Editing Emo (section)

==Subgenres and fusion genres==
===Subgenres===
====Screamo====
{{Main|Screamo}}

[[File: Orchid - Stierch.jpg|thumb|left|alt=A vocalist and a drummer of a band performing with their band.|200px|Screamo band [[Orchid (hardcore punk band)|Orchid]] performing in [[Bloomington, Indiana]] in 2000]]

The term "screamo" was initially applied to an aggressive offshoot of emo which developed in San Diego in 1991 and used short songs grafting "spastic intensity to willfully experimental dissonance and dynamics."<ref name="Heller">{{Cite web |last=Heller |first=Jason |date=June 20, 2002 |title=Feast of Reason |url=http://www.westword.com/music/feast-of-reason-5070850 |access-date=June 15, 2008 |website=[[Westword]] |archive-date=June 26, 2015 |archive-url=https://web.archive.org/web/20150626184326/http://www.westword.com/music/feast-of-reason-5070850 |url-status=live }}</ref> Screamo is a dissonant form of emo influenced by [[hardcore punk]],<ref name=ScreamoAM/> with typical rock instrumentation and noted for short songs, chaotic execution and [[screaming (music)|screaming vocals]].

[[File:MuchMusic Video Awards 2007 608.jpg|thumb|right|alt=The Used's band members in a photo together|200px|[[The Used]]'s self-titled album was called "one of the masterworks of the screamo movement" by ''[[The Kansas City Star]]''.<ref>{{Cite web |last=Brownlee |first=Bill |date=August 31, 2016 |title=Screamo band the Used salvages an affecting debut album on first of two nights at the Midland |url=http://www.kansascity.com/entertainment/ent-columns-blogs/back-to-rockville/article98981187.html |website=[[The Kansas City Star]] |access-date=August 22, 2017 |archive-date=August 22, 2017 |archive-url=https://web.archive.org/web/20170822100750/http://www.kansascity.com/entertainment/ent-columns-blogs/back-to-rockville/article98981187.html |url-status=live }}</ref>]]

The genre is "generally based in the aggressive side of the overarching [[punk-revival]] scene."<ref name="ScreamoAM">{{Cite web |url=https://www.allmusic.com/style/screamo-ma0000004448 |title=Explore style: Screamo |archive-url=https://web.archive.org/web/20180728072619/https://www.allmusic.com/style/screamo-ma0000004448 |archive-date=July 28, 2018 |work=[[AllMusic]] Music Guide}}</ref> It began at the [[Ché Café]]<ref>"A Day with the Locust", ''L.A. Weekly'', September 18, 2003 {{Cite web |title=Brassland &#124; Home |url=http://www.brassland.org/ahb/writing/archives/2003/09/a_day_with_the.html |url-status=dead |archive-url=https://web.archive.org/web/20090305104850/http://www.brassland.org/ahb/writing/archives/2003/09/a_day_with_the.html |archive-date=March 5, 2009 |access-date=September 14, 2011 }} Access date: June 19, 2008</ref> with groups such as [[Heroin (band)|Heroin]], [[Antioch Arrow]],<ref>''Local Cut'', Q&A with Aaron Montaigne. {{Cite web |title=Q&A: Aaron Montaigne (Of Antioch Arrow, Magick Daggers, etc.)-- local Cut |url=http://localcut.wweek.com/2008/05/14/qa-aaron-montaigne-of-antioch-arrow-magick-daggers-etc/ |url-status=dead |archive-url=https://web.archive.org/web/20110722035137/http://localcut.wweek.com/2008/05/14/qa-aaron-montaigne-of-antioch-arrow-magick-daggers-etc/ |archive-date=July 22, 2011 |access-date=June 10, 2011 }} May 14, 2008. Access date: June 11, 2008.</ref> Angel Hair, [[Mohinder (band)|Mohinder]], [[Swing Kids (band)|Swing Kids]], and [[Portraits of Past]].<ref name="ebullition">{{Cite web |title=Ebullition Catalog, Portraits of Past discography. |url=http://www.ebullition.com/catalog32.html |archive-url=https://web.archive.org/web/20110710165444/http://www.ebullition.com/catalog32.html|archive-date=July 10, 2011 |access-date=August 9, 2008}}</ref> They were influenced by Washington, D.C. [[post-hardcore]] (particularly [[Fugazi]] and [[Nation of Ulysses]]),<ref name="Heller" /> [[straight edge]], the Chicago group [[Articles of Faith (band)|Articles of Faith]], the hardcore-punk band [[Die Kreuzen]]<ref name="AP">{{Cite news |date=July 7, 2008 |title=Blood Runs Deep: 23 A hat |page=126 |work=[[Alternative Press (magazine)|Alternative Press]]}}</ref> and the [[post-punk]] and {{nowrap|[[gothic rock]]}} bands like [[Bauhaus (band)|Bauhaus]].<ref name="Heller" /> [[I Hate Myself (band)|I Hate Myself]] is a band described as "a cornerstone of the 'screamo' genre" by author Matt Walker:{{sfn|pp=102–103|Walker|2016}} "Musically, I Hate Myself relied on being very slow and deliberate, with sharp contrasts between quiet, almost meditative segments that rip into loud and heavy portions driven by Jim Marburger's tidal wave scream."{{sfn|Walker|p=102|2016}} Other early screamo bands include [[Pg. 99]], [[Saetia]], and [[Orchid (hardcore punk band)|Orchid]].<ref>{{Cite web |last=Ozzi |first=Dan |date=August 1, 2018 |title=The Spirit of Screamo Is Alive and Well |url=https://www.vice.com/en/article/the-spirit-of-screamo-is-alive-and-well/ |access-date=December 21, 2019 |website=[[Vice.com|Vice]] |archive-date=May 8, 2019 |archive-url=https://web.archive.org/web/20190508225225/https://www.vice.com/en_us/article/ne5dm7/the-spirit-of-screamo-is-alive-and-well |url-status=live }}</ref>

The Used, [[Thursday (band)|Thursday]], [[Thrice]] and [[Hawthorne Heights]], who all formed in the United States during the late 1990s and early 2000s and remained active throughout the 2000s, helped popularize screamo.<ref name=ScreamoAM /> [[Post-hardcore]] bands such as [[Refused]] and [[At the Drive-In]] paved the way for these bands.<ref name=ScreamoAM/> Screamo bands from the Canadian emo scene such as [[Silverstein (band)|Silverstein]]<ref>{{Cite web |last=Adams |first=Gregory |date=January 23, 2008 |title=Silverstein sacrifices for screamo's sake |url=https://www.straight.com/article-129349/silverstein-sacrifices-for-screamo-s-sake |access-date=December 7, 2017 |website=[[The Georgia Straight]] |archive-date=December 8, 2017 |archive-url=https://web.archive.org/web/20171208231342/https://www.straight.com/article-129349/silverstein-sacrifices-for-screamo-s-sake |url-status=live }}</ref> and [[Alexisonfire]]<ref>{{Cite web |last=Usinger |first=Mike |date=February 10, 2010 |title=Punk classics helped reignite Alexisonfire |url=https://www.straight.com/article-288482/vancouver/punk-classics-helped-reignite-alexisonfire |access-date=December 7, 2017 |website=The Georgia Straight |archive-date=December 8, 2017 |archive-url=https://web.archive.org/web/20171208231437/https://www.straight.com/article-288482/vancouver/punk-classics-helped-reignite-alexisonfire |url-status=live }}</ref> also emerged at this time. By the mid-2000s, the saturation of the screamo scene caused many bands to expand beyond the genre and incorporate more-experimental elements. Non-screamo bands used the genre's characteristic guttural vocal style.<ref name=ScreamoAM/> Some screamo bands during this time period were inspired by genres like [[pop punk]] and [[heavy metal music|heavy metal]].<ref name=ScreamoAM/>

Jeff Mitchell of the ''[[Iowa State Daily]]'' wrote, "There is no set definition of what screamo sounds like but screaming over once deafeningly loud rocking noise and suddenly quiet, melodic guitar lines is a theme commonly affiliated with the genre."<ref name="IowaSC">{{Cite web |last=Mitchell |first=Jeff |date=July 26, 2001 |title=A Screamin' Scene |url=http://www.iowastatedaily.com/article_7c9f7210-850e-5905-af02-9bcdb2b07f3e.html |access-date=September 11, 2010 |website=[[Iowa State Daily]] |archive-date=March 5, 2016 |archive-url=https://web.archive.org/web/20160305071643/http://www.iowastatedaily.com/article_7c9f7210-850e-5905-af02-9bcdb2b07f3e.html |url-status=live }}</ref>

=====Sass=====

Sass (also known as sassy screamo, sasscore, white belt hardcore,<ref name="PopMatters">{{cite web |last1=Stewart |first1=Ethan |title=From Hardcore to Harajuku: the Origins of Scene Subculture |url=https://www.popmatters.com/scene-subculture-origins-hardcore-harajuku |website=[[PopMatters]] |date=May 25, 2021 |access-date=May 25, 2021}}</ref> white belt, sassgrind or dancey screamo)<ref>{{cite web |last1=PREIRA |first1=MATT |title=Ten Best Screamo Bands From Florida |url=https://www.browardpalmbeach.com/music/ten-best-screamo-bands-from-florida-6436756/2 |website=[[New Times Broward-Palm Beach]] |access-date=February 10, 2019 |archive-date=January 20, 2019 |archive-url=https://web.archive.org/web/20190120043042/https://www.browardpalmbeach.com/music/ten-best-screamo-bands-from-florida-6436756/2 |url-status=dead }}</ref> is a style that emerged from the late-1990s and early-2000s screamo scene.<ref name="A.V. Club">{{cite web |last1=Warwick |first1=Kevin |title=All that sass: The albums that define the '00s dance-punk era |url=https://www.avclub.com/all-that-sass-the-albums-that-define-the-00s-dance-pu-1798248825 |website=[[The A.V. Club]] |date=June 22, 2016 |access-date=February 9, 2019}}</ref> The genre incorporates elements of [[post-punk]], [[New wave music|new wave]], [[disco]], [[electronic music|electronic]], [[dance-punk]],<ref name="A.V. Club" />  [[grindcore]], [[noise rock]], [[metalcore]], [[mathcore]] and [[beatdown hardcore]]. The genre is characterized by often incorporating overtly flamboyant mannerisms, erotic lyrical content, synthesizers, [[dance music|dance]] beats and a lisping vocal style.<ref>{{cite web |last1=ROA |first1=RAY |title=WTF is sasscore, and why is SeeYouSpaceCowboy bringing it to St. Petersburg's Lucky You Tattoo? |url=https://www.cltampa.com/music/show-previews/article/21012214/wtf-is-sasscore-and-why-is-seeyouspacecowboy-bringing-it-to-st-petersburgs-lucky-you-tattoo |website=[[Creative Loafing]] |access-date=February 9, 2019}}</ref> Sass bands include [[the Blood Brothers (band)|the Blood Brothers]], [[An Albatross]], [[The Number Twelve Looks Like You]], [[the Plot to Blow Up the Eiffel Tower]], [[Daughters (band)|Daughters]]'s early music, [[Orchid (punk band)|Orchid]]'s later music<ref>{{cite web |last1=Stewart |first1=Ethan |title=From Hardcore to Harajuku: the Origins of Scene Subculture |url=https://www.popmatters.com/scene-subculture-origins-hardcore-harajuku |website=[[PopMatters]] |date=May 25, 2021 |access-date=May 25, 2021}}</ref><ref>{{Cite web|date=April 9, 2021|title=What is Sasscore? • DIY Conspiracy|url=https://diyconspiracy.net/terms/sasscore/|access-date=October 9, 2021|language=en-US}}</ref> and [[SeeYouSpaceCowboy]].<ref>{{cite web|url=https://www.revolvermag.com/music/seeyouspacecowboy-meet-sasscore-band-rallying-marginalized-people-bite-back|title=SeeYouSpaceCowboy: Meet "Sasscore" Band Rallying Marginalized People to "Bite Back"|last1=Adams|first1=Gregory|date=August 14, 2018|website=[[Revolver (magazine)|Revolver]]|access-date=February 9, 2019}}</ref>

===Fusion genres===
[[File:Fall Out Boy in concert.jpg|thumbnail|left|alt=Band performing onstage|Fall Out Boy performing in 2006]]

====Emo pop====
{{Main|Emo pop}}
Emo pop (or emo pop punk) is a subgenre of emo known for its [[pop music]] influences, more concise songs and [[Hook (music)|hook]]-filled [[chorus (song)|chorus]]es.<ref name=Allmusic/> [[AllMusic]] describes emo pop as blending "youthful [[angst]]" with "slick production" and mainstream appeal, using "high-pitched [[Melody|melodie]]s, [[rhythm]]ic guitars, and lyrics concerning [[adolescence]], relationships, and heartbreak."<ref name="Allmusic">{{Cite web |title=Emo-Pop |url=https://www.allmusic.com/style/emo-pop-ma0000012243 |access-date=June 10, 2011 |website=[[AllMusic]] |archive-date=June 5, 2012 |archive-url=https://web.archive.org/web/20120605042317/http://www.allmusic.com/style/emo-pop-ma0000012243 |url-status=live }}</ref> ''[[The Guardian]]'' described emo pop as a cross between "saccharine [[boy-band]] pop" and emo.<ref name="Guardian">{{Cite web |last=Lester |first=Paul |date=December 8, 2008 |title=New band of the day – No 445: Metro Station |url=https://www.theguardian.com/music/2008/dec/08/new-band-metro-station |access-date=June 10, 2011 |website=[[The Guardian]] |quote=They peddle "emo-pop", a sort of cross between saccharine boy-band pop and whatever it is that bands like Panic! at the Disco and Fall Out Boy do – emo, let's be frank. |archive-date=September 26, 2017 |archive-url=https://web.archive.org/web/20170926235541/https://www.theguardian.com/music/2008/dec/08/new-band-metro-station |url-status=live }}</ref>

Emo pop developed during the 1990s. Bands like Jawbreaker and [[Samiam]] are known for formulating the emo pop punk style.<ref>{{Cite web |last=Catucci |first=Nick |date=September 26, 2000 |title=Emotional Rescue |url=https://www.villagevoice.com/2000/09/26/emotional-rescue/ |access-date=December 7, 2017 |website=[[The Village Voice]] |archive-date=December 8, 2017 |archive-url=https://web.archive.org/web/20171208122424/https://www.villagevoice.com/2000/09/26/emotional-rescue/ |url-status=live }}</ref> According to Nicole Keiper of [[CMJ New Music Monthly]], [[Sense Field]]'s ''Building'' (1996) pushed the band "into the emo-pop camp with the likes of the Get Up Kids and Jejune".<ref name="CMJ">{{Cite web |last=Kieper |first=Nicole |date=October 2001 |title=Sense Field: Tonight and Forever – Nettwerk America |url=https://books.google.com/books?id=rCoEAAAAMBAJ&q=%22emo+pop%22+techniques&pg=PA103 |access-date=June 10, 2011 |website=[[CMJ New Music Monthly]] |publisher=CMJ Network}}</ref> As emo became commercially successful in the early 2000s, emo pop became popular with Jimmy Eat World's 2001 album ''[[Bleed American]]'' and the success of its single "The Middle".<ref name=Allmusic /> Jimmy Eat World,<ref name=Allmusic /> the Get Up Kids<ref>{{Cite web |url=http://exclaim.ca/News/get_up_kids_prep_vinyl_reissues_of_eudora_on_wire |title=The Get Up Kids Prep Vinyl Reissues of 'Eudora' and 'On a Wire'}}</ref> and [[the Promise Ring]]<ref>{{Cite web |date=April 12, 2001 |title=Promise Ring swears by bouncy, power pop |url=http://www.michigandaily.com/content/promise-ring-swears-bouncy-power-pop |access-date=December 7, 2017 |website=[[The Michigan Daily]] |archive-date=December 30, 2017 |archive-url=https://web.archive.org/web/20171230032409/https://www.michigandaily.com/content/promise-ring-swears-bouncy-power-pop |url-status=live }}</ref> also are early emo pop bands. The emo pop style of Jimmy Eat World's album, ''[[Clarity (Jimmy Eat World album)|Clarity]]''<ref>{{Cite magazine |title=Jimmy Eat World – Clarity – Review |url=http://www.stylusmagazine.com/reviews/jimmy-eat-world/clarity.htm |magazine=Stylus Magazine |archive-url=https://web.archive.org/web/20100503053050/http://www.stylusmagazine.com/reviews/jimmy-eat-world/clarity.htm |archive-date=May 3, 2010 |url-status=dead}}</ref> influenced later emo.<ref name="Stylus">{{Cite web |last=Merwin, Charles |date=August 9, 2007 |title=Jimmy Eat World > Clarity > Capitol |url=http://www.stylusmagazine.com/reviews/jimmy-eat-world/clarity.htm |url-status=dead |archive-url=https://web.archive.org/web/20100503053050/http://www.stylusmagazine.com/reviews/jimmy-eat-world/clarity.htm |archive-date=May 3, 2010 |access-date=May 16, 2010 |website=[[Stylus Magazine|Stylus]]}}</ref> The emo band Braid's 1998 album ''[[Frame & Canvas]]'' has been described as emo pop by Blake Butler of [[AllMusic]], who gave the Braid album four out of five stars and wrote that ''Frame & Canvas'' "proves to be one of Braid's best efforts".<ref>{{Cite web |last=Butler |first=Brian |title=Frame & Canvas – Braid |url=https://www.allmusic.com/album/frame-canvas-mw0000262680 |access-date=August 14, 2018 |website=[[AllMusic]] |archive-date=August 15, 2018 |archive-url=https://web.archive.org/web/20180815024309/https://www.allmusic.com/album/frame-canvas-mw0000262680 |url-status=live }}</ref> Emo pop became successful during the late 1990s, with its popularity increasing in the early 2000s. The Get Up Kids sold over 15,000 copies of their debut album, ''[[Four Minute Mile]]'' (1997), before signing with Vagrant Records. The label promoted them, sending them on tours to [[Opening act|open]] for [[Green Day]] and [[Weezer]].{{sfn|Greenwald|2003|pp=77–78}} Their 1999 album, ''[[Something to Write Home About]]'', reached number 31 on ''[[Billboard (magazine)|Billboard]]''{{'s}} [[Top Heatseekers]] chart.<ref name="billboard.com" /> As of May 2, 2002, ''Something to Write Home About'' sold 134,000 copies in the United States, according to Nielsen SoundScan.

As emo pop coalesced, the [[Fueled by Ramen]] label became a center of the movement and signed [[Fall Out Boy]], [[Panic! at the Disco]], and [[Paramore]] (all of whom had been successful).<ref name=Allmusic /> Two regional scenes developed. The [[Florida]] scene was created by Fueled by Ramen; [[Midwestern United States|midwest]] emo-pop was promoted by Pete Wentz, whose Fall Out Boy rose to the forefront of the style during the mid-2000s.<ref name=Allmusic /><ref name="Fall out boy">{{Cite web |last=Loftus |first=Johnny |title=Fall Out Boy |url=https://www.allmusic.com/artist/fall-out-boy-p533936 |access-date=June 10, 2011 |website=[[AllMusic]] |archive-date=May 27, 2011 |archive-url=https://web.archive.org/web/20110527171111/http://www.allmusic.com/artist/fall-out-boy-p533936 |url-status=live }}</ref><ref>{{Cite magazine |last=Futterman |first=Erica |title=Fall Out Boy Biography |url=https://www.rollingstone.com/music/artists/fall-out-boy/biography |magazine=[[Rolling Stone]] |access-date=June 10, 2011 |archive-date=March 2, 2012 |archive-url=https://web.archive.org/web/20120302230339/http://www.rollingstone.com/music/artists/fall-out-boy/biography |url-status=live }}</ref> [[Cash Cash]] released ''[[Take It to the Floor]]'' (2008); according to AllMusic, it could be "the definitive statement of airheaded, glittery, and {{nowrap|content-free}} {{nowrap|emo-pop<ref name="Cash">{{Cite web |last=Sendra |first=Tim |title=Take It to the Floor |url=https://allmusic.com/album/take-it-to-the-floor-r1471616/review |access-date=June 11, 2011 |website=[[AllMusic]]}}</ref>}} ... the transformation of emo from the expression of intensely felt, ripped-from-the-throat feelings played by bands directly influenced by post-punk and hardcore to mall-friendly [[Day-Glo]] pop played by kids who look about as authentic as the "punks" on an old episode of ''[[Quincy, M.E.|Quincy]]'' did back in the '70s was made pretty much complete".<ref name=Cash /> [[You Me at Six]] released their 2008 debut album, ''[[Take Off Your Colours]]'', described by AllMusic's Jon O'Brien as "follow[ing] the 'emo-pop for dummies' handbook word-for-word."<ref>{{Cite web |last=O'Brien, Jon |title=Take Off Your Colours – You Me at Six {{!}} Songs, Reviews, Credits |url=https://www.allmusic.com/album/take-off-your-colours-mw0000821192 |access-date=December 3, 2015 |website=AllMusic |archive-date=December 8, 2015 |archive-url=https://web.archive.org/web/20151208135337/http://www.allmusic.com/album/take-off-your-colours-mw0000821192 |url-status=live }}</ref> The album was certified gold in the UK.<ref>{{Cite web |title=Certified Awards |url=http://www.bpi.co.uk/certified-awards.aspx |url-status=dead |archive-url=https://web.archive.org/web/20140625075145/http://www.bpi.co.uk/certified-awards.aspx |archive-date=June 25, 2014 |access-date=August 29, 2016}}</ref>

====Emo rap====
{{Main|Emo rap}}
Emo rap, a genre that combines emo music with [[hip hop music]], began in the mid–to late 2010s.<ref name=TheRinger/> Prominent artists of emo hip hop include [[Lil Peep]],<ref>{{Cite web |last=Hockley-Smith |first=Sam |date=August 18, 2017 |title=The Unappealing World of Lil Peep, Explained |url=https://www.vulture.com/2017/08/the-unappealing-world-of-emo-rapper-lil-peep-explained.html |access-date=September 25, 2017 |website=Vulture |publisher=[[Vulture.com]] |archive-date=September 25, 2017 |archive-url=https://web.archive.org/web/20170925142116/http://www.vulture.com/2017/08/the-unappealing-world-of-emo-rapper-lil-peep-explained.html |url-status=live }}</ref> [[XXXTentacion]],<ref name="TheRinger">{{Cite web |last=Zoladz |first=Lindsay |date=August 30, 2017 |title=XXXTentacion, Lil Peep, and the Future of Emo |url=https://www.theringer.com/music/2017/8/30/16225968/emo-xxxtentacion-lil-peep-brand-new |access-date=December 5, 2017 |publisher=[[The Ringer (website)|The Ringer]] |archive-date=March 15, 2018 |archive-url=https://web.archive.org/web/20180315175811/https://www.theringer.com/music/2017/8/30/16225968/emo-xxxtentacion-lil-peep-brand-new |url-status=live }}</ref> and [[Nothing,Nowhere]].<ref>{{Cite web |last=Caramanica |first=Jon |date=October 20, 2017 |title=nothing,nowhere. Blends Hip-Hop and Emo to Make Tomorrow's Pop |url=https://www.nytimes.com/2017/10/20/arts/music/nothing-nowhere-hip-hop-emo-reaper.html |access-date=November 7, 2017 |website=[[The New York Times]] |archive-date=February 26, 2018 |archive-url=https://web.archive.org/web/20180226140010/https://www.nytimes.com/2017/10/20/arts/music/nothing-nowhere-hip-hop-emo-reaper.html |url-status=live }}</ref><ref>{{Cite magazine |last=Reeves |first=Mosi |date=October 31, 2017 |title=Review: Nothing,Nowhere.'s Tormented Emo-Rap Shows Hip-Hop's Post-Modern Evolution |url=https://www.rollingstone.com/music/albumreviews/review-nothingnowheres-reaper-w510654 |access-date=November 7, 2017 |magazine=[[Rolling Stone]] |archive-date=November 7, 2017 |archive-url=https://web.archive.org/web/20171107030610/http://www.rollingstone.com/music/albumreviews/review-nothingnowheres-reaper-w510654 |url-status=live }}</ref> In the {{nowrap|mid-to late 2010s,}} emo rap broke into the mainstream. Deceased rapper [[XXXTentacion]]'s song "[[Sad!]]" peaked at number 1 on the ''Billboard'' Hot 100 on June 30, 2018.<ref>{{Cite magazine |title=XXXTentacion Chart History |url=https://www.billboard.com/music/xxxtentacion/chart-history |access-date=July 21, 2018 |magazine=Billboard |archive-date=March 25, 2020 |archive-url=https://web.archive.org/web/20200325101113/https://www.billboard.com/music/xxxtentacion/chart-history |url-status=live }}</ref> [[Lil Uzi Vert]]'s song "[[XO Tour Llif3]]" peaked at number 7 on the ''Billboard'' Hot 100<ref>{{Cite magazine |title=Lil Uzi Vert Chart History |url=https://www.billboard.com/artist/lil-uzi-vert/chart-history/hsi/ |access-date=July 21, 2018 |magazine=Billboard |archive-date=August 30, 2018 |archive-url=https://web.archive.org/web/20180830083359/https://www.billboard.com/music/lil-uzi-vert/chart-history/hot-100 |url-status=live }}</ref> and the song was certified {{nowrap|6× platinum}} by the RIAA.{{Certification Cite Ref|title=XO Tour Llif3|artist=Lil Uzi Vert|type=single|region=United States}}