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==Reception and legacy== ===Critical reception=== ''The Fountainhead'' polarized critics and received mixed reviews upon its release.<ref name="tfreviews">Berliner, Michael S. "''The Fountainhead'' Reviews", in {{harvnb|Mayhew|2006|pp=77β82}}</ref> In ''[[The New York Times]]'', [[Lorine Pruette]] praised Rand as writing "brilliantly, beautifully and bitterly", stating that she had "written a hymn in praise of the individual" that would force readers to rethink basic ideas.<ref name="Pruette 1943">{{harvnb|Pruette|1943}}</ref> Writing for the same newspaper, [[Orville Prescott]] called the novel "disastrous" with a plot containing "coils and convolutions" and a "crude cast of characters".<ref>{{harvnb|Prescott|1943}}</ref> Benjamin DeCasseres, a columnist for the ''[[New York Journal-American]]'', described Roark as "one of the most inspiring characters in modern American literature". Rand sent DeCasseres a letter thanking him for explaining the book's themes about [[individualism]] when many other reviewers did not.<ref>{{harvnb|Rand|1995|p=75}}</ref> There were other positive reviews, although Rand dismissed many of them as either not understanding her message or as being from unimportant publications.<ref name="tfreviews"/> A number of negative reviews focused on the length of the novel,<ref>{{harvnb|Gladstein|1999|pp=117β119}}</ref> such as one that called it "a whale of a book" and another that said "anyone who is taken in by it deserves a stern lecture on paper-[[Rationing in the United States|rationing]]". Other negative reviews called the characters unsympathetic and Rand's style "offensively pedestrian".<ref name="tfreviews"/> The character of Dominique Francon has provoked varied reactions from commentators. Philosopher [[Chris Matthew Sciabarra]] called her "one of the more bizarre characters in the novel".<ref name = Sciabarra/> Literature scholar [[Mimi Reisel Gladstein]] called her "an interesting case study in perverseness".<ref name="Gladstein41"/> Writer Tore Boeckmann described her as a character with conflicting beliefs and saw her actions as a logical representation of how those conflicts might play out.<ref>Boeckmann, Tore. "What Might Be and Ought to Be: Aristotle's ''Poetics'' and ''The Fountainhead''". In {{harvnb|Mayhew|2006|pp=158, 164}}</ref> In the years following its initial publication, ''The Fountainhead'' has received relatively little attention from literary critics.<ref name="denuyl21">{{harvnb|Den Uyl|1999|p=21}}</ref><ref>{{harvnb|Hornstein|1999|p=431}}</ref> Assessing the novel's legacy, philosopher [[Douglas Den Uyl]] described ''The Fountainhead'' as relatively neglected compared to her later novel ''[[Atlas Shrugged]]'' and said, "our problem is to find those topics that arise clearly with ''The Fountainhead'' and yet do not force us to read it simply through the eyes of ''Atlas Shrugged''."<ref name="denuyl21"/> Among critics who have addressed it, some consider ''The Fountainhead'' to be Rand's best novel,<ref>{{harvnb|Cullen-DuPont|2000|p=211}}</ref><ref name="baker57">{{harvnb|Baker|1987|p=57}}</ref><ref>{{harvnb|Merrill|1991|p=45}}</ref> although in some cases this assessment is tempered by an overall negative judgment of Rand's writings.<ref>{{harvnb|Kingwell|2006|p=70}}</ref><ref>{{harvnb|Walker|1999|p=79}}</ref> Purely negative evaluations have also continued; a 2011 overview of American literature said "mainstream literary culture dismissed [{{italics correction|''The Fountainhead''}}] in the 1940s and continues to dismiss it".<ref name="Yannella17">{{harvnb|Yannella|2011|p=17}}</ref> ===Feminist criticisms=== [[Feminism|Feminist]] critics have condemned Roark and Dominique's first sexual encounter, accusing Rand of endorsing rape.<ref name="Bernstein207"/> Feminist critics have attacked the scene as representative of an [[antifeminist]] viewpoint in Rand's works that makes women subservient to men.<ref>{{harvnb|Den Uyl|1999|p=22}}</ref> [[Susan Brownmiller]], in her 1975 work ''[[Against Our Will: Men, Women and Rape]]'', denounced what she called "Rand's philosophy of rape", for portraying women as wanting "humiliation at the hands of a superior man". She called Rand "a traitor to her own sex".<ref>{{harvnb|Brownmiller|1975|pp=348β350}}. Reprinted in {{harvnb|Gladstein|Sciabarra|1999|pp=63β65}}</ref> Susan Love Brown said the scene presents Rand's view of sex as [[sadomasochism]] involving "feminine subordination and passivity".<ref>Brown, Susan Love. "Ayn Rand: The Woman Who Would ''Not'' Be President". In {{harvnb|Gladstein|Sciabarra|1999|p=289}}</ref> [[Barbara Grizzuti Harrison]] suggested that women who enjoy such "masochistic fantasies" are "damaged" and have low self-esteem.<ref>Harrison, Barbara Grizzuti. "Psyching Out Ayn Rand". In {{harvnb|Gladstein|Sciabarra|1999|pp=74β75}}</ref> While Mimi Reisel Gladstein found elements to admire in Rand's female protagonists, she said that readers who have "a raised consciousness about the nature of rape" would disapprove of Rand's "romanticized rapes".<ref>{{harvnb|Gladstein|1999|pp=27β28}}</ref> Rand's posthumously published working notes for the novel indicate that when she started on the book in 1936, she conceived of Roark's character that "were it necessary, he could rape her and feel justified".<ref>{{harvnb|Rand|1997|p=96}}</ref> She denied that what happened in the finished novel was actually rape, referring to it as "rape by engraved invitation".<ref name="burns86">{{harvnb|Burns|2009|p=86}}</ref> She said Dominique wanted and "all but invited" the act, citing, among other things, a passage where Dominique scratches a marble slab in her bedroom to invite Roark to repair it.<ref>{{harvnb|Rand|1995|p=631}}</ref> A true rape, Rand said, would be "a dreadful crime".<ref>{{harvnb|Rand|1995|p=282}}</ref> Defenders of the novel have agreed with this interpretation. In an essay specifically explaining this scene, [[Andrew Bernstein (philosopher)|Andrew Bernstein]] wrote that although much "confusion" exists about it, the descriptions in the novel provide "conclusive" evidence of Dominique's strong attraction to Roark and her desire to have sex with him.<ref>Bernstein, Andrew. "Understanding the 'Rape' Scene in ''The Fountainhead''". In {{harvnb|Mayhew|2006|pp=201β203}}</ref> Individualist feminist [[Wendy McElroy]] said that while Dominique is "thoroughly taken", there is nonetheless "clear indication" that Dominique both gave consent for and enjoyed the experience.<ref name="McElroy162">McElroy, Wendy. "Looking Through a Paradigm Darkly". In {{harvnb|Gladstein|Sciabarra|1999|pp=162β164}}</ref> Both Bernstein and McElroy saw the interpretations of feminists such as Brownmiller as based in a false understanding of sexuality.<ref name="McElroy162"/><ref name="Bernstein207">Bernstein, Andrew. "Understanding the 'Rape' Scene in ''The Fountainhead''". In {{harvnb|Mayhew|2006|p=207}}</ref> ===Effect on Rand's career=== [[File:Gary Cooper The Fountainhead 1949.jpg|thumb|alt=Screen capture of Gary Cooper|[[Gary Cooper]] played Howard Roark in the film adaptation.]] Although Rand had some mainstream success previously with her play ''[[Night of January 16th]]'' and had two previously published novels, ''The Fountainhead'' was a major breakthrough in her career. It brought her lasting fame and financial success. She sold the movie rights to ''The Fountainhead'' and returned to Hollywood to write the screenplay for the adaptation.<ref>Milgram, Shoshana. "The Life of Ayn Rand". In {{harvnb|Gotthelf|Salmieri|2016|p=29}}</ref> In April 1944, she signed a multiyear contract with movie producer [[Hal Wallis]] to write original screenplays and adaptations of other writers' works.<ref>{{harvnb|Heller|2009|p=164}}</ref> The success of the novel brought Rand new publishing opportunities. Bobbs-Merrill offered to publish a nonfiction book expanding on the ethical ideas presented in ''The Fountainhead''. Though this book was never completed, a portion of the material was used for an article in the January 1944 issue of ''[[Reader's Digest]]''.<ref>{{harvnb|Heller|2009|p=171}}</ref> Rand was also able to get an American publisher for ''Anthem'', which previously had been published in England, but not in the United States.<ref>{{harvnb|Heller|2009|p=198}}</ref> When she was ready to submit ''Atlas Shrugged'' to publishers, over a dozen competed to acquire the new book.<ref>{{harvnb|Heller|2009|p=271}}</ref> ''The Fountainhead'' also attracted a new group of fans who were attracted to its philosophical ideas. When she moved back to New York in 1951, she gathered a group of these admirers to whom she referred publicly as "the Class of '43" in reference to the year ''The Fountainhead'' was published. The group evolved into the core of the [[Objectivist movement]] that promoted the philosophical ideas from Rand's writing.<ref>Milgram, Shoshana. "The Life of Ayn Rand". In {{harvnb|Gotthelf|Salmieri|2016|p=30}}</ref><ref>{{harvnb|Burns|2009|p=144}}</ref> ===Cultural influence=== ''The Fountainhead'' has continued to have strong sales throughout the last century into the current one. By 2023, it had sold over 10 million copies.{{sfn|Eilenberger|2023|p=348 n26}} It has been referred to in a variety of popular entertainments, including movies, television series, and other novels.<ref>{{harvnb|Sciabarra|2004|pp=3β5}}</ref><ref>{{harvnb|Burns|2009|pp=282β283}}</ref> The year 1943 also saw the publication of ''[[The God of the Machine]]'' by [[Isabel Paterson]] and ''[[Rose Wilder Lane#The Discovery of Freedom|The Discovery of Freedom]]'' by [[Rose Wilder Lane]]. Rand, Lane, and Paterson have been referred to as the founding mothers of the [[American libertarian movement]] with the publication of these works.<ref>{{harvnb|Powell|1996|p=322}}</ref> For example, journalist [[John Chamberlain (journalist)|John Chamberlain]] credited these works with converting him from socialism to what he called "an older American philosophy" of libertarian and conservative ideas.<ref>{{harvnb|Chamberlain|1982|p=136}}</ref> Literature professor Philip R. Yannella said the novel is "a central text of [[American conservative]] and libertarian political culture".<ref name="Yannella17" /> In the United Kingdom, [[Conservative Party (UK)|Conservative Party]] politician [[Sajid Javid]] has spoken of the novel's influence on him and how he regularly rereads the courtroom scene from Roark's criminal trial.<ref>{{harvnb|Sylvester|2019}}</ref> The book has a particular appeal to young people, an appeal that led historian James Baker to describe it as "more important than its detractors think, although not as important as Rand fans imagine".<ref name="baker57" /> Philosopher [[Allan Bloom]] said the novel is "hardly literature" but that when he asked his students which books mattered to them, someone always was influenced by ''The Fountainhead''.<ref>{{harvnb|Bloom|1987|p=62}}</ref> Journalist [[Nora Ephron]] wrote that she had loved the novel when she was 18, but admitted that she "missed the point", which she suggested is largely subliminal sexual metaphor. Ephron wrote that she decided upon rereading that "it is better read when one is young enough to miss the point. Otherwise, one cannot help thinking it is a very silly book."<ref>{{harvnb|Ephron|1970|p=47}}</ref> Multiple architects have cited ''The Fountainhead'' as an inspiration for their work. Architect Fred Stitt, founder of the San Francisco Institute of Architecture, dedicated a book to his "first architectural mentor, Howard Roark".<ref>{{harvnb|Branden|1986|p=420}}</ref> According to architectural photographer [[Julius Shulman]], Rand's work "brought architecture into the public's focus for the first time". He said ''The Fountainhead'' was not only influential among 20th century architects, but moreover "was one, first, front and center in the life of every architect who was a modern architect".<ref>{{harvnb|McConnell|2010|pp=84β85}}</ref> The novel also had a significant impact on the public perception of architecture.<ref>{{harvnb|Flowers|2009|p=92}}</ref><ref>{{harvnb|Lewis|2007}}</ref><ref>{{harvnb|Hosey|2013}}</ref> During his [[Donald Trump presidential campaign, 2016|2016 presidential campaign]], real estate developer [[Donald Trump]] praised the novel, saying he identified with Roark.<ref>{{harvnb|Powers|2016}}</ref> [[Roark Capital Group]], a private equity firm, is named for the character Howard Roark.<ref>{{Harvnb|Bitter|2024}}.</ref>
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