Editing Dziga Vertov (section)

==References==
;Books and articles
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*[[Erik Barnouw|Barnouw, Erik]]. ''Documentary: a History of the Non-fiction Film.'' Oxford University Press. Original copyright 1974.
*Bohlman, Philip Vilas. ''Music, Modernity, and the Foreign in the New Germany.'' 1994, pp.&nbsp;121–152
*[[Ian Christie (film scholar)|Christie, Ian]]. "Rushes: Pordenone Retrospective: Gazing into the Future.", in: ''Sight and Sound''. 2005, 15, 1, 4–5, British Film Institute
*Cook, Simon. "[https://www.academia.edu/2305468/Dziga_Vertovs_theory_of_vision Our Eyes, Spinning Like Propellers: Wheel of Life, Curve of Velocities, and Dziga Vertov's Theory of the Interva] l." ''October'', 2007: 79–91.
*{{Cite journal|last = [[Natascha Drubek]]-Meyer|first = Natascha|date=1994|title=Griffiths und Vertovs Wiege. Dziga Vertovs Film 'Kolybel'naja' (1937). |jstor=24058286|journal=Frauen und Film|volume=54/55|pages=31–51}} 
*[[Natascha Drubek]]-Meyer; Murasov, Jurij, ''Rhapsodie und Apparatur. Zu den Filmen des Dziga Vertov''. Frankfurt a.M. 1999. 
*Ellis, Jack C. ''The Documentary Idea: a Critical History of English-Language Documentary Film and Video.'' Prentice Hall, 1989.
*Feldman, Seth. "'Peace between Man and Machine': Dziga Vertov's ''The Man with a Movie Camera.''" in: [[Barry Keith Grant]], and Jeannette Sloniowski, eds. ''Documenting the Documentary: Close Readings of Documentary Film and Video.'' Wayne State University Press, 1998. pp.&nbsp;40–53.
*Feldman, Seth. ''Evolution of style in the early work of Dziga Vertov.'' 1977, Arno Press, New York.
*Graffy, Julian; Deriabin, Aleksandr; Sarkisova, Oksana; Keller, Sarah; Scandiffio, Theresa . ''Lines of Resistance: Dziga Vertov and the Twenties''; edited and with an introduction by Yuri Tsivian. Le Giornate del cinema muto, Gemona, Udine
*Heftberger, Adelheid. ''Kollision der Kader. Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities''. Munich: edition text + kritik, 2016.
*Hicks, Jeremy. ''Dziga Vertov: Defining Documentary Film.'' London & New York: I. B. Tauris, 2007.
*Le Grice, Malcolm. ''Abstract Film and Beyond.'' Studio Vista, 1977.
*MacKay, John. "Allegory and Accommodation: Vertov's «Three Songs of Lenin» (1934) as a Stalinist Film." In ''Film History: An International Journal''; 18.4 (2006) 376–391.
*MacKay, John. [http://www.kinokultura.com/articles/jan05-mackay.html "Disorganized Noise: ''Enthusiasm'' and the Ear of the Collective."] 
*MacKay, John. "Film Energy: Process and Metanarrative in Dziga Vertov's «The Eleventh Year» (1928)." ''October''; 121 (Summer 2007): 41–78.
*MacKay, John. [http://www.kinokultura.com/articles/apr05-mackay.html "The 'Spinning Top' Takes Another Turn: Vertov Today."]
*MacKay, John. [https://yale.academia.edu/JohnMacKay John MacKay | Yale University – Academia.edu] Drafts of Dziga Vertov: Life and Work]
*Michelson, Annette & Turvey, Malcolm, eds. "New Vertov Studies." Special Issue of ''October'', (''October'' 121 (Summer 2007)).
* Lech, Dorota. [https://mubi.com/en/notebook/posts/dziga-vertov-s-long-lost-films Dziga Vertov's Long-Lost Films], mubi.com, 8 February 2022.
*Molcard, Eva. 2020. "[[Elizaveta Svilova]]." In Jane Gaines, Radha Vatsal, and Monica Dall'Asta, eds. Women Film Pioneers Project. New York, NY: Columbia University Libraries. <https://doi.org/10.7916/d8-y8we-0736>
*Roberts, Graham. ''The Man with the Movie Camera.'' I. B. Tauris, 2001. {{ISBN|1-86064-394-9}}
*Singer, Ben. "Connoisseurs of Chaos: Whitman, Vertov and the 'Poetic Survey,'" ''Literature/Film Quarterly''; 15:4 (Fall 1987): 247–258.
*Tode, Thomas & Wurm, Barbara, Austrian Film Museum, eds. ''Dziga Vertov. The Vertov Collection at the [[Austrian Film Museum]],'' Bilingual (German-English). (Paperback – May 2006), FilmmuseumSynemaPublikationen.-- [http://www.filmmuseum.at online version available here].
*Tsivian, Yuri, ed. ''Lines of Resistance: Dziga Vertov and the Twenties''. Le Giornate del Cinema Muto, 2004. {{ISBN|88-86155-15-8}}
*Vertov, Dziga. ''On Kinopravda.'' 1924, and ''The Man with the Movie Camera.'' 1928, in: Annette Michelson ed. Kevin O'Brien tr. ''Kino-Eye : The Writings of Dziga Vertov,'' University of California Press, 1995.
*Dziga Vertov. ''We. A Version of a Manifesto.'' 1922, in Ian Christie, Richard Taylor eds. ''The Film Factory: Russian and Soviet Cinema in Documents, 1896–1939'' Routledge, 1994. {{ISBN|0-415-05298-X}}
*Warren, Charles, ed. ''Beyond Document: Essays on Nonfiction Film.'' Wesleyan University Press, 1996.
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;DVDs
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*''Dziga Vertov's Man with the Movie Camera'' DVD, audio commentary track by Yuri Tsivian.
*''Entuziazm (Simfonija Donbassa)'' DVD, restored version and unrestored version plus documentary on Peter Kubelka's restoration.
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