Editing Film crew (section)

=== Grip ===
Grips are trained lighting and rigging technicians. Their main responsibility is to work closely with the electrical department to put in the non-electrical components of lighting set-ups required for a shot, such as flags, overheads, and bounces. On the [[sound stage]], they move and adjust major set pieces when something needs to be moved to get a camera into position. In addition to lifting heavy objects and setting rigging points for lights, they also report to the key grip. In the US and Canada, grips may belong to the [[International Alliance of Theatrical Stage Employees]].

; [[Key grip]]
: The key grip is the chief grip on a set, and is the head of the set operations department. The key grip works with the director of photography to help set up the set and to achieve correct lighting and [[Blocking (stage)|blocking]]. They are also used to manoeuver the cameras around the set.
; [[Best boy]] (grip)
: The best boy is chief assistant to the key grip. They are also responsible for organizing the grip truck throughout the day.
; [[Dolly grip]]
: The grip in charge of operating the [[Camera dolly|camera dollies]] and [[Crane shot|camera cranes]] is called the dolly grip. They place, level, and move the dolly track, then push and pull the dolly, and usually a camera operator and camera assistant as riders.