Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Stuart Restoration
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
===Comedy=== {{Main|Restoration comedy}} Comedy, especially bawdy comedy, flourished, and a favourite setting was the bed-chamber.<ref>{{Cite journal |last=Webster |first=Jeremy W. |date=2012 |title=In and Out of the Bed-chamber: Staging Libertine Desire in Restoration Comedy |journal=Journal for Early Modern Cultural Studie |pages=77β96}}</ref> Indeed, sexually explicit language was encouraged by the king personally and by the rakish style of his court. Historian [[George Norman Clark]] argues: {{Blockquote|The best-known fact about the Restoration drama is that it is immoral. The dramatists did not criticize the accepted morality about gambling, drink, love, and pleasure generally, or try, like the dramatists of our own time, to work out their own view of character and conduct. What they did was, according to their respective inclinations, to mock at all restraints. Some were gross, others delicately improper....The dramatists did not merely say anything they liked: they also intended to glory in it and to shock those who did not like it.<ref>{{Cite book |last=Clark |first=George |author-link=George Norman Clark |title=The Later Stuarts, 1660β1714 |date=1956 |pages=369}}</ref>}} The socially diverse audiences included both aristocrats, their servants and hangers-on, and a substantial middle-class segment.<ref>{{Cite journal |last=Love |first=Harold |date=1986 |title=Who Were the Restoration Audience? |journal=The Yearbook of English Studies |volume=10 |pages=21β40}}</ref> These playgoers were attracted to the comedies by up-to-the-minute topical writing, by crowded and bustling plots, by the introduction of the first professional actresses, and by the rise of the first celebrity actors. This period saw the first professional female playwright, [[Aphra Behn]].<ref>{{Cite book |last=DobrΓ©e |first=Bonamy |url=https://books.google.com/books?id=ZhlaAAAAMAAJ&pg=PA9 |title=Restoration Comedy, 1660β1720 |date=1924 |publisher=Oxford University Press |archive-url=https://web.archive.org/web/20200818161818/https://books.google.com/books?hl=en&lr=lang_en&id=ZhlaAAAAMAAJ&oi=fnd&pg=PA9&dq=%22Restoration+style%22+severity+england+puritanism&ots=7XVt96Cwd9&sig=4_EZpAi3tZTsT9Sh-iySC9T1nKE |archive-date=18 August 2020}}</ref>
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Stuart Restoration
(section)
Add topic