Editing Death metal (section)

===Death-doom===
{{Main|Death-doom}}
[[File:My Dying Bride 44.jpg|right|thumb|[[My Dying Bride]] at Frozen Rock Fest. 2007.]]
Death-doom is a style that combines the slow tempos and pessimistic atmosphere of [[doom metal]] with the deep [[death growl|growling vocals]] and double-kick drumming of death metal.<ref name="Doom Metal Special: Doom/Death Terrorizer #142">"Doom Metal Special: Doom/Death", ''Terrorizer #142''.</ref> Influenced mostly by the early work of [[Hellhammer]] and [[Celtic Frost]], the style emerged during the late 1980s and gained a certain amount of popularity during the 1990s.<ref name="Doom Metal Special: Doom/Death Terrorizer #142" /> Death-doom was also pioneered by bands such as [[Winter (metal band)|Winter]],{{sfn|Purcell|2003|p=23}} [[Disembowelment (band)|Disembowelment]],{{sfn|Purcell|2003|p=23}} [[Paradise Lost (band)|Paradise Lost]],{{sfn|Purcell|2003|p=23}} [[Autopsy (band)|Autopsy]], [[Anathema (band)|Anathema]], and [[My Dying Bride]].{{sfn|Purcell|2003|p=23}}

====Funeral doom====
{{Main|Funeral doom}}
Funeral doom is a genre that crosses [[death-doom]] with [[Dirge|funeral dirge music]].<ref name="Dirge">{{cite news |author=Davis, Cody |title=Funeral Doom Friday: FUNERAL MOURNING's Blackened, Deadly Inertia of Dissonance (A Sermon in Finality) |url=http://www.metalinjection.net/av/funeral-doom-friday/funeral-mournings-blackened-deadly-inertia-of-dissonance-a-sermon-in-finality |work=Metal Injection |access-date=July 29, 2018 |date=September 9, 2016 |archive-date=July 9, 2023 |archive-url=https://web.archive.org/web/20230709182616/https://metalinjection.net/av/funeral-doom-friday/funeral-mournings-blackened-deadly-inertia-of-dissonance-a-sermon-in-finality |url-status=live }}</ref> It is played at a very slow tempo, and places an emphasis on evoking a sense of emptiness and despair.<ref name="Bandcamp">{{cite web |url=https://daily.bandcamp.com/2017/02/02/doom-metal-a-brief-timeline/ |title=Doom Metal: A Brief Timeline |work=Bandcamp daily |access-date=June 30, 2018 |date=February 2, 2017 |archive-date=October 7, 2019 |archive-url=https://web.archive.org/web/20191007204041/https://daily.bandcamp.com/2017/02/02/doom-metal-a-brief-timeline/ |url-status=live }}</ref> Typically, electric guitars are heavily distorted and [[dark ambient]] aspects such as [[keyboard instrument|keyboards]] or [[synthesizer]]s are often used to create a dreamlike atmosphere.<ref name=AE>{{cite thesis |last=Ebner |first=Arne |date=July 25, 2010 |title=Ästhetik des Doom |type=Bachelor |institution=Macromedia University of Applied Sciences for Media and Communication - Cologne |url=http://doom.resettheworld.com/aesthetik_des_doom_arne_ebner_40mb.pdf |access-date=August 18, 2018 |language=de |archive-url=https://web.archive.org/web/20160304075156/http://doom.resettheworld.com/aesthetik_des_doom_arne_ebner_40mb.pdf |archive-date=March 4, 2016 |url-status=dead }}</ref> Vocals consist of mournful chants or growls and are often in the background.<ref name=AE/> Funeral doom was pioneered by [[Mournful Congregation]] (Australia), [[Esoteric (band)|Esoteric]] (United Kingdom), [[Evoken]] (United States), [[Funeral (band)|Funeral]] (Norway), [[Thergothon]] (Finland), and [[Skepticism (band)|Skepticism]] (Finland).<ref>James Minton, Kim Kelly, and Jenn Selby, "Filth Parade", ''Terrorizer'' #188, September 2009, p. 56.</ref>