Editing Roy Lichtenstein (section)

== Collections ==
In 1996 the [[National Gallery of Art]] in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and two books. The [[Art Institute of Chicago]] has several important works by Lichtenstein in its permanent collection, including ''Brushstroke with Spatter'' (1966) and ''Mirror No. 3 (Six Panels)'' (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds.<ref>Ted Loos (June 28, 2012), [https://www.nytimes.com/2012/07/01/arts/design/roy-lichtenstein-retrospective-in-chicago.html Lichtenstein’s Gatekeeper Uses Her Key] ''[[New York Times]]''.</ref> In Europe, the [[Museum Ludwig]] in [[Cologne]] has one of the most comprehensive Lichtenstein holdings with ''[[Takka Takka (Lichtenstein)|Takka Takka]]'' (1962), ''[[Nurse (Lichtenstein)|Nurse]]'' (1964), ''Compositions I'' (1964), besides the Frankfurt [[Museum für Moderne Kunst]] with ''[[We Rose Up Slowly|We rose up slowly]]'' (1964) and ''[[Yellow and Green Brushstrokes]]'' (1966). Outside the United States and Europe, the National Gallery of Australia's Kenneth Tyler Collection has extensive holdings of Lichtenstein's prints, numbering over 300 works. In total there are some 4,500 works thought to be in circulation.<ref name="rlf-chronology" />