Editing Microtonality (section)

==Further reading==
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* {{wikicite|ref={{harvid| Adèr |2011a}}|reference=Adèr, Lidiâ Olegovna [Адэр, Лидия Олеговна]. 2011a. "Микротоновая идея: Истоки и предпосылки" [The Concept of Microtonality: Its Origin and Background]. Научный журнал Санкт-Петербургской консерватории [Opera musicologica: Naučnyj žurnal Sankt-Peterburgskoj konservatorii] 3–4, nos. 8–9:114–134.}}
* {{wikicite|ref={{harvid| Adèr |2011b}}|reference=Adèr, Lidiâ Olegovna [Адэр, Лидия Олеговна]. 2011b. "Микротоновый инструментарий—первые шаги от утопии к практике" [Microtonal Instruments: The First Steps from Utopia to Practice]. In Временник Зубовского института: Инструментализм в истории культуры [Instrumentalism in the history of culture], edited by Evgenia Vladimirovna Hazdan, 52–65. Vremennik Zubovskogo instituta 7. St. Petersburg: Rossijskij Institut Istorii Iskusstv.}}
* {{wikicite|ref={{harvid|Aron|1523}}|reference=[[Pietro Aron|Aron, Pietro]]. 1523. ''Thoscanello de la musica''. Venice: Bernardino et Mattheo de Vitali. Facsimile edition, Monuments of music and music literature in facsimile: Second series, Music literature 69. New York: Broude Brothers, 1969. Second edition, as ''Toscanello in musica... nuovamente stampato con laggiunta da lui fatta et con diligentia corretto'', Venice: Bernardino & Matheo de Vitali, 1529. Facsimile reprint, Bibliotheca musica Bononiensis, sezione 2., n. 10. Bologna: Forni Editori, 1969. [http://euromusicology.cs.uu.nl:6334/dynaweb/tmiweb/a/aartos/@Generic__BookView;cs=default;ts=default Online edition of the 1529 text] {{in lang|it}}. Third edition, as ''Toscanello in musica'', Venice: Marchio Stessa, 1539. Facsimile edition, edited by Georg Frey. Kassel: Bärenreiter, 1970. Fourth edition, Venice, 1562. English edition, as ''Toscanello in music'', translated by Peter Bergquist. 3 vols. Colorado College Music Press Translations, no. 4. Colorado Springs: Colorado College Music Press, 1970.}}
* {{wikicite|ref={{harvid|Barbieri|1989}}|reference=Barbieri, Patrizio. 1989. "An Unknown 15th-Century French Manuscript on Organ Building and Tuning". ''The Organ Yearbook: A Journal for the Players & Historians of Keyboard Instruments'' 20.}}
* {{wikicite|ref={{harvid|Barbieri|2002}}|reference=Barbieri, Patrizio. 2002. "The Evolution of Open-Chain Enharmonic Keyboards c1480–1650". In ''Chromatische und enharmonische Musik und Musikinstrumente des 16. und 17. Jahrhunderts/Chromatic and Enharmonic Music and Musical Instruments in the 16th and 17th Centuries''. Schweizer Jahrbuch für Musikwissenschaft/Annales suisses de musicologie/Annuario svizzero di musicologia 22, edited by Joseph Willimann. Bern: Verlag Peter Lang AG. {{ISBN|3-03910-088-2}}.}}
* {{wikicite|ref={{harvid|Barbieri|2003}}|reference=Barbieri, Patrizio. 2003. "Temperaments, Historical". In ''Piano: An Encyclopedia'', second edition, edited by Robert Palmieri and Margaret W. Palmieri,{{Page needed|date=February 2011}}<!--Inclusive page numbers of Barbieri's article.-->. New York: Routledge.}}
* {{wikicite|ref={{harvid|Barbieri, Barca, and Riccati|1987}}|reference=Barbieri, Patrizio, Alessandro Barca, and conte Giordano Riccati. 1987. ''Acustica accordatura e temperamento nell'illuminismo Veneto''. Pubblicazioni del Corso superiore di paleografia e semiografia musicale dall'umanesimo al barocco, Serie I: Studi e testi 5; Pubblicazioni del Corso superiore di paleografia e semiografia musicale dall'umanesimo al barocco, Documenti 2. Rome: Edizioni Torre d'Orfeo.}}
* {{wikicite|ref={{harvid|Barbieri and Duca|2001}}|reference=Barbieri, Patrizio, and Lindoro Massimo del Duca. 2001. "Late-Renaissance Quarter-tone Compositions (1555–1618): The Performance of the ETS-31 with a DSP System". In ''Musical Sounds from Past Millennia: Proceedings of the International Symposium on Musical Acoustics 2001'', edited by Diego L. González, Domenico Stanzial, and Davide Bonsi. 2 vols. Venice: Fondazione Giorgio Cini.}}
* {{wikicite|ref={{harvid|Barlow|2001}}|reference=[[Clarence Barlow|Barlow, Clarence]] (ed.). 2001. "The Ratio Book." (Documentation of the Ratio Symposium Royal Conservatory The Hague 14–16 December 1992). ''Feedback Papers'' 43.}}
* {{wikicite|ref={{harvid|Blackwood|1985}}|reference=Blackwood, Easley. 1985. ''The Structure of Recognizable Diatonic Tunings''. Princeton: Princeton University Press. {{ISBN|0-691-09129-3}}.}}
* {{wikicite|ref={{harvid|Blackwood|1991}}|reference=Blackwood, Easley. 1991. "Modes and Chord Progressions in Equal Tunings". ''Perspectives of New Music'' 29, no. 2 (Summer): 166–200.}}
* {{wikicite|ref={{harvid|Burns|1999}}|reference=Burns, Edward M. 1999. "Intervals, Scales, and Tuning." In ''The Psychology of Music'', second edition, ed. Diana Deutsch. 215–264. San Diego: Academic Press. {{ISBN|0-12-213564-4}}.}}
* {{wikicite|ref={{harvid|Carr|2008}}|reference=Carr, Vanessa. 2008. "[http://www.vancarr.com/?p=42 These Are Ghost Punks]". Vanessa Carr's website (29 February). (Accessed 2 April 2009)}}
* {{wikicite|ref={{harvid|Colonna|1618}}|reference=Colonna, Fabio. 1618. ''La sambuca lincea, overo Dell'istromento musico perfetto''. Naples: C. Vitale. Facsimile reprint of a copy containing manuscript critical annotations by [[Scipione Stella]] (1618–1624), with an introduction by Patrizio Barbieri. Musurgiana 24. Lucca, Italy: Libreria Musicale Italiana, 1991.}}
* {{wikicite|ref={{harvid|Daniels|1965}}|reference=Daniels, Arthur Michael. 1965. "Microtonality and Mean-Tone Temperament in the Harmonic System of Francisco Salinas". ''[[Journal of Music Theory]]'' 9, no. 1 (Spring): 2–51.}}
* {{wikicite|ref={{harvid|Dumbrill|2000}}|reference=[[Richard Dumbrill (musicologist)|Dumbrill, Richard J.]] 2000. ''The Musicology and Organology of the Ancient Near East'', second edition. London: Tadema Press. {{ISBN|0-9533633-0-9}}.}}
* {{wikicite|ref={{harvid|Fink|1988}}|reference=Fink, Robert. 1988. "The Oldest Song in the World". ''Archaeologia Musicalis'' 2, no. 2:98–100.}}
* {{wikicite|ref={{harvid|Fritsch|2007}}|reference=[[Johannes Fritsch|Fritsch, Johannes G]]. 2007. "Allgemeine Harmonik, Tonsysteme, Mikrotonalität: Ein geschichtlicher Überblick". In ''Orientierungen: Wege im Pluralismus der Gegenwartsmusik'', edited by [[Jörn Peter Hiekel]], 107–122. Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt 47. Mainz: Schott Musik International. {{ISBN|978-3-7957-1837-4}}.}}
* {{wikicite|ref={{harvid|Gilmore|1998}}|reference=Gilmore, Bob. 1998. ''Harry Partch: A Biography''. New Haven: Yale University Press. {{ISBN|0-300-06521-3}}.}}
* {{wikicite|ref={{harvid|Haas|2007}}|reference=[[Georg Friedrich Haas|Haas, Georg Friedrich]]. 2007. "Mikrotonalität und spektrale Musik seit 1980". In ''Orientierungen: Wege im Pluralismus der Gegenwartsmusik'', edited by Jörn Peter Hiekel, 123–129. Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt 47. Mainz: Schott Musik International. {{ISBN|978-3-7957-1837-4}}.}}
* {{wikicite|ref={{harvid|Hába|1927}}|reference=Hába, Alois. 1927. ''Neue Harmonielehre des diatonischen, chromatischen Viertel-, Drittel-, Sechstel- und Zwölftel-tonsystems''. Leipzig: Kistner & Siegel.}}
* {{wikicite|ref={{harvid|Johnston|2006}}|reference=Johnston, Ben. 2006. ''{{'}}Maximum Clarity' and other writings on music'', ed. B. Gilmore. Urbana and Chicago: University of Illinois Press.}}
* {{wikicite|ref={{harvid|Kotschy|2008}}|reference=Kotschy, Johannes. 2008. "Mikrotonalität: Eine Zeiterscheinung?" ''Österreichische Musikzeitschrift'' 63, no. 7 (July): 8–15.}}
* {{wikicite|ref={{harvid|Landman|[2008]}}|reference=[[Yuri Landman|Landman, Yuri]]. [2008]. "Third Bridge Helix: From Experimental Punk to Ancient Chinese Music and the Universal Physical Laws of Consonance". ''[https://web.archive.org/web/20120824020439/http://www.furious.com/perfect/experimentalstringinstruments.html Perfect Sound Forever (online music magazine)]'' (accessed 6 December 2008).}}
* {{wikicite|ref={{harvid|Landman|n.d.}}|reference=Landman, Yuri. n.d. "[https://web.archive.org/web/20151108182752/http://www.hypercustom.com/yuichionoue.html Yuichi Onoue's Kaisatsuko]" on [http://www.hypercustom.com Hypercustom.com] (accessed 31 March 2009).}}
* {{wikicite|ref={{harvid|Leedy|1991}}|reference=Leedy, Douglas. 1991. "A Venerable Temperament Rediscovered". ''Perspectives of New Music'' 29, no. 2 (Summer): 202–211.}}
* {{wikicite|ref={{harvid|Lindley|2001b}}|reference=Lindley, Mark. 2001b. "Temperaments". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Mandelbaum|1961}}|reference=Mandelbaum, M. Joel. 1961. "[http://anaphoria.com/mandelbaum.html Multiple Division Of the Octave and the Tonal Resources of the 19 Tone Temperament]". Ph.D. thesis. Bloomington: Indiana University.}}
* {{wikicite|ref={{harvid|Mosch|2008}}|reference=Mosch, Ulrich. 2008. "Ultrachromatik und Mikrotonalität: Hans Zenders Grundlegung einer neuen Harmonik". In ''Hans Zender: Vielstimmig in sich'', edited by [[Werner Grünzweig]], Anouk Jeschke, and [[Jörn Peter Hiekel]], 61–76. Archive zur Musik des 20. Jahrhunderts, No. 12. Hofheim:Wolke. {{ISBN|978-3-936000-25-2}}.}}
* {{wikicite|ref={{harvid|Noyze and James|2014}}|reference=Noyze, Dave, and Richard D. James.. 2014. "[https://web.archive.org/web/20141112205122/http://noyzelab.blogspot.com.au/2014/11/syrobonkers-part2.html Aphex Twin Syrobonkers! Interview: Part 2]". Noyzelab Blogspot.com.au (Monday, 10 November)}}
* {{wikicite|ref={{harvid|Stahnke|2010}}|reference=[[Manfred Stahnke|Stahnke, Manfred]]. 2010. "About Backyards and Limbos: Microtonality Revisited". In ''Concepts, Experiments and Fieldwork: Studies in Systematic Musicology and Ethnomusicology'', edited by Rolf Bader, Christiane Neuhaus, and Ulrich Morgenstern, with a prefaceby Achim Reichel, 297–314. Frankfurt am Main and New York: Peter Lang. {{ISBN|978-3-631-58902-1}}.}}
* {{wikicite|ref={{harvid|Vitale|1982}}|reference=Vitale, Raoul. 1982. "La Musique suméro-accadienne: gamme et notation musicale". ''Ugarit-Forschungen'' 14: 241–263.}}
* {{wikicite|ref={{harvid|Werntz|2001}}|reference=Werntz, Julia. 2001. "Adding Pitches: Some New Thoughts, Ten Years after Perspectives of New Music's 'Forum: Microtonality Today'". ''Perspectives of New Music'' 39, no. 2 (Summer): 159–210.}}
* {{wikicite|ref={{harvid|Wood|1986}}|reference=Wood, James. 1986. "Microtonality: Aesthetics and Practicality". ''The Musical Times'' 127, no. 1719 (June): 328–330.}}
* {{wikicite|ref={{harvid|Wyschnegradsky|1937}}|reference=[[Ivan Wyschnegradsky|Wyschnegradsky, Ivan]]. 1937. "La musique à quarts de ton et sa réalisation pratique". ''La Revue Musicale'' no. 171:26–33.}}
* {{wikicite|ref={{harvid|Zweifel|1996}}|reference=Zweifel, Paul. 1996. "Generalized Diatonic and Pentatonic Scales: A Group-Theoretic Approach". ''Perspectives of New Music'' 34, no. 1 (Winter): 140–161.}}
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