Editing Christian art (section)

==References==
* Berg, Fredrik. 2018. “Wear and Tear of World Heritage: Preventive Conservation and Tourism in Norway’s Stave Churches.” ''Studies in Conservation''
* Brock, Sebastian P. “Identity Puzzles. Medieval Christian Art in Syria and Lebanon. By M. Immerzeel. 
* Régamey, Pie-Raymond (1952). ''Art sacré au XXe siècle?'' Éditions du Cerf.
* Frz. Theod. "The cathedral of Cologne, its history, architecture...legends. A guide for visitors, compiled from historical and descriptive records..."
* {{cite book |last       = Grabar
 |first      = André
 |author-link = André Grabar
 |year       = 1968
 |title      = Christian iconography, a study of its origins
 |publisher  = Princeton University Press
 |isbn       = 0-691-01830-8
 |url-access = registration
 |url        = https://archive.org/details/christianiconogr00grab
}}
* hÉailidhe, P. Ó (1957). "The Rathdown Slabs". ''The Journal of the Royal Society of Antiquaries of Ireland''.
* Legel, Tracy Marie. 2006. "The Introduction of Christianity into Scandinavia, Iceland, and Finland."
* Marcos Cobaleda, María. 2022. "Artistic Transfers from Islamic to Christian Art: A Study with Geographic Information Systems (GIS)"
* Nyborg, Ebbe; Arneborg, Jette (2020). "Christian Medieval Art in Norse Greenland : Crosses and Crucifixes and their European Antecedents"
* [[Jean Soldini|Soldini, Jean]]. ''Storia, memoria, arte sacra tra passato e futuro'', in ''Sacre Arti'', by [[Flaminio Gualdoni]] (editor), [[Tristan Tzara]], S. Yanagi, [[Titus Burckhardt]], [[Bologna]], FMR, 2008, pp.&nbsp;166–233.
* [[Ralf van Bühren|Bühren, Ralf van]] and Maciej Jan Jasiński, ''[https://www.tandfonline.com/doi/full/10.1080/23753234.2024.2322546 The invisible divine in the history of art. Is Erwin Panofsky (1892–1968) still relevant for decoding Christian iconography?]'', in ''Church, Communication and Culture'' 9 (2024), pp.&nbsp;1–36. DOI: 10.1080/23753234.2024.2322546.