Editing Ivanhoe (section)

==Themes==
Scott treats themes similar to those of some of his earlier novels, like ''[[Rob Roy (novel)|Rob Roy]]'' and ''[[The Heart of Midlothian]]'', examining the conflict between heroic ideals and modern society. In the latter novels, industrial society becomes the centre of this conflict as the "backward" Scots and the "advanced" English have to arise from chaos to create unity. Similarly, the Normans in ''Ivanhoe'', who represent a more sophisticated culture, and the Saxons, who are poor, disenfranchised, and resentful of Norman rule, band together and begin to mould themselves into one people. The conflict between the Saxons and Normans focuses on the losses both groups must experience before they can be reconciled and thus forge a united England. The particular loss is in the extremes of their own cultural values, which must be disavowed in order for the society to function. For the Saxons, this value is the final admission of the hopelessness of the Saxon cause. The Normans must learn to overcome the materialism and violence in their own codes of [[chivalry]]. Ivanhoe and Richard represent the hope of reconciliation for a unified future.<ref name = Duncan/>

Ivanhoe, though of a more noble lineage than some of the other characters, represents a middling individual in the medieval class system who is not exceptionally outstanding in his abilities, as is expected of other quasi-historical fictional characters, such as the [[Greek hero]]es. Critic [[György Lukács]] points to middling main characters like Ivanhoe in Walter Scott's other novels as one of the primary reasons Scott's historical novels depart from previous historical works, and better explore social and cultural history.<ref name= "Lukas31–38">{{cite book |title=The Historical Novel |first=Georg |last=Lukacs |publisher=Penguin Books |year=1969 |pages=31–39}}</ref>