Editing Fra Angelico (section)

===Artistic legacy===
Through Fra Angelico's pupil Benozzo Gozzoli's careful portraiture and technical expertise in the art of fresco we see a link to [[Domenico Ghirlandaio]], who in turn painted extensive schemes for the wealthy patrons of Florence, and through Ghirlandaio to his pupil [[Michelangelo]] and the High Renaissance.

Apart from the lineal connection, superficially there may seem little to link the humble priest with his sweetly pretty [[Virgin Mary|Madonnas]] and timeless [[Crucifixion of Christ|Crucifixions]] to the dynamic expressions of Michelangelo's larger-than-life creations. But both these artists received their most important commissions from the wealthiest and most powerful of all patrons, the Vatican.

When Michelangelo took up the Sistine Chapel commission, he was working within a space that had already been extensively decorated by other artists. Around the walls the ''Life of Christ'' and ''Life of Moses'' were depicted by a range of artists including his teacher [[Domenico Ghirlandaio|Ghirlandaio]], [[Raphael]]'s teacher [[Perugino]] and [[Botticelli]]. They were works of large scale and exactly the sort of lavish treatment to be expected in a Vatican commission, vying with each other in the complexity of design, number of figures, elaboration of detail and skilful use of gold leaf. Above these works stood a row of painted Popes in brilliant brocades and gold tiaras. None of these splendours have any place in the work which Michelangelo created. Michelangelo, when asked by [[Pope Julius II]] to ornament the robes of the Apostles in the usual way, responded that they were very poor men.<ref name=Hartt/>

Within the cells of San'Marco, Fra Angelico had demonstrated that painterly skill and the artist's personal interpretation were sufficient to create memorable works of art, without the expensive trappings of blue and gold. In the use of the unadorned fresco technique, the clear bright pastel colours, the careful arrangement of a few significant figures and the skillful use of expression, motion and gesture, Michelangelo showed himself to be the artistic descendant of Fra Angelico. Frederick Hartt describes Fra Angelico as "prophetic of the mysticism" of painters such as [[Rembrandt]], [[El Greco]] and [[Zurbarán]].<ref name=Hartt/>