Editing Camille Pissarro (section)

=== Other mediums ===
Pissarro was also known to experiment with lithographs, woodblock engravings, and original techniques in multicolor etching and monotype.<ref>{{Cite journal |last=Michael |first=Cora |date=2009 |title=Utopian Views of Rural Life in Prints by Camille Pissarro at the Princeton University Art Museum |url=http://www.jstor.org/stable/25747106 |journal=Record of the Art Museum, Princeton University |volume=68 |pages=38–45 |issn=0032-843X}}</ref> Art historian Cora Michael notes that "of the Impressionists, Pissarro was perhaps the one most devoted to printmaking and…approached prints from the point of view of an avant-garde artist."<ref>{{Cite journal |last=Michael |first=Cora |date=2009 |title=Utopian Views of Rural Life in Prints by Camille Pissarro at the Princeton University Art Museum |url=http://www.jstor.org/stable/25747106 |journal=Record of the Art Museum, Princeton University |volume=68 |pages=38–45 |issn=0032-843X}}</ref> In the 1880s to early 1890s, Pissarro returned to his studio in Pontoise, where he worked with many different print mediums to produce works such as "Vegetable Market at Pontoise" and "The Road to Rouen: The Hills of Pontoise".<ref>{{Cite web |title=Print collection acquisition: 91 prints by Pissarro |url=https://www.vangoghmuseum.nl/en/art-and-stories/print-collection-acquisition-91-prints-by-pissarro |access-date=2024-12-02 |website=Van Gogh Museum |language=en}}</ref>