Editing Battle of Lepanto (section)

===Paintings===
[[File:Felipe IV offers Ferdinand to Glory.jpg|thumb| ''Felipe II offers Prince Fernando to Victory'' by [[Titian]], {{Circa|1572–1575}}, [[Museo del Prado]], Madrid]]

There are many pictorial representations of the battle. Prints of the order of battle appeared in Venice and Rome in 1571.<ref>anonymous chalcography, 1571, Museo Civico Correr, Museo di Storia Navale, Venice; ''Vero retratto del armata Christiana et Turchesca in ordinanza [...] dove li nostri ebero la gloriosa vitoria tra Lepanto [...]'', 1571; ''Il vero ordine et modo tenuto dalle Chistiana et turchescha nella bataglia, che fu all. 7. Ottobrio [...]'', Venice 1571, Museo di Storia Navale, Venice; Agostino Barberigo, ''L' ultimo Et vero Ritrato Di la vitoria de L'armata Cristiana de la santissima liga Contre a L'armata Turcheschà [...]'', 1571. Antonio Lafreri, ''L'ordine tenuto dall'armata della santa Lega Christiana contro il Turcho [...], n'e seguita la felicissima Vittoria li sette d'Ottobre MDLXXI [...]'', Rome, 1571 ([http://gallica.bnf.fr/ark:/12148/btv1b550003230 bnf.fr]). Bernhard Jobin, ''Mercklicher Schiffstreit /und Schlachtordnung beyder Christlichjen / und Türckischen Armada / wie sich die jüngst den 7. Oktob. 71. Jar verloffen / eigentlich fürgerissen / und warhafftig beschrieben'',
Strasbourg, 1572; cited after Rudolph (2012).</ref> Numerous paintings were commissioned, including one in the [[Doge's Palace, Venice]], by [[Andrea Vicentino]] on the walls of the ''Sala dello Scrutinio'', which replaced [[Tintoretto]]'s ''Victory of Lepanto'', destroyed by fire in 1577. [[Titian]] painted the battle in the background of an allegorical work showing Philip II of Spain holding his infant son, [[Ferdinand, Prince of Asturias|Don Fernando]], his male heir born shortly after the victory, on 4 December 1571. An angel descends from heaven bearing a palm branch with a motto for Fernando, who is held up by Philip: "Majora tibi" (may you achieve greater deeds; Fernando died as a child, in 1578).<ref>Robert Enggass and Jonathan Brown, ''Italian and Spanish Art, 1600–1750: Sources and Documents'' (1992), p. 213.</ref>

''The Allegory of the Battle of Lepanto'' (c. 1572, oil on canvas, 169 x 137&nbsp;cm, [[Gallerie dell'Accademia]], [[Venice]]) is a painting by [[Paolo Veronese]]. The lower half of the painting shows the events of the battle, whilst at the top a female personification of [[Venice]] is presented to the [[Virgin Mary]], with [[James the Great|Saint James Major]] (patron of Spain), [[Saint Peter]] (patron of the Papal States), [[Justina of Padua|Saint Justina]] (patron of Padua), [[Saint Mark]] (patron of Venice), and a group of angels in attendance.{{citation needed|date=October 2018}}

A painting by [[Wenceslas Cobergher]], dated to the end of the 16th century, now in [[San Domenico Maggiore]], shows what is interpreted as a victory procession in Rome on the return of admiral Colonna. On the stairs of Saint Peter's Basilica, Pius V is visible in front of a kneeling figure, identified as Marcantonio Colonna returning the standard of the Holy League to the pope. On high is the Madonna and child with victory palms.<ref>''Flemish Masters and Other Artists: Foreign Artists from the Heritage of the Fondo Edifici Di Culto Del Ministero Dell'interno'' (2008), [https://books.google.com/books?id=-5T91jgvbUMC&pg=PA83 p. 83].</ref>

[[Tommaso Dolabella]] painted his ''The Battle of Lepanto'' in c. 1625–1630 on the commission of [[Stanisław Lubomirski (1583–1649)|Stanisław Lubomirski]], commander of the Polish left wing in the [[Battle of Khotyn (1621)]]. The monumental painting (3.05&nbsp;m × 6.35&nbsp;m) combines the Polish victory procession following this battle with the backdrop of the Battle of Lepanto. It was later owned by the Dominicans of [[Poznań]] and since 1927 has been on display in [[Wawel Castle]], [[Kraków]].<ref>Anna Misiag-Bochenska, ''Historia obrazu Tomasza Dolabelli Bitwa pod Lepanto'', ''Nautologia'' 3.1/2 (1968/9), 64–65.
Krystyna Fabijańska-Przybytko, ''Morze w malarstwie polskim'' (1990), p. 104. Gino Benzoni,  ''Il Mediterraneo Nella Seconda Metà Del '500 Alla Luce Di Lepanto'' (1974), p. 31.</ref>

''[[The Battle of Lepanto (Luna painting)|The Battle of Lepanto]]'' by [[Juan Luna]] (1887) is displayed at the Spanish Senate in Madrid.
<gallery>
(Venice) Allegoria della battaglia di Lepanto - Gallerie Accademia.jpg|''The Allegory of the Battle of Lepanto'' by [[Paolo Veronese]] (c. 1572, [[Gallerie dell'Accademia]], Venice
(Venice) Battaglia di Lepanto - Andrea Vicentino - Correr Museum.jpg|''The Battle of Lepanto'' by [[Andrea Vicentino]] (c. 1571-1600), [[Museo Correr]], Venice
Battle of Lepanto 1595-1605 Andrea Vicentino.jpg|''The Battle of Lepanto'' by [[Andrea Vicentino]] (c. 1600, [[Doge's Palace]], Venice)
Lepanto Dolabella.jpg|''The Battle of Lepanto'' by [[Tommaso Dolabella]] (c. 1625–1630, [[Wawel Castle]], Kraków)
'The Battle of Lepanto', painting by Andries van Eertvelt.jpg|''The Battle of Lepanto'' by [[Andries van Eertvelt]] (1640)
The Battle of Lepanto of 1571 full version by Juan Luna.jpg|''The Battle of Lepanto'' by [[Juan Luna]] (1887, Spanish Senate, Madrid)
Battaglia di Lepanto.jpg|''The Battle of Lepanto'' by [[Tintoretto]]
Naval Battle of Lepanto.jpg|''The Battle of Lepanto'' by anonymous
Giorgio vasari e aiuti, la battaglia di lepanto, 1572-73, 03.jpg|''The Battle of Lepanto'' by [[Giorgio Vasari]]
</gallery>