Editing Psychedelic rock (section)

===Prog, heavy metal, and krautrock===
{{Main|Progressive rock|Heavy metal music|Krautrock}}

Many of the British musicians and bands that had embraced psychedelia went on to create [[progressive rock]] in the 1970s, including Pink Floyd, Soft Machine and members of [[Yes (band)|Yes]]. [[The Moody Blues]] album ''[[In Search of the Lost Chord]]'' (1968), which is steeped in psychedelia, including prominent use of Indian instruments, is noted as an early predecessor to and influence on the emerging progressive movement.<ref>{{cite web|author=Anon|title=In Search of the Lost Chord The Moody Blues|url=https://www.allmusic.com/album/in-search-of-the-lost-chord-mw0000650513#:~:text=In%20Search%20of%20the%20Lost%20Chord%20is%20the%20album%20on,and%20other%20psychedelic%2Dera%20concerns.|website=[[AllMusic]]}}</ref><ref>{{cite web|author=Anon|title=In Search of the Lost Chord The Moody Blues|url=https://www.sputnikmusic.com/review/62291/The-Moody-Blues-In-Search-of-the-Lost-Chord/|website=Sputnikmusic}}</ref> [[King Crimson]]'s album ''[[In the Court of the Crimson King]]'' (1969) has been seen as an important link between psychedelia and progressive rock.{{sfn|DeRogatis|2003|p=169}} While bands such as [[Hawkwind]] maintained an explicitly psychedelic course into the 1970s, most dropped the psychedelic elements in favour of wider experimentation.{{sfn|Bogdanov|Woodstra|Erlewine|2002|p=515}} The incorporation of jazz into the music of bands like Soft Machine and Can also contributed to the development of the [[jazz rock]] of bands like [[Colosseum (band)|Colosseum]].<ref>A. Blake, ''The Land Without Music: Music, Culture and Society in Twentieth-Century Britain'' (Manchester: Manchester University Press, 1997), {{ISBN|0-7190-4299-2}}, pp.&nbsp;154–155.</ref> As they moved away from their psychedelic roots and placed increasing emphasis on electronic experimentation, German bands like [[Kraftwerk]], [[Tangerine Dream]], [[Can (band)|Can]], [[Neu!]] and [[Faust (band)|Faust]] developed a distinctive brand of [[electronic rock]], known as [[kosmische musik]], or in the British press as "[[Kraut]] rock".<ref>P. Bussy, ''Kraftwerk: Man, Machine and Music'' (London: SAF, 3rd end., 2004), {{ISBN|0-946719-70-5}}, pp.&nbsp;15–17.</ref> The adoption of electronic [[synthesiser]]s, pioneered by [[Popol Vuh (German band)|Popol Vuh]] from 1970, together with the work of figures like [[Brian Eno]] (for a time the keyboard player with [[Roxy Music]]), would be a major influence on subsequent electronic rock.{{sfn|Bogdanov|Woodstra|Erlewine|2002|pp=1330–1331}}

Psychedelic rock, with its distorted guitar sound, extended solos and adventurous compositions, has been seen as an important bridge between blues-oriented rock and later [[heavy metal music|heavy metal]]. American bands whose loud, repetitive psychedelic rock emerged as early heavy metal included the [[The Amboy Dukes (band)|Amboy Dukes]] and [[Steppenwolf (band)|Steppenwolf]].{{sfn|Nagelberg|2001|p=8}} From England, two former guitarists with the Yardbirds, Jeff Beck and [[Jimmy Page]], moved on to form key acts in the genre, [[The Jeff Beck Group]] and [[Led Zeppelin]] respectively.<ref name=Cook2001>B. A. Cook, ''Europe Since 1945: an Encyclopedia, Volume 2'' (London: Taylor & Francis, 2001), {{ISBN|0-8153-1336-5}}, p. 1324.</ref> Other major pioneers of the genre had begun as blues-based psychedelic bands, including [[Black Sabbath]], [[Deep Purple]], [[Judas Priest]] and [[UFO (band)|UFO]].<ref name=Cook2001/>{{sfn|DeRogatis|2003|p=212}} Psychedelic music also contributed to the origins of [[glam rock]], with [[Marc Bolan]] changing his [[psychedelic folk]] duo into rock band [[T. Rex (band)|T. Rex]] and becoming the first glam rock star from 1970.<ref>P. Auslander, ''Performing Glam Rock: Gender and Theatricality in Popular Music'' (Ann Arbor, Michigan: University of Michigan Press, 2006), {{ISBN|0-472-06868-7}}, p. 196.</ref>{{verification needed|date=February 2017}} From 1971 [[David Bowie]] moved on from his early psychedelic work to develop his [[The Rise and Fall of Ziggy Stardust and the Spiders from Mars|Ziggy Stardust]] persona, incorporating elements of professional make up, mime and performance into his act.<ref name=Auslander2006p72>P. Auslander, "Watch that man David Bowie: Hammersmith Odeon, London, 3 July 1973" in I. Inglis, ed., ''Performance and Popular Music: History, Place and Time'' (Aldershot: Ashgate, 2006), {{ISBN|0-7546-4057-4}}, p. 72.</ref>

The [[jam band]] movement, which began in the late 1980s, was influenced by the [[Grateful Dead]]'s improvisational and psychedelic musical style.<ref>{{cite web |title=The Return of the Jamband |url=http://www.gratefulweb.com/articles/return-jamband |website=Grateful Web |access-date=12 January 2019 |language=en}}</ref><ref>{{cite web |last1=Ellis |first1=Iain |title=Dead But Not Buried or, When the '90s Took a '60s Turn |url=https://www.popmatters.com/dead-but-not-buried-or-when-the-90s-took-a-60s-turn-2496152334.html |website=Popmatters |date=22 May 2008 |access-date=12 January 2019}}</ref> The Vermont band [[Phish]] developed a sizable and devoted fan following during the 1990s, and were described as "heirs" to the Grateful Dead after the death of [[Jerry Garcia]] in 1995.<ref name="allmusic phish">{{cite web |title=Phish {{!}} Biography & History |url=https://www.allmusic.com/artist/phish-mn0000333464/biography |website=AllMusic |access-date=12 January 2019 |language=en-us}}</ref><ref>{{cite web |title=Phish Shreds America: How the Jam Band Anticipated Modern Festival Culture |url=https://pitchfork.com/features/from-the-pitchfork-review/9929-phish-shreds-america-how-the-jam-band-anticipated-modern-festival-culture/ |website=Pitchfork |date=15 August 2016 |access-date=12 January 2019 |language=en}}</ref>

Emerging in the 1990s, [[stoner rock]] combined elements of psychedelic rock and [[doom metal]]. Typically using a slow-to-mid [[tempo]] and featuring low-tuned guitars in a [[bass guitar|bass]]-heavy sound,<ref>G. Sharpe-Young, [https://web.archive.org/web/20100526120607/http://www.musicmight.com/artist/united+states/california/palm+springs/kyuss "Kyuss biography"], ''MusicMight''. Retrieved 10 December 2007.</ref> with melodic vocals, and 'retro' production,<ref name="allmusicStonerMetal">[{{AllMusic|class=explore|id=style/d11953|pure_url=yes}} "Stoner Metal"], ''AllMusic''. Retrieved 22 May 2009.</ref> it was pioneered by the Californian bands [[Kyuss]]<ref>E. Rivadavia [{{AllMusic|class=artist|id=p39911|pure_url=yes}} "Kyuss"], ''AllMusic''. Retrieved 10 December 2007.</ref> and [[Sleep (band)|Sleep]].<ref name="allmusic sleep">E. Rivadavia, [{{AllMusic|class=artist|id=p5456|pure_url=yes}} "Sleep"], ''AllMusic''. Retrieved 22 May 2009.</ref> Modern festivals focusing on psychedelic music include [[Levitation (festival)|Austin Psych Fest]] in Texas, founded in 2008,<ref>E. Gossett, [https://www.pastemagazine.com/articles/2013/12/austin-psych-fest-announces-2014-lineup-primal-scr.html "Austin Psych Fest announces 2014 lineup"] {{Webarchive|url=https://web.archive.org/web/20191017213447/https://www.pastemagazine.com/articles/2013/12/austin-psych-fest-announces-2014-lineup-primal-scr.html |date=17 October 2019 }}, Paste, 4 December 2013, retrieved 7 December 2013.</ref> Liverpool Psych Fest,<ref>[https://www.nme.com/news/various-artists/72937 "Liverpool Psych Fest"], NME, 30 September 2013, retrieved 7 December 2013.</ref> and Desert Daze in Southern California.<ref>[https://consequence.net/2018/08/desert-daze-completes-its-sensational-2018-lineup/ "Desert Daze completes its sensational 2018 lineup"] by Alex Young, ConsequenceOfSound, 28 August 2018, retrieved 3 March 2020.</ref>