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==References== ;Specific {{Reflist}} ;General * Burney, Charles. The Present of Music in France and Italy &c. London, Becket, 1771. 'Bologna, Saturday 25' [https://books.google.com.au/books/about/The_Present_State_of_Music_in_France_and.html?id=x0QJAAAAQAAJ&redir_esc=y Google Books] * Carlo Broschi Farinelli, Carlo Vitali (a cura di), La Solitudine amica. Lettere al conte Sicinio Pepoli, prefazione e collaborazione di Francesca Boris, con una nota di Roberto Pagano, Sellerio, 2000. * Carlo Broschi Farinelli, Michael Latcham (ed.), A manuscript description of the operas and festivities at the Spanish Court 1747-1758 (Descripción del estado actual del Real Theatro...). Transcription of the 1758 manuscript held at the Royal Library, Madrid with an introduction, an illustrated and annotated translation and appendices, Katzbichler, Munich & Salzburg, 2023 * {{Cite Grove |last=Harris |first=Ellen T. |title=Farinelli}} * ''Farinelli'' (British Journal for Eighteenth-Century Studies, vol 28, no 3; Oxford, 2005); the most recent collection of articles about the singer * Cappelletto, S: {{lang|it|La voce perduta}} (Turin, 1995); the most recent biography of the singer * Celletti, R: {{lang|it|Storia del belcanto}}, (Fiesole, 1983), pp. 80–83, 100, 103, 104, 106, etc. * Crow, C: ''Orchestration… Or Castration'' (History Today, September 2006; vol 56, no 9, pp 4–5) * Haböck, F: ''Die Gesangkunst der Kastraten'' (Vienna, 1923), especially pp 12, 209 and 227, with reference to extremes of range * Heriot, A: ''The Castrati in Opera'' (London, 1956), pp 95–110 * Pérez Samper, M A: {{lang|es|Isabel de Farnesio}} (Barcelona, 2003), pp 387–397 * Torrione, M., ''Crónica festiva de dos reinados en la Gaceta de Madrid: 1700–1759'', Paris, Éditions Ophrys, 1998. * Torrione, M., «La casa de Farinelli en el Real Sitio de Aranjuez. Nuevos datos para la biografía de Carlos Broschi», ''Archivo Español de Arte'', n° 275, 1996, pp. 323–333. * Torrione, M., «Farinelli en la corte de Felipe V», ''Torre de los Lujanes'', n° 38, 1999, pp. 121–142. * Torrione, M., «Felipe V y Farinelli, ''Cadmo'' y ''Anfión''. Alegoría de una fiesta de cumpleaños: 1737», ''El conde de Aranda y su tiempo'', Zaragoza, Inst. Fernando el Católico (CSIC), t. 2, pp. 223–250. * Torrione, M., «Fiesta y teatro musical en el reinado de Felipe V e Isabel de Farnesio: Farinelli, artífice de una resurrección», ''El Real Sitio de La Granja de San Ildefonso: retrato y escena del rey'', Madrid, Patrimonio Nacional, 2000, pp. 220–241. * Torrione, M., «Decorados teatrales para el Coliseo del Buen Retiro en tiempos de Fernando VI. Cuatro óleos de Francesco Battaglioli», ''Reales Sitios'', n° 143, 2000, pp. 40–51. * Torrione, M., «El Real Coliseo del Buen Retiro: memoria de una arquitectura desaparecida», in Torrione, M. (ed.), ''España festejante. El siglo XVIII'', Málaga, CEDMA, 2000, pp. 295–322. * Torrione, M., «La sociedad de Corte y el ritual de la ópera», ''Un reinado bajo el signo de la paz. Fernando VI y Bárbara de Braganza: 1746–1759'', Madrid, Real Academia de Bellas Artes de San Fernando, 2002, pp. 163–195. * Torrione, M., «Nueve óleos de Francesco Battaglioli para el Coliseo del Buen Retiro. La ópera en el reinado de Fernando VI : último relumbrón de la Corte Barroca», J. Martínez Millán, C. Camarero Bullón, M. Luzzi (ed.), ''La Corte de los Borbones : crisis del modelo cortesano'', Madrid, Polifemo, 2013, vol. III, pp. 1733–1777. * Torrione, M., ''Francesco Battaglioli. Escenografías para el Real Teatro del Buen Retiro'', Madrid, Real Academia de Bellas Artes de San Fernando, Teatro de la Zarzuela, INAEM, 2013.
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