Editing Uncle Tom's Cabin (section)

==Style==
[[File:Eliza-Crossing-the-Ice-Morgan-1881.jpeg|thumb|upright=1.2|Eliza crossing the icy river, in an 1881 theatre poster]]
''Uncle Tom's Cabin'' is written in the sentimental{{sfn|DeLombard|2012}}{{sfn|Noble|2003|p=58}} and melodramatic style common to 19th-century [[sentimental novel]]s{{sfn|Smith|2001|p=221}} and domestic fiction (also called women's fiction). These genres were the most popular novels of Stowe's time and were "written by, for, and about women"{{sfn|Tompkins|1985|pp=124–125}} along with featuring a writing style that evoked a reader's sympathy and emotion.<ref>{{cite web |url=http://www.wsu.edu/~campbelld/amlit/domestic.htm |title=Domestic or Sentimental Fiction, 1820–1865 |publisher= [[Washington State University]] |access-date= April 26, 2007}}</ref> ''Uncle Tom's Cabin'' has been called a "representative" example of a sentimental novel.{{sfn|Tompkins|1985|p=125}}

The power in this type of writing can be seen in the reaction of contemporary readers. Georgiana May, a friend of Stowe's, wrote a letter to the author, saying: "I was up last night long after one o'clock, reading and finishing ''Uncle Tom's Cabin''. I could not leave it any more than I could have left a dying child."{{sfn|Badia|Phegley|2005|p=67}} Another reader is described as obsessing on the book at all hours and having considered renaming her daughter Eva.{{sfn|Badia|Phegley|2005|p=66}} Evidently the death of Little Eva affected a lot of people at that time, because in 1852, 300 baby girls in Boston alone were given that name.{{sfn|Badia|Phegley|2005|p=66}}

Despite this positive reaction from readers, for decades [[literary critic]]s dismissed the style found in ''Uncle Tom's Cabin'' and other sentimental novels because these books were written by women and so prominently featured what one critic called "women's sloppy emotions".{{sfn|Rosenthal|2003|p=42}} Another literary critic said that had the novel not been about slavery, "it would be just another sentimental novel",{{sfn|Gossett|1978|pp=123–124}} and another described the book as "primarily a derivative piece of hack work".{{sfn|Nichols|1958|p=328}} In ''The Literary History of the United States'', George F. Whicher called ''Uncle Tom's Cabin'' "[[Sunday school|Sunday-school]] fiction", full of "broadly conceived melodrama, humor, and pathos".{{sfn|Tompkins|1985|p=126}}

In 1985 [[Jane Tompkins]] expressed a different view with her famous defense of the book in "Sentimental Power: Uncle Tom's Cabin and the Politics of Literary History."{{sfn|Rosenthal|2003|p=42}}{{sfn|Halpern|2011|p=56}} Tompkins praised the style so many other critics had dismissed, writing that sentimental novels showed how women's emotions had the power to change the world for the better. She also said that the popular domestic novels of the 19th century, including ''Uncle Tom's Cabin'', were remarkable for their "intellectual complexity, ambition, and resourcefulness"; and that ''Uncle Tom's Cabin'' offers a "critique of American society far more devastating than any delivered by better-known critics such as [[Nathaniel Hawthorne|Hawthorne]] and [[Herman Melville|Melville]]."{{sfn|Tompkins|1985|p=124}}