Editing Arts and Crafts movement (section)

==== Scotland ====
The beginnings of the Arts and Crafts movement in Scotland were in the stained glass revival of the 1850s, pioneered by [[James Ballantine]] (1806–1877). His major works included the great west window of [[Dunfermline Abbey]] and the scheme for [[St. Giles Cathedral]], Edinburgh. In Glasgow it was pioneered by [[Daniel Cottier]] (1838–1891), who had probably studied with Ballantine, and was directly influenced by [[William Morris]], [[Ford Madox Brown]] and [[John Ruskin]]. His key works included the ''Baptism of Christ'' in [[Paisley Abbey]], (c. 1880). His followers included Stephen Adam and his son of the same name.<ref>M. MacDonald, ''Scottish Art'' (London: Thames and Hudson, 2000), {{ISBN|0-500-20333-4}}, p. 151.</ref>

The Glasgow-born designer and theorist [[Christopher Dresser]] (1834–1904) was one of the first, and most important, independent designers, a pivotal figure in the [[Aesthetic Movement]] and a major contributor to the allied [[Anglo-Japanese]] movement.<ref>H. Lyons, ''Christopher Dresser: The People Designer – 1834–1904'' (Antique Collectors' Club, 2005), {{ISBN|1-85149-455-3}}.</ref> The movement had an "extraordinary flowering" in Scotland where it was represented by the development of the '[[Glasgow Style]]' which was based on the talent of the [[Glasgow School of Art]].  Celtic revival took hold here, and motifs such as the Glasgow rose became popularised. [[Charles Rennie Mackintosh]] (1868–1928) and the Glasgow School of Art were to influence others worldwide.<ref name="grove" /><ref name="dublin" />

[[File:The Robert Owen Museum, Newtown.jpg|thumb|The Robert Owen Museum, [[Newtown, Powys|Newtown, Wales]], by [[Frank Shayler]]]]