Editing Performance art (section)

=== New York and avant-garde performance ===
[[File:Photos from The Velvet Underground Era (Andy Warhol's Factory) (3223536662).jpg|left|thumb|Photography exhibition in [[The Velvet Underground]] and [[Andy Warhol]] Factory]]
In the early 1960s, New York City harbored many movements, events and interests regarding performance art. Amongst others, [[Andy Warhol]] began creating films and videos,<ref>{{cite web|url=http://www.warholstars.org/andy_warhol_films.html|title=Andy Warhol Films|website=www.warholstars.org}}</ref> and mid decade he sponsored [[The Velvet Underground]] and staged events and performative actions in New York, such as the [[Exploding Plastic Inevitable]] (1966), that included live rock music, explosive lights and films.<ref name="Aspen">{{Cite web|title=From the research laboratories of Andy Warhol comes this issue of Aspen Magazine|date=April 1967|url=http://www.ubu.com/aspen/advertisements/aspen3Ad.html|publisher=Evergreen Review|volume=11|number=46}}</ref><ref name="BWJ">{{Cite journal|author-link=Branden W. Joseph|date=Summer 2002|title='My Mind Split Open': Andy Warhol's Exploding Plastic Inevitable|journal=Grey Room|volume=8|pages=80–107|doi=10.1162/15263810260201616|last1=Joseph|first1=Branden W.|s2cid=57560227}}</ref><ref name="blaetz">{{Cite book|last1=Osterweil|first1=Ara|last2=Blaetz|first2=Robin|title=Women's Experimental Cinema: Critical Frameworks|date=2007|publisher=[[Duke University Press]]|isbn=9780822340447|page=143}}</ref><ref name="MT">{{Cite book|last1=Martin Torgoff|first1=Martin|title=Can't Find My Way Home: America in the Great Stoned Age, 1945-2000|publisher=Simon & Schuster|location=Nueva York|date=2004|page=156|url=https://books.google.com/books?id=PpqQTLE_qBEC&q=can%27t+find+my+way+home|isbn=0-7432-3010-8}}</ref> Among New York’s avant-garde performance artists, [[Joey Skaggs]] emerged in the 1960s with provocative public interventions that satirized institutional power and media spectacle. His early works include ''The Crucifixion'' (1966–1969), a life-size sculpture of a decaying [[Jesus|Christ]] exhibited in public parks to protest religious hypocrisy, and the ''Hippie Bus Tour to Queens'' (1968), in which [[East Village, Manhattan|East Village]] artists parodied voyeuristic tour buses by visiting suburban neighborhoods.<ref>{{Cite journal |last=Harold |first=Christine |date=2004-09-01 |title=Pranking rhetoric: “culture jamming” as media activism |url=https://www.tandfonline.com/doi/abs/10.1080/0739318042000212693 |journal=Critical Studies in Media Communication |volume=21 |issue=3 |pages=189–211 |doi=10.1080/0739318042000212693 |issn=1529-5036}}</ref>