Editing William Hogarth (section)

===Other later works===
[[File:William Hogarth - David Garrick (1717-79) with his wife Eva-Maria Veigel, "La Violette" or "Violetti" (1725 - 1822) - Google Art Project.jpg|thumb|[[David Garrick]] and his wife [[Eva Marie Veigel]], c.&nbsp;1757–1764, [[Royal Collection]] at [[Windsor Castle]]]]

Notable Hogarth engravings in the 1740s include ''[[The Enraged Musician]]'' (1741), the six prints of ''[[Marriage à-la-mode (Hogarth)|Marriage à-la-mode]]'' (1745; executed by French artists under Hogarth's inspection), and ''[[The Stage Coach or The Country Inn Yard]]'' (1747).<ref>Paulson, ''Hogarth's Graphic Works'', 3rd edition, nos. 152, 158–163, 167.</ref>

In 1745, Hogarth painted a self-portrait with his pug dog, [[Trump (dog)|Trump]] (now also in [[Tate Britain]]), which shows him as a learned artist supported by volumes of [[William Shakespeare|Shakespeare]], [[John Milton|Milton]] and [[Jonathan Swift|Swift]].<ref>Einberg, ''William Hogarth: A Complete Catalogue of the Paintings'', no. 194.</ref> In 1749, he represented the somewhat disorderly English troops on their ''[[March of the Guards to Finchley]]'' (formerly located in [[Thomas Coram Foundation for Children]], now [[Foundling Museum]]).<ref>Einberg, ''William Hogarth: A Complete Catalogue of the Paintings'', no. 207.</ref>

Others works included his ingenious ''[[Satire on False Perspective]]'' (1754);<ref>Paulson, ''Hogarth's Graphic Works'', 3rd edition, no. 232.</ref> his satire on canvassing in his ''[[Humours of an Election|Election]]'' series (1755–1758; now in [[Sir John Soane's Museum]]);<ref>Einberg, ''William Hogarth: A Complete Catalogue of the Paintings'', nos. 214–217.</ref> his ridicule of the English passion for [[cockfighting]] in [[The Cockpit (1759)|''The Cockpit'' (1759)]]; his attack on [[Methodism]] in ''[[Credulity, Superstition, and Fanaticism]]'' (1762);<ref>{{cite journal | url=https://doi.org/10.11588/artdok.00008018 | doi=10.11588/artdok.00008018 | year=2022 | last1=Krysmanski | first1=Bernd | title=We see a ghost : Hogarth's satire on Methodists and connoisseurs | journal=The Art Bulletin | volume=80 | issue=2 | pages=292–310 }}</ref> his political anti-war satire in [[The Times, plate I|''The Times'', plate I]] (1762);<ref>Paulson, ''Hogarth's Graphic Works'', 3rd edition, no. 211.</ref> and his pessimistic view of all things in ''[[Tailpiece, or The Bathos]]'' (1764).<ref>Paulson, ''Hogarth's Graphic Works'', 3rd edition, nos. 206, 210a, 211, 216.</ref>

In 1757, Hogarth was appointed [[Serjeant Painter]] to the King.<ref name=RP>Ronald Paulson, ''Hogarth'', vol. 3 (New Brunswick 1993), pp. 213–216.</ref>