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==References== * {{cite book|last=American Standards Association|date=1960|title=American Standard Acoustical Terminology|place=New York|publisher=American Standards Association}} * {{wikicite|ref={{harvid|Dixon Ward|1965}}|reference=Dixon Ward, W. (1965). "[https://books.google.com/books?id=XNVsAAAAMAAJ&q=timbre+wastebasket Psychoacoustics]". In ''Audiometry: Principles and Practices'', edited by Aram Glorig, 55. Baltimore: Williams & Wilkins Co. Reprinted, Huntington, N.Y.: R. E. Krieger Pub. Co., 1977. {{ISBN|0-88275-604-4}}.}} * {{wikicite|ref={{harvid|Dixon Ward|1970}}|reference=Dixon Ward, W. (1970) "Musical Perception". In ''Foundations of Modern Auditory Theory'' vol. 1, edited by Jerry V. Tobias, {{Page needed|date=May 2010}}<!--Inclusive page numbers of the article needed.-->. New York: Academic Press. {{ISBN|0-12-691901-1}}.}} * {{cite book |last=Erickson |first=Robert |author-link=Robert Erickson |date=1975 |title=Sound Structure in Music |location=Berkeley and Los Angeles |publisher=University of California Press| isbn=0-520-02376-5 |url=https://books.google.com/books?id=t3j6_ShXeWYC }} * {{wikicite|ref={{harvid|McAdams and Bregman|1979}}|reference=McAdams, Stephen, and Albert Bregman (1979). "Hearing Musical Streams". ''Computer Music Journal'' 3, no. 4 (December): 26β43, 60.}} * {{wikicite|ref={{harvid|Schouten|1968}}|reference=Schouten, J. F. (1968). "The Perception of Timbre". In ''Reports of the 6th International Congress on Acoustics, Tokyo, GP-6-2'', 6 vols., edited by Y. Kohasi, {{Full citation needed|date=May 2010}}<!--Volume number needed.-->35β44, 90. Tokyo: Maruzen; Amsterdam: Elsevier.}} {{Melody}} {{opera terms}} {{Range (music)}} {{Timbre}} {{Vocal Music}} {{Authority control}} [[Category:Timbre| ]] [[Category:Opera terminology]] [[Category:Sound]] [[Category:Acoustics]]
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