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==Women of Dada== The vital contributions of female artists to the Dada movement were often reduced to their personal relationships with male Dadaists, and thus they were not written about as extensively in their own right.<ref>{{cite book |last1=Hemus |first1=Ruth |title=Dada's women |date=2009 |publisher=Yale University Press |location=New Haven and London |isbn=978-0-300-14148-1 |page=3,11,57 |url=https://monoskop.org/images/6/62/Hemus_Ruth_Dadas_Women_2009.pdf |access-date=22 February 2025}}</ref> Notable mentions other than the artists below include: [[Suzanne Duchamp]], [[Elsa von Freytag-Loringhoven]], [[Emmy Hennings]], [[Beatrice Wood]], [[Clara Tice]], and [[Ella Bergmann-Michel]]. ===Hannah Höch=== [[Hannah Höch]] of Berlin is considered to be the only female Dadaist in Berlin at the time of the movement.<ref name="thecollector.com">{{Cite web|date=2020-11-12|title=Here Are 5 Pioneering Women Of The Dada Art Movement|url=https://www.thecollector.com/women-of-dada-art-movement/|access-date=2022-01-08|website=TheCollector}}</ref> During this time, she was in a relationship with [[Raoul Hausmann]] who also was a Dada artist. She channeled the same anti-war and anti-government ([[Weimar Republic]]) in her works but brought out a feminist lens on the themes. With her works primarily of collage and photomontage, she often used precise placement or detailed titles to callout the misogynistic ways she and other women were treated.<ref name="thecollector.com"/> ===Sophie Taeuber-Arp=== [[Sophie Taeuber-Arp]] was a Swiss artist, teacher, and dancer who produced various types of fine art and handicraft pieces. While married to Dadaist [[Jean Arp]], Taeuber-Arp was known in the Dada community for her performative dancing. As such, she worked with choreographer [[Rudolf von Laban]] and was written by [[Tristan Tzara|Tristan Tzara]] for her dancing skills. ===Mina Loy=== London-born Mina Loy was known for being active in the literary sector of the New York Dada scene. She spent time writing poetry, creating Dada magazines, and acting and writing in plays. She contributed writing to Dada journal ''[[The Blind Man]]'' and [[Marcel Duchamp]]'s ''[[Rongwrong]]''.
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