Editing Serialism (section)

==Further reading==
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* Delaere, Marc. 2016. "The Stockhausen–Goeyvaerts Correspondence and the Aesthetic Foundations of Serialism in the Early 1950s". In ''The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward'', edited by M. J. Grant and Imke Misch, 20–34. Hofheim: Wolke Verlag. {{ISBN|978-3-95593-068-4}}.
* [[Umberto Eco|Eco, Umberto]]. 2005. "Innovation & Repetition: Between Modern & Postmodern Aesthetics". ''[[Daedalus (journal)|Daedalus]]'' 134, no. 4, 50 Years (Fall): 191–207. {{doi|10.1162/001152605774431527}}. {{JSTOR|20028022}}.
* [[Karlheinz Essl|Essl, Karlheinz]]. 1989. [http://www.essl.at/bibliogr/stockhausen.html "Aspekte des Seriellen bei Stockhausen"]. In ''Almanach Wien Modern 89'', edited by L. Knessl, 90-97. Vienna: Konzerthaus.
* [[Allen Forte|Forte, Allen]]. 1964. "A Theory of Set-Complexes for Music". ''[[Journal of Music Theory]]'' 8, no. 2 (Winter): 136–184.
* Forte, Allen. 1973. ''The Structure of Atonal Music''. New Haven and London: Yale University Press.
* Forte, Allen. 1998. ''The Atonal Music of Anton Webern''. New Haven: Yale University Press.
* Fürstenberger, Barbara. 1989. ''Michel Butors literarische Träume: Untersuchungen zu Matière de rêves I bis V''. Studia Romanica 72. Heidelberg: C. Winter. {{ISBN|9783533040705|9783533040699}}.
* Gollin, Edward. 2007. "Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók." ''[[Music Theory Spectrum]]'' 29, no. 2 (Fall): 143–176. {{doi|10.1525/mts.2007.29.2.143}}.
* [[Paul Gredinger|Gredinger, Paul]]. 1955. "Das Serielle". ''[[Die Reihe]]'' 1 ("Elektronische Musik"): 34–41. English as "Serial Technique", translated by Alexander Goehr. ''Die Reihe'' 1 ("Electronic Music"), (English edition 1958): 38–44.
* Knee, Robin. 1985. "Michel Butor's ''Passage de Milan'': The Numbers Game". ''[[Review of Contemporary Fiction]]'' 5, no. 3:146–149.
* [[Jerome Kohl|Kohl, Jerome]]. 2017. ''Karlheinz Stockhausen: Zeitmaße''. Landmarks in Music Since 1950, edited by Wyndham Thomas. Abingdon, Oxon; London; New York: Routledge. {{ISBN|978-0-7546-5334-9}}.
* [[Ernst Krenek|Krenek, Ernst]]. 1953. "Is the Twelve-Tone Technique on the Decline?" ''[[The Musical Quarterly]]'' 39, no 4 (October): 513–527.
* [[Fred Lerdahl|Lerdahl, Fred]], and [[Ray Jackendoff]]. 1983. ''A Generative Theory of Tonal Music''. Cambridge, Massachusetts: MIT Press.
* [[Leonard B. Meyer|Meyer, Leonard B.]] 1967. ''Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture''. Chicago and London: University of Chicago Press. (Second edition 1994.)
* Miller, Elinor S. 1983. "Critical Commentary II: Butor's ''Quadruple fond'' as Serial Music". ''Romance Notes'' 24, no. 2 (Winter): 196–204.
* Misch, Imke. 2016. "Karlheinz Stockhausen: The Challenge of Legacy: An Introduction". In ''The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward'', edited by M. J. Grant and Imke Misch, 11–19. Hofheim: Wolke Verlag. {{ISBN|978-3-95593-068-4}}.
* [[George Perle|Perle, George]]. 1962. ''Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern''. Berkeley: University of California Press.
* [[John Rahn|Rahn, John]]. 1980. ''Basic Atonal Theory''. New York: Schirmer Books.
* [[Alex Ross (music critic)|Ross, Alex]]. 2007. ''[[The Rest Is Noise]]: Listening to the Twentieth Century''. New York: Farrar, Straus and Giroux, {{ISBN|978-0-374-24939-7}}.
* [[Leon Samuel Roudiez|Roudiez, Leon S.]] 1984. "Un texte perturbe: ''Matière de rêves'' de Michel Butor". ''Romanic Review'' 75, no. 2:242–255.
* Savage, Roger W. H. 1989. ''Structure and Sorcery: The Aesthetics of Post-War Serial Composition and Indeterminacy''. Outstanding Dissertations in Music from British Universities. New York: Garland Publications. {{ISBN|0-8240-2041-3}}.
* Schwartz, Steve. 2001. "[http://www.classical.net/music/recs/reviews/p/phx00112a.php Richard Yardumian: Orchestral Works]". Classical Net. {{Access-date|10 May 2011}}
* [[Roger Scruton|Scruton, Roger]]. 1997. ''Aesthetics of Music''. Oxford: Clarendon Press. {{ISBN|0-19-816638-9}}. Quoted in Arved Ashbey, ''The Pleasure of Modernist Music'' (University of Rochester Press, 2004) p.&nbsp;122. {{ISBN|1-58046-143-3}}.
* [[Reginald Smith Brindle|Smith Brindle, Reginald]]. 1966. ''Serial Composition''. London, New York: Oxford University Press.
* Spencer, Michael Clifford. 1974. ''Michel Butor''. Twayne's World Author Series TWS275. New York: Twayne Publishers. {{ISBN|9780805721867}}.
* Straus, Joseph N. 1999. "[https://archive.today/20130113024345/http://mq.oxfordjournals.org/content/83/3/301.full.pdf+html The Myth of Serial 'Tyranny' in the 1950s and 1960s]" (Subscription access). ''[[The Musical Quarterly]]'' 83:301–343.
* {{interlanguage link|Robert Wangermée|lt=Wangermée, Robert|fr|Robert Wangermée|nl}}. 1995. ''André Souris et le complexe d'Orphée: entre surréalisme et musique sérielle''. Collection Musique, Musicologie. Liège: P. Mardaga. {{ISBN|9782870096055}}.
* {{interlanguage link|Eric Walter White|lt=White, Eric Walter|nl}} and [[Jeremy Noble (musicologist)|Jeremy Noble]]. 1984. "Stravinsky". In ''The New Grove Modern Masters''. London: Macmillan.
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