Editing Glyn Johns (section)

====The Steve Miller Band, Bob Dylan, the Band, the Eagles====
In the late 1960s and 1970s, Johns was in demand on both sides of the [[Atlantic Ocean|Atlantic]] and worked with American acts such as [[the Steve Miller Band]], and the [[Eagles (band)|Eagles]].{{sfn|Ankeny on Johns}}  Johns did his first work with an American act in 1968 with the Steve Miller Band, whom he had seen perform live at [[the Fillmore]] in [[San Francisco]].{{sfn|Johns|2014|pp=98–99}}  The group came to England to record their debut album, ''[[Children of the Future (album)|Children of the Future]]'', at Olympic with Johns as engineer.{{sfn|Johns|2014|p=99}} 
During the sessions, Johns assumed the role of producer.{{sfnm|1a1=Johns|1y=2014|1pp=101–102|2a1=Hanson on Miller}}  Johns produced and engineered their next three albums, ''[[Sailor (Steve Miller Band album)|Sailor]],''{{sfn|Brown|1990|p=1225}} ''[[Brave New World (Steve Miller Band album)|Brave New World]]'',{{sfn|Ankeny on Johns}} and ''[[Your Saving Grace]]''.{{sfn|Planer on Miller}}

[[File:Eagles in concert September 2014.jpg|thumb|upright=1.25|Glyn Johns produced and engineered the [[Eagles (band)|Eagles]]' first three albums in the early- to mid-1970s.]]
At the request of producer [[Bob Johnston]],{{sfn|Johns|2014|p=154}} Johns engineered the live recordings of Bob Dylan's performance backed by [[the Band]] at the [[Isle of Wight Festival]] in 1969,{{sfn|Johns|2014|p=154}} some of which appeared on his 1970 ''[[Self Portrait (Bob Dylan album)|Self Portrait]]'' album.{{sfnm|1a1=Love|1y=2016|2a1=Walsh|2y=2014}}  He later produced and engineered Dylan's 1984 live album, ''[[Real Live]]''.{{sfn|Michaels|2014}}  Johns also did one of the mixes for the Band's ''[[Stage Fright (album)|Stage Fright]]'' in 1970.{{sfnm|1a1=Chelstowski|1y=2021|2a1=Walsh|2y=2014}}{{efn|[[Todd Rundgren]] did another mix for the album.  It has been debated which mix appeared on the first Capitol pressing of the album.{{sfn|Chelstowski|2021}}}}

Johns engineered and produced the Eagles' first three albums, bringing them to Olympic Studios in London to record their [[The Eagles (album)|self-titled debut]],{{sfnm|1a1=Johns|1y=2014|1p=192|2a1=Moore|2y=2022}} followed by ''[[Desperado (Eagles album)|Desperado]]'',{{sfn|Walsh|2014}} and the early sessions for ''On the Border''.{{sfn|Giles on Eagles|2016}}  During these years they achieved success, recording hits such as "[[Witchy Woman]]", "[[Tequila Sunrise (Eagles song)|Tequila Sunrise]]", and "[[Best of My Love (Eagles song)|Best of My Love]]", which became their first number one hit single.{{sfn|Giles on Eagles|2016}}  Increasingly the group began to develop internal friction and with Johns.{{sfn|Giles on Eagles|2016}}  They also objected to Johns' ban on use of drugs in the studio.{{sfn|Giles on Eagles|2016}}  By 1974, singer/guitarist [[Glenn Frey]] and drummer/vocalist [[Don Henley]] gained control of the band,{{sfn|Giles on Eagles|2016}} and sought a more hard-rocking approach.{{sfn|Giles on Eagles|2016}}  Johns, who preferred their early [[country rock|country-rock]] orientation,{{sfnm|1a1=Johns|1y=2014|1p=202|2a1=Giles on Eagles|2y=2016}} fell out of favour with the group and left during the making of ''On the Border'', so they moved the sessions to [[California]] and brought in producer/engineer [[Bill Szymczyk]] to finish the album.{{sfn|Giles on Eagles|2016}}  Eventually, [[Randy Meisner]] and [[Bernie Leadon]] departed,{{sfn|Wilson|2020}} and the band recruited [[Don Felder]] and former [[James Gang]] guitarist [[Joe Walsh]].{{sfn|Yeniocak|2022}}