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Boris Godunov (opera)
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===Act 3 (The 'Polish' Act) (1872 Version only)=== [[File:Shishkov - Marina Boudoir.jpg|thumb|left|Shishkov's design for the scene in Marina's Boudoir (1870)]] ''Scene 1: The Boudoir of Marina Mniszech in [[Sandomierz]] [Poland] (1604)'' Maidens sing a delicate, sentimental song ("On the blue [[Vistula]]") to entertain Marina as her chambermaid dresses her hair. Marina declares her preference for heroic songs of chivalry. She dismisses everyone. Alone, she sings of her boredom ("How tediously and sluggishly"), of Dmitriy, and of her thirst for adventure, power, and glory. The [[Jesuit]] Rangoni enters, bemoans the wretched state of the church, attempts to obtain Marina's promise that when she becomes [[Tsaritsa]] she will convert the [[Heresy|heretics]] of Moscow ([[Russian Orthodox Church]]) to the true faith ([[Roman Catholicism]]), and encourages her to bewitch the Pretender. When Marina wonders why she should do this, Rangoni angrily insists that she stop short of nothing, including sacrificing her honor, to obey the dictates of the church. Marina expresses contempt of his hypocritical insinuations and demands he leave. As Rangoni ominously tells her she is in the thrall of infernal forces, Marina collapses in dread. Rangoni demands her obedience. [[File:Shishkov - Night Garden Fountain.jpg|thumb|Shishkov's design for the scene in the Garden of Mniszech's Castle (1870)]] ''Scene 2: Mniszech's Castle in Sandomierz. A Garden. A Fountain. A Moonlit Night (1604)'' Woodwind and harp accompany a pensive version of the 'Dmitriy Motif'. The Pretender dreams of an assignation with Marina in the garden of her father's castle. However, to his annoyance, Rangoni finds him. He brings news that Marina longs for him and wishes to speak with him. The Pretender resolves to throw himself at Marina's feet, begging her to be his wife and Tsaritsa. He entreats Rangoni to lead him to Marina. Rangoni, however, first begs the Pretender to consider him a father, allowing him to follow his every step and thought. Despite his mistrust of Rangoni, the Pretender agrees not to part from him if he will only let him see Marina. Rangoni convinces the Pretender to hide as the Polish nobles emerge from the castle dancing a [[polonaise (dance)|polonaise]] (''Polonaise''). Marina flirts, dancing with an older man. The Poles sing of taking the Muscovite throne, defeating the army of Boris, and capturing him. They return to the castle. The Pretender comes out of hiding, cursing Rangoni. He resolves to abandon wooing Marina and begin his march on Moscow. But then Marina appears and calls to him. He is lovesick. She, however, only wants to know when he will be Tsar, and declares she can only be seduced by a throne and a crown. The Pretender kneels at her feet. She rejects his advances, and, attempting to spur him to action, dismisses him, calling him a lackey. Having reached his limit, he tells her he will depart the next day to lead his army to Moscow and to his father's throne. Furthermore, as Tsar he will take pleasure in watching her come crawling back looking for her own lost throne, and will command everyone to laugh at her. She quickly reverses course, tells him she adores him, and they sing a duet ("O Tsarevich, I implore you"). Rangoni observes the amorous couple from afar, and, joining them in a brief trio, cynically rejoices in his victory.
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