Editing Timbre (section)

==Footnotes==
{{Reflist|refs=
<ref name=Abbado1988_3>Abbado, Adriano (1988). "Perceptual Correspondences: Animation and Sound". MS Thesis. Cambridge: Massachusetts Institute of Technology. p. 3.</ref>

<ref name=ASASS1994>Acoustical Society of America Standards Secretariat (1994). "Acoustical Terminology ANSI S1.1–1994 (ASA 111-1994)". American National Standard. ANSI / Acoustical Society of America.</ref>

<ref name=Sethares1998_6211318>Sethares, William (1998). ''Tuning, Timbre, Spectrum, Scale'']. Berlin, London, and New York: [[Springer Publishing|Springer]]. pp. [https://books.google.com/books?id=KChoKKhjOb0C&pg=PA6 6], [https://books.google.com/books?id=KChoKKhjOb0C&pg=PA211 211], [https://books.google.com/books?id=KChoKKhjOb0C&pg=PA318 318]. {{ISBN|3-540-76173-X}}.</ref>

<ref name=Macdonald1969_51>Macdonald, Hugh. (1969). ''Berlioz Orchestral Music''. BBC Music Guides. London: British Broadcasting Corporation. p. 51. {{ISBN|9780563084556}}.</ref>

<ref name=Latham1926>Latham, Peter. (1926) "Wagner: Aesthetics and Orchestration". ''Gramophone'' (June): {{Page needed|date=April 2017}}.</ref>

<ref name=Samson1977_195>{{cite book |last=Samson |first=Jim |date=1977 |title=Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920 |place=New York City |publisher=W. W. Norton & Company |isbn=0-393-02193-9}}</ref>

<ref name=DelMar1980_48>Del Mar, Norman (1980). ''Mahler’s Sixth Symphony: A Study''. London: Eulenburg.</ref>

<ref name=Luce1963_16>Luce, David A. (1963). "Physical Correlates of Nonpercussive Musical Instrument Tones", Ph.D. dissertation. Cambridge: Massachusetts Institute of Technology.</ref>

<ref name=Grey1977>{{cite journal | last=Grey | first=John M. | title=Multidimensional perceptual scaling of musical timbres | journal=The Journal of the Acoustical Society of America | publisher=Acoustical Society of America (ASA) | volume=61 | issue=5 | year=1977 | issn=0001-4966 | doi=10.1121/1.381428 | pages=1270–1277| pmid=560400 | bibcode=1977ASAJ...61.1270G }}</ref>

<ref name=Wessel1979>Wessel, David (1979). "Low Dimensional Control of Musical Timbre". ''Computer Music Journal'' 3:45–52. Rewritten version, 1999, as "[http://mediatheque.ircam.fr/articles/textes/Wessel78a/ Timbre Space as a Musical Control Structure]".</ref>

<ref name=Lakatos2000>{{cite journal | last=Lakatos | first=Stephen | title=A common perceptual space for harmonic and percussive timbres | journal=Perception & Psychophysics | publisher=Springer Science and Business Media LLC | volume=62 | issue=7 | year=2000 | issn=0031-5117 | doi=10.3758/bf03212144 | pages=1426–1439|pmid=11143454| s2cid=44778763 | doi-access=free }}</ref>

<ref name=Peeters2003>Peeters, G. (2003) “[http://recherche.ircam.fr/anasyn/peeters/ARTICLES/Peeters_2003_cuidadoaudiofeatures.pdf A Large Set of Audio Features or Sound Description (Similarity and Classification) in the CUIDADO Project]”.{{Full citation needed|date=December 2013}}</ref>

<ref name=PollardJansson1982>Pollard, H. F., and E. V. Jansson (1982) ''A Tristimulus Method for the Specification of Musical Timbre''. ''Acustica'' 51:162–71.</ref>
}}