252-00454-X}} (cloth); {{ISBN|0-252-06275-2}} (pbk).
* {{wikicite|ref={{harvid|Crawford and Khuner|1996}}|reference=Crawford, Caroline and [[Felix Khuner]]. 1996. ''[https://digitalassets.lib.berkeley.edu/rohoia/ucb/text/violinistsjourn00khunrich.pdf Felix Khuner: A Violinist's Journey from Vienna's Kolisch Quartet to the San Francisco Symphony and Opera Orchestras]'', intro. by Tom Heimberg. [[Regional Oral History Office]], [[The Bancroft Library]]. Berkeley: University of California.}}
* Haimo, Ethan. 1990. ''Schoenberg's Serial Odyssey: The Evolution of his Twelve-Tone Method, 1914–1928''. Oxford [England] Clarendon Press; New York: Oxford University Press {{ISBN|0-19-315260-6}}.
* Hill, Richard S. 1936. "Schoenberg's Tone-Rows and the Tonal System of the Future". ''[[The Musical Quarterly]]'' 22, no. 1 (January): 14–37. {{doi|10.1093/mq/XXII.1.14}}. {{JSTOR|739013}}{{Subscription required}}.
* [[Paul Lansky|Lansky, Paul]]; [[George Perle]] and Dave Headlam. 2001. "Twelve-note Composition". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan.
* [[Ton de Leeuw|Leeuw, Ton de]]. 2005. ''Music of the Twentieth Century: A Study of Its Elements and Structure'', translated from the Dutch by Stephen Taylor. Amsterdam: Amsterdam University Press. {{ISBN|90-5356-765-8}}. Translation of ''Muziek van de twintigste eeuw: een onderzoek naar haar elementen en structuur''. Utrecht: Oosthoek, 1964. Third impression, Utrecht: Bohn, Scheltema & Holkema, 1977. {{ISBN|90-313-0244-9}}.
* Loy, D. Gareth, 2007. ''Musimathics: The Mathematical Foundations of Music'', Vol. 1. Cambridge, Massachusetts and London: MIT Press. {{ISBN|978-0-262-12282-5}}.
* [[Oliver Neighbour|Neighbour, Oliver]]. 1954. "The Evolution of Twelve-Note Music". ''[[Proceedings of the Royal Musical Association]]'', volume 81, issue 1: 49–61. {{doi|10.1093/jrma/81.1.49}}
* [[George Perle|Perle, George]]. 1977. ''Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern'', fourth edition, revised. Berkeley, Los Angeles, and London: University of California Press. {{ISBN|0-520-03395-7}}
* Perle, George. 1991. ''Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern'', sixth edition, revised. Berkeley: University of California Press. {{ISBN|978-0-520-07430-9}}.
* [[Rudolph Reti|Reti, Rudolph]]. 1958. ''Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music''. Westport, Connecticut: Greenwood Press. {{ISBN|0-313-20478-0}}.
* [[Josef Rufer|Rufer, Josef]]. 1954. ''Composition with Twelve Notes Related Only to One Another'', translated by [[Humphrey Searle]]. New York: The Macmillan Company. (Original German ed., 1952)
* [[Arnold Schoenberg|Schoenberg, Arnold]]. 1975. ''Style and Idea'', edited by [[Leonard Stein (musicologist)|Leonard Stein]] with translations by Leo Black. Berkeley & Los Angeles: University of California Press. {{ISBN|0-520-05294-3}}.
** 207–208 "Twelve-Tone Composition (1923)"
** 214–245 "Composition with Twelve Tones (1) (1941)"
** 245–249 "Composition with Twelve Tones (2) (c. 1948)"
* Solomon, Larry. 1973. "New Symmetric Transformations". ''[[Perspectives of New Music]]'' 11, no. 2 (Spring–Summer): 257–264. {{JSTOR|832323}}{{Subscription required}}.
* [[Claudio Spies|Spies, Claudio]]. 1965. "Notes on Stravinsky's ''Abraham and Isaac''". ''[[Perspectives of New Music]]'' 3, no. 2 (Spring–Summer): 104–126. {{JSTOR|832508}}{{Subscription required}}.
* [[Arnold Whittall|Whittall, Arnold]]. 2008. ''The Cambridge Introduction to Serialism''. Cambridge Introductions to Music. New York: Cambridge University Press. {{ISBN|978-0-521-86341-4}} (cloth) {{ISBN|978-0-521-68200-8}} (pbk).
{{div col end}}