Editing Conceptual art (section)

==Further reading==
;Books
* Charles Harrison, ''Essays on Art & Language'', MIT Press, 1991
* Charles Harrison, ''Conceptual Art and Painting: Further essays on Art & Language'', MIT press, 2001
* Ermanno Migliorini, ''Conceptual Art'', Florence: 1971
* Klaus Honnef, ''Concept Art'', Cologne: Phaidon, 1972
* Ursula Meyer, ed., ''Conceptual Art'', New York: Dutton, 1972
* [[Lucy R. Lippard]], ''Six Years: the Dematerialization of the Art Object From 1966 to 1972''. 1973. Berkeley: University of California Press, 1997.
* Gregory Battcock, ed., ''Idea Art: A Critical Anthology'', New York: E. P. Dutton, 1973
* Jürgen Schilling, ''Aktionskunst. Identität von Kunst und Leben?'' Verlag C.J. Bucher, 1978, {{ISBN|3-7658-0266-2}}.
* [[Juan Vicente Aliaga]] & José Miguel G. Cortés, ed., ''Arte Conceptual Revisado/Conceptual Art Revisited'', Valencia: Universidad Politécnica de Valencia, 1990
* Thomas Dreher, [http://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976] (Thesis Ludwig-Maximilians-Universität, München), Frankfurt am Main: Peter Lang, 1992
* [[Robert C. Morgan]], ''Conceptual Art: An American Perspective'', Jefferson, NC/London: McFarland, 1994
* Robert C. Morgan, ''Art into Ideas: Essays on Conceptual Art'', Cambridge ''et al.'': [[Cambridge University Press]], 1996
* Charles Harrison and Paul Wood, ''Art in Theory: 1900–1990'', Blackwell Publishing, 1993
* Tony Godfrey, ''Conceptual Art'', London: 1998
* Alexander Alberro & Blake Stimson, ed., ''Conceptual Art: A Critical Anthology'', Cambridge, Massachusetts, London: [[MIT Press]], 1999
* Michael Newman & Jon Bird, ed., ''Rewriting Conceptual Art'', London: Reaktion, 1999
* Anne Rorimer, ''New Art in the 60s and 70s: Redefining Reality'', London: Thames & Hudson, 2001
* [[Peter Osborne (writer and academic)|Peter Osborne]], ''Conceptual Art (Themes and Movements)'', Phaidon, 2002  (See also the external links for [[Robert Smithson]])
* Alexander Alberro. ''Conceptual art and the politics of publicity''. MIT Press, 2003.
* Michael Corris, ed., ''Conceptual Art: Theory, Practice, Myth'', Cambridge, England: Cambridge University Press, 2004
* Daniel Marzona, ''Conceptual Art'', Cologne: Taschen, 2005
* John Roberts, ''The Intangibilities of Form: Skill and Deskilling in Art After the Readymade'', London and New York: [[Verso Books]], 2007
* Peter Goldie and Elisabeth Schellekens, ''Who's afraid of conceptual art?'', Abingdon [etc.] : Routledge, 2010. – VIII, 152 p. : ill.; 20&nbsp;cm {{ISBN|0-415-42281-7}} hbk :  {{ISBN|978-0-415-42281-9}} hbk : {{ISBN|0-415-42282-5}} pbk :  {{ISBN|978-0-415-42282-6}} pbk

;Essays
* {{cite book |author1=Mikhail Epstein |authorlink1=Mikhail Epstein |author2=Alexander Genis |author3=Slobodanka Vladiv-Glover |chapter=Theses on Metarealism and Conceptualism (1983) |pages=169–176 |translator=Slobodanka Vladiv-Glover |title=Russian Postmodernism: New Perspectives on Post-Soviet Culture |edition=Rev. |place=New York; Oxford |publisher=Berghahn Books |year=2016 |orig-year=1999 |chapter-url=http://www.emory.edu/INTELNET/e.pm.concept.metareal.html |url={{Google books|id=vc8tDwAAQBAJ|plainurl=y|page=|keywords=|text=}} |isbn=978-1-78238-864-7}}
* [http://andreasauchelli.weebly.com/uploads/4/2/0/0/42005065/447._sauchelli_jae_the_acquaintance_principle_aesthetic_judgments_and_conceptual_art.pdf Andrea Sauchelli, 'The Acquaintance Principle, Aesthetic Judgments, and Conceptual Art, ''Journal of Aesthetic Education'' (forthcoming, 2016)].

;Exhibition catalogues
* ''Diagram-boxes and Analogue Structures'', exh.cat. London: Molton Gallery, 1963.
* ''January 5–31, 1969'', exh.cat., New York: Seth Siegelaub, 1969
* ''When Attitudes Become Form'', exh.cat., Bern: Kunsthalle Bern, 1969
* ''557,087'', exh.cat., Seattle: Seattle Art Museum, 1969
* ''Konzeption/Conception'', exh.cat., Leverkusen: Städt. Museum Leverkusen ''et al.'', 1969
* ''Conceptual Art and Conceptual Aspects'', exh.cat., New York: New York Cultural Center, 1970
* ''Art in the Mind'', exh.cat., Oberlin, Ohio: Allen Memorial Art Museum, 1970
* ''Information'', exh.cat., New York: Museum of Modern Art, 1970
* ''Software'', exh.cat., New York: Jewish Museum, 1970
* ''Situation Concepts'', exh.cat., Innsbruck: Forum für aktuelle Kunst, 1971
* ''Art conceptuel I'', exh.cat., Bordeaux: [[capcMusée d’art contemporain de Bordeaux]], 1988
* ''L'art conceptuel'', exh.cat., Paris: ARC–Musée d’Art Moderne de la Ville de Paris, 1989
* Christian Schlatter, ed., ''Art Conceptuel Formes Conceptuelles/Conceptual Art Conceptual Forms'', exh.cat., Paris: Galerie 1900–2000 and Galerie de Poche, 1990
* ''Reconsidering the Object of Art: 1965–1975'', exh.cat., Los Angeles: Museum of Contemporary Art, 1995
* ''Global Conceptualism: Points of Origin, 1950s–1980s'', exh.cat., New York: Queens Museum of Art, 1999
* ''Open Systems: Rethinking Art c. 1970'', exh.cat., London: Tate Modern, 2005
* Art & Language Uncompleted: The Philippe Méaille Collection, MACBA Press, 2014
* ''Light Years: Conceptual Art and the Photograph 1964–1977'', exh.cat., Chicago: Art Institute of Chicago, 2011