Editing Plautus (section)

===Understanding of Greek by Plautus' audience===
Of the approximate 270 proper names in the surviving plays of Plautus, about 250 names are Greek.<ref>Seaman, W.M., "The Understanding of Greek by Plautus' Audience," ''Classical Journal'' 50 (1954), p. 115.</ref> William M. Seaman proposes that these Greek names would have delivered a comic punch to the audience because of its basic understanding of the Greek language.<ref>Seaman 1954, p. 116.</ref> This previous understanding of Greek language, Seaman suggests, comes from the "experience of Roman soldiers during the first and second Punic wars. Not only did men billeted in Greek areas have opportunity to learn sufficient Greek for the purpose of everyday conversation, but they were also able to see plays in the foreign tongue."<ref>Seaman 1954, p. 115.</ref> Having an audience with knowledge of the Greek language, whether limited or more expanded, allowed Plautus more freedom to use Greek references and words. Also, by using his many Greek references and showing that his plays were originally Greek, "It is possible that Plautus was in a way a teacher of Greek literature, myth, art and philosophy; so too was he teaching something of the nature of Greek words to people, who, like himself, had recently come into closer contact with that foreign tongue and all its riches."<ref>Seaman 1954, p. 119.</ref>

At the time of Plautus, Rome was expanding, and having much success in Greece. W.S. Anderson has commented that Plautus "is using and abusing Greek comedy to imply the superiority of Rome, in all its crude vitality, over the Greek world, which was now the political dependent of Rome, whose effete comic plots helped explain why the Greeks proved inadequate in the real world of the third and second centuries, in which the Romans exercised mastery".<ref>W.S. Anderson, "The Roman Transformation of Greek Domestic Comedy," ''The Classical World'' 88.3 (1995), pp. 171-180.</ref>