Editing Jackson Pollock (section)

===Influence===
Pollock's staining into raw canvas was adapted by the [[Color Field]] painters [[Helen Frankenthaler]] and [[Morris Louis]]. [[Frank Stella]] made "all-over composition" a hallmark of his works of the 1960s. [[Joseph Glasco]] was introduced to Pollock by Alfonso Ossorio in 1949.<ref>{{Cite book |last=Raeburn |first=Michael |title=Joseph Glasco: The Fifteenth American |publisher=Cacklegoose Press |year=2015 |isbn=9781611688542 |location=London |pages=62 |language=English}}</ref>  Throughout his life, Glasco continued to reflect on Pollock’s artistic influence, particularly in the early to mid-1970s when his style changed to all-over collage paintings with their emphasis on rhythm and process.<ref>{{Cite book |last=Raeburn |first=Michael |title=Joseph Glasco: The Fifteenth American |publisher=Cacklegoose Press |year=2015 |isbn=9781611688542 |location=London |pages=55, multiple |language=English}}</ref> The [[Happenings]] artist [[Allan Kaprow]], sculptors [[Richard Serra]] and [[Eva Hesse]], and many contemporary artists have retained Pollock's emphasis on the process of creation; they were influenced by his approach to the process, rather than the look of his work.<ref>{{cite web|title=Jackson Pollock's Unique Style|url = http://www.jackson-pollock.com/uniquestyle.html}}</ref>

In 2004, ''One: Number 31, 1950'' was ranked the eighth-most influential piece of modern art in a poll of 500 artists, curators, critics, and dealers.<ref name=guard1>{{Cite web | url = https://www.theguardian.com/uk/2004/dec/02/arts.artsnews1 | title = Work of art that inspired a movement ... a urinal | last = Higgins | first = Charlotte | date = December 2, 2004 | work = [[The Guardian]] | access-date = July 20, 2014}}</ref>