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===Simplicity=== Some librarians felt that Blyton's restricted use of language, a conscious product of her teaching background, was prejudicial to an appreciation of more literary qualities. In a scathing article published in ''Encounter'' in 1958, the journalist [[Colin Welch]] remarked that it was "hard to see how a diet of Miss Blyton could help with the [[11-plus]] or even with the Cambridge English [[Tripos]]",{{R|ODNB}} but reserved his harshest criticism for Blyton's Noddy, describing him as an "unnaturally priggish ... sanctimonious ... witless, spiritless, snivelling, sneaking doll."{{Sfnp|Briggs|Butts|Orville Grenby|2008|p=265|ps=none}} The author and educational psychologist [[Nicholas Tucker]] notes that it was common to see Blyton cited as people's favourite or least favourite author according to their age, and argues that her books create an "encapsulated world for young readers that simply dissolves with age, leaving behind only memories of excitement and strong identification".{{Sfnp|Tucker|1990|p=116|ps=none}} Fred Inglis considers Blyton's books to be technically easy to read, but to also be "emotionally and cognitively easy". He mentions that the psychologist Michael Woods believed that Blyton was different from many other older authors writing for children in that she seemed untroubled by presenting them with a world that differed from reality. Woods surmised that Blyton "was a child, she thought as a child, and wrote as a child ... the basic feeling is essentially pre-adolescent ... Enid Blyton has no moral dilemmas ... Inevitably Enid Blyton was labelled by rumour a child-hater. If true, such a fact should come as no surprise to us, for as a child herself all other children can be nothing but rivals for her".{{Sfnp|Inglis|1982|p=189|ps=none}} Inglis argues though that Blyton was devoted to children and put an enormous amount of energy into her work, with a powerful belief in "representing the crude moral diagrams and garish fantasies of a readership".{{Sfnp|Inglis|1982|p=189|ps=none}} Blyton's daughter Imogen has stated that she "loved a relationship with children through her books", but real children were an intrusion, and there was no room for intruders in the world that Blyton occupied through her writing.{{R|Blight}}
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