Editing Virgil Thomson (section)

===Orchestra===
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* ''Two Sentimental Tangos'' (manuscript, 1923); orchestrated from the original piano version
* '''''[[Symphony on a Hymn Tune]]''''' (Southern, 1928)
* Suite from ''The Plow That Broke the Plains'' (G. Schirmer, 1936)
* Suite from ''The River'' (Southern, 1937)
* Suite from ''Filling Station'' (Boosey & Hawkes, 1937)
* ''The John Mosher Waltzes'' (Boosey & Hawkes, 1937); orchestrated from the piano portrait of John Mosher (excerpted from ballet ''Filling Station'')
* '''Symphony No. 2 in C major''' (Leeds/Belwin Mills, 1931, rev. 1941)
* Eight Portraits for orchestra (1942-1944) (grouping by G. Schirmer)
# ''Bugles and Birds'' (G. Schirmer, 1944) from piano portrait of Pablo Picasso
# ''Canons for Dorothy Thompson'' Portrait for Orchestra (G. Schirmer, 1942)
# ''Fugue'' (G. Schirmer, 1944) from piano portrait of Alexander Smallens
# ''The Mayor LaGuardia Waltzes'' Portrait for Orchestra (G. Schirmer, 1942)
# ''Cantabile for Strings'' (G. Schirmer, 1944) from the piano portrait of Nicholas de Chatelain
# ''Pastorale'' (G. Schirmer, 1944) from piano portrait of Aaron Copland (later used in the film ''Tuesday in November'')
# ''Percussion Piece'' (G. Schirmer, 1944) from piano portrait of Jessie K. Lasell
# ''Tango Lullaby'' (G. Schirmer, 1944) from piano portrait of Flavie Alvarez de Toledo
* ''Meditation'' (G. Schirmer, 1944) orchestrated from piano portrait of Jere Abbott
* ''Fugue and Chorale on Yankee Doodle'' (G. Schirmer, 1945) from the film ''Tuesday in November''
* ''Three Pictures for Orchestra'' (1947–1952)
# ''The Seine at Night'' (G. Schirmer, 1947)
# ''Wheat Field at Noon'' (G. Schirmer, 1948)
# ''Sea Piece with Birds'' (G. Schirmer, 1952)
* '''Suite from ''Louisiana Story''''' (G. Schirmer, 1948) '''Pulitzer Prize 1949'''
* ''Acadian Songs and Dances from Louisiana Story'' (G. Schirmer, 1948)
* ''At the Beach:  Concert Waltz for Trumpet and Band'' (Carl Fischer, 1949)
* ''Solemn Music'' for band (G. Schirmer, 1949) later also for orchestra (written after the death of Gertrude Stein)
* Suite from ''The Mother of Us All'' (G. Schirmer, 1949)
* [[Cello Concerto (Thomson)|Concerto for Cello and Orchestra]] (Ricordi/Belwin Mills, 1950)
* Concerto for Flute, Strings, harp and Percussion: ''A Portrait of Roger Baker'' (1954) [also arranged for flute and piano]
* ''Eleven Chorale Preludes op. 122,'' by Johannes Brahms, orchestrated by Virgil Thomson (Boosey & Hawkes, 1956)
* ''The Lively Arts Fugue'' (manuscript, 1957)
* ''Fugues and Cantilenas'' (Boosey & Hawkes, 1959) from the United Nations film ''Power Among Men''
* ''Solemn Music and a Joyful Fugue'' (G. Schirmer, 1962) [''Solemn Music'' originally for band] (''Joyful Fugue'' later also arranged for band)
* ''[[Pilgrims and Pioneers]]'' (G. Schirmer, 1964) from the film ''Journey to America''
* ''Autumn: Concertino for Harp, Strings and Percussion'' (G. Schirmer, 1964)
* ''Fantasy in Homage to an Earlier England'' (Boosey & Hawkes, 1966)
* ''Edges: A Portrait of Robert Indiana'' (G. Schirmer, 1969) for band, orchestrated from piano original
* ''Study Piece:  Portrait of a Lady'' (G. Schirmer, 1969) for band, orchestrated from piano portrait of Louise Crane
* '''Symphony No. 3''' (Boosey & Hawkes, 1972) orchestration of String Quartet No. 2
* ''Thoughts for Strings'' (Boosey & Hawkes, 1981)
* ''Eleven Portraits for Orchestra'' (1981–1982) 11 piano portraits orchestrated by Thomson, Scott Wheeler and Rodney Lister
# ''A Love Scene'' (orch. Thomson) (''Dead Pan: Mrs. Betty Freeman'')
# ''Intensely Two: Karen Brown Waltuck'' (orch. Thomson)
# ''Loyal, Steady Persistent: Noah Creshevsky'' (orch. Thomson)
# ''Something of a Beauty: Anne-Marie Soullière'' (orch. Thomson)
# ''David Dubal in Flight'' (orch. Thomson)
# ''Scott Wheeler: Free-Wheeling'' (orch. Wheeler)
# ''Dennis Russel Davies: In a Hammock'' (orch. Wheeler)
# ''Richard Flender: Solid, Not Stolid'' (orch. Wheeler)
# ''Bill Katz: Wide Awake'' (orch. Lister)
# ''Sam Byers: With Joy'' (orch. Lister)
# ''Christopher Cox: Singing a Song'' (orch. Lister)
* ''Four Saints: An Olio for Chamber Orchestra'' (G. Schirmer, 1984)
* ''A Pair of Portraits:'' ''A Double Take'' and ''Major Chords'' (manuscript, 1984) orchestrated from piano portraits of John Houseman and Anthony Tommasini
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