Editing Psychedelic rock (section)

===Neo-psychedelia===
There were occasional mainstream acts that dabbled in [[neo-psychedelia]], a style of music which emerged in late 1970s [[post-punk]] circles. Although it has mainly been an influence on [[alternative rock|alternative]] and [[indie rock]] bands, neo-psychedelia sometimes updated the approach of 1960s psychedelic rock.<ref name="AllMusicNeoP">{{cite web|website=[[AllMusic]]|date=n.d.|url=http://www.allmusic.com/style/neo-psychedelia-ma0000012252|title=Neo-Psychedelia}}</ref> Neo-psychedelia may include forays into psychedelic pop, jangly guitar rock, heavily distorted free-form jams, or recording experiments.<ref name="AllMusicNeoP"/> Some of the scene's bands, including [[the Soft Boys]], [[the Teardrop Explodes]], Wah!,  [[Echo & the Bunnymen]], became major figures of neo-psychedelia.  In the US in the early 1980s it was joined by the [[Paisley Underground]] movement, based in Los Angeles and fronted by acts such as [[Dream Syndicate]], [[the Bangles]] and [[Rain Parade]].<ref>R. Unterberger, S. Hicks and J. Dempsey, ''Music USA: the Rough Guide'' (London: Rough Guides, 1999), {{ISBN|1-85828-421-X}}, p. 401.</ref> 
[[File:Primal Scream performing Screamadelica live in Paradiso, Amsterdam Screamadelica's iconic cover image (6127942325).jpg|thumb|[[Primal Scream]] performing live with the cover of their album ''[[Screamadelica]]'' in the back]]
In the late '80s in the UK the genre of [[Madchester]] emerged in the [[Manchester]] area, in which artists merged [[alternative rock]] with [[acid house]] and [[rave culture|dance culture]] as well as other sources, including psychedelic music and 1960s pop.<ref name="Echard, William 2017 pp. 244">Echard, William (2017). Psychedelic Popular Music: A History through Musical Topic Theory. Indiana University Press. pp. 244–246</ref><ref name="all">{{cite web|title=Madchester – Genre Overview|url=https://www.allmusic.com/style/madchester-ma0000005017|website=[[AllMusic]]|access-date=25 March 2017}}</ref> The label was popularised by the British music press in the early 1990s.<ref>{{cite book|last=Shuker|first=Roy|page=157|chapter=Madchester|chapter-url=https://books.google.com/books?id=2sAReL71VsUC&pg=PA157|title=Popular Music: The Key Concepts|publisher=[[Psychology Press]]|year=2005|access-date=26 December 2016|isbn=978-0-415-34769-3}}</ref> Erchard talks about it as being part of a "thread of 80s psychedelic rock" and lists as main bands in it [[the Stone Roses]], [[Happy Mondays]] and [[Inspiral Carpets]]. The [[rave]]-influenced scene is widely seen as heavily influenced by drugs, especially ecstasy ([[MDMA]]), and it is seen by Erchard as central to a wider phenomenon of what he calls a "rock [[rave]] crossover" in the late '80s and early '90s UK indie scene, which also included the ''[[Screamadelica]]'' album by Scottish band [[Primal Scream]].<ref name="Echard, William 2017 pp. 244"/>

In the 1990s, [[Elephant 6]] collective bands such as [[The Olivia Tremor Control]] and [[The Apples in Stereo]] mixed the genre with [[Lo-fi music|lo-fi]] influences.<ref>{{Cite news |date=2023-08-25 |title=A Crash Course in the Elephant 6 Recording Co. |url=https://www.nytimes.com/2023/08/25/arts/music/amplifier-newsletter-elephant-6.html |access-date=2024-08-19 |work=The New York Times |language=en-US |issn=0362-4331}}</ref>

Later according to Treblezine{{'}}s Jeff Telrich: "[[Primal Scream]] made [neo-psychedelia] dancefloor ready. [[The Flaming Lips]] and [[Spiritualized]] took it to orchestral realms. And [[Animal Collective]]—well, they kinda did their own thing."<ref name="Treble2015">{{cite web|last=Terich|first=Jeff|title=10 Essential Neo-Psychedelia Albums|url=http://www.treblezine.com/24002-10-best-neo-psychedelic-albums/|website=Treblezine|date=2 July 2015 }}</ref>