Editing Guido of Arezzo (section)

==Further reading==
''See {{harvtxt|Grier|2018}} for an extensive bibliography''
;Books
{{refbegin}}
* {{cite book |last=Hoppin |first=Richard |author-link=Richard Hoppin |year=1978 |title=Medieval Music |series=The Norton Introduction to Music History |edition=|publisher=[[W. W. Norton & Company]] |location=New York|isbn=978-0-393-09090-1}}
* Lyons, Stuart (2010). ''Music in the Odes of Horace''. Oxford: Aris & Phillips. {{ISBN|978-0-85668-844-7}}.
* {{cite book |last=Mengozzi |first=Stefano |title=The Renaissance Reform of Medieval Music Theory: Guido of Arezzo Between Myth and History |date=2010 |publisher=[[Cambridge University Press]] |location=Cambridge |isbn=978-0-521-88415-0 |url={{google books|plainurl=y|id=FeGxqOgwqDAC}} }}
* {{cite book |last=Oesch |first=Hans |author-link=:de:Hans Oesch |year=1978 |title=Guido von Arezzo: Biographisches und Theoretisches unter besonderer Berücksichtigung der sogenannten odonischen Traktate |trans-title=Guido von Arezzo: Biographical and theoretical matters with special consideration of the so-called odonic treatises |language=German |series=Publikationen der Schweizerischen Musikforschenden Gesellschaft |publisher=P. Haupt |location=Bern |oclc=527452 }}
* {{cite book |last=Pesce |first=Dolores |editor-last1=Murray |editor-first1=Russell E. |editor-last2=Weiss |editor-first2=Susan Forscher |editor-last3=Cyrus |editor-first3=Cynthia J. |year=2010 |title=Music Education in the Middle Ages and the Renaissance |chapter=Guido d'Arezzo, ''Ut queant laxis'', and Musical Understanding |publisher=[[Indiana University Press]] |location=Bloomington |isbn=978-0-253-00455-0 |url={{google books|plainurl=y|id=81lhP9mblk0C}} |pages=25–36 }}
{{refend}}

;Journal and encyclopedia articles
{{refbegin}}
* {{cite journal |last=Berger |first=Carol |date=1981 |title=The Hand and the Art of Memory |journal=[[Musica Disciplina]] |publisher=[[American Institute of Musicology]] Verlag Corpusmusicae, GmbH |volume=35 |pages=87–120 |jstor=20532236 }}
* {{cite journal |last1=Carey |first1=Norman |last2=Clampitt |first2=David |date=Spring 1996 |title=Regions: A Theory of Tonal Spaces in Early Medieval Treatises |journal=[[Journal of Music Theory]] |publisher=[[Duke University Press]] |volume=40 |issue=1 |pages=113–147 |jstor=843924 }}
* {{cite journal |last=Fuller |first=Sarah |date=January–June 1981 |title=Theoretical Foundations of Early Organum Theory |journal=[[Acta Musicologica]] |publisher=[[International Musicological Society]] |volume=53 |issue=Fasc. 1 |pages=52–84 |jstor=932569 |doi=10.2307/932569 }}
* {{cite journal |last=Green |first=Edward |date=December 2007 |title=What Is Chapter 17 of Guido's 'Micrologus' about? A Proposal for a New Answer |journal=International Review of the Aesthetics and Sociology of Music |volume=38 |issue=2 |pages=143–170 |jstor=25487523 }}
* {{cite journal |last=Huglo |first=Michel |year=1988 |title=Bibliographie des éditions et études relatives à la théorie musicale du Moyen Âge (1972–1987) |trans-title=Bibliography of Editions and Studies Relating to Medieval Music Theory (1972–1987) |journal=[[Acta Musicologica]] |publisher=[[International Musicological Society]] |location=Basel |volume=60 |issue=Fasc. 3 |pages=229–272 [252] |jstor=932753 |doi=10.2307/932753 }}
* {{cite journal |last=Mengozzi |first=Stefano |date=Summer 2006 |title=Virtual Segments: The Hexachordal System in the Late Middle Ages |journal=[[The Journal of Musicology]] |publisher=University of California Press |volume=23 |issue=3 |pages=426–467 |jstor=10.1525/jm.2006.23.3.426 |doi=10.1525/jm.2006.23.3.426 }}
* {{cite journal |last=Reisenweaver |first=Anna J. |date=2012 |title=Guido of Arezzo and His Influence on Music Learning |journal=Musical Offerings |volume=3 |issue=1 |pages=55–63 |doi=10.15385/jmo.2012.3.1.4 |url=https://digitalcommons.cedarville.edu/musicalofferings/vol3/iss1/4 |doi-access=free }}
* {{cite journal |last=Russell |first=Tilden A. |date=Spring 1981 |title=A Poetic Key to a Pre-Guidonian Palm and the 'Echemata' |journal=[[Journal of the American Musicological Society]] |publisher=University of California Press |volume=34 |issue=1 |pages=109–118 |jstor=831036 |doi=10.2307/831036 }}
* {{cite journal |last=Sullivan |first=Blair |date=1989 |title=Interpretive Models of Guido of Arezzo's Micrologus |journal=Comitatus: A Journal of Medieval and Renaissance Studies |volume=20 |issue=1 |pages=20–42 |url=https://escholarship.org/content/qt5g13339g/qt5g13339g_noSplash_92ec624cba9064df1477e57b1b56bb38.pdf?t=krnopa }}
* {{cite journal |last=van Waesberghe |first=Jos Smits |author-link=:nl:Jos. Smits van Waesberghe |date=1951 |title=The Musical Notation of Guido of Arezzo |journal=[[Musica Disciplina]] |publisher=[[American Institute of Musicology]] Verlag Corpusmusicae, GmbH |volume=5 |pages=15–53 |jstor=20531824 }}
* {{cite journal |last=van Waesberghe |first=Jos Smits |author-link=:nl:Jos. Smits van Waesberghe |date=1951 |title=Guido of Arezzo and Musical Improvisation |journal=[[Musica Disciplina]] |publisher=[[American Institute of Musicology]] Verlag Corpusmusicae, GmbH |volume=5 |pages=55–63 |jstor=20531825 }}
{{refend}}