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=== ''Qu'' in Yuan dynasty === {{Main|Qu (poetry)}} The ''Qu'' form of poetry is a type of [[Classical Chinese poetry forms|Classical Chinese poetry form]], consisting of words written in one of a number of certain, set [[tone pattern]]s, based upon the tunes of various songs. Thus '''''Qu''''' poems are lyrics with lines of varying longer and shorter lengths, set according to the certain and specific, fixed patterns of rhyme and tone of conventional musical pieces upon which they are based and after which these matched variations in lyrics (or individual '''''Qu''''' poems) generally take their name.<ref>Yip, pp. 306–308 {{full citation needed|date=March 2019}}</ref> The fixed-tone type of verse such as the '''''Qu''''' and the ''[[Ci (poetry)|ci]]'' together with the ''[[shi (poetry)|shi]]'' and ''[[Fu (poetry)|fu]]'' forms of poetry comprise the three main forms of [[Classical Chinese poetry]]. In [[Chinese literature]], the '''''Qu''''' ({{Zh|c=曲|p=qǔ|w=chü}}) form of poetry from the [[Yuan dynasty]] may be called ''Yuanqu'' (元曲 P: ''Yuánqǔ'', W: ''Yüan-chü''). Qu may be derived from [[Chinese opera]], such as the ''[[Zaju]]'' (雜劇/杂剧), in which case these Qu may be referred to as ''[[Chinese Sanqu poetry|sanqu]]'' (散曲). The ''San'' in ''Sanqu'' refers to the detached status of the ''Qu'' lyrics of this verse form: in other words, rather than being embedded as part of an opera performance the lyrics stand separately on their own. Since the ''Qu'' became popular during the late [[Southern Song]] dynasty, and reached a special height of popularity in the [[Yuan poetry|poetry]] of the Yuan dynasty, therefore it is often called ''Yuanqu'' (元曲), specifying the type of ''Qu'' found in [[Chinese opera]] typical of the Yuan dynasty era. Both ''Sanqu'' and ''Ci'' are lyrics written to fit a different melodies, but ''Sanqu'' differs from ''Ci'' in that it is more colloquial, and is allowed to contain ''Chenzi'' (襯字/衬字 "filler words" which are additional words to make a more complete meaning). ''Sanqu'' can be further divided into ''Xiaoling'' (小令) and ''Santao'' (散套), with the latter containing more than one melody.
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