Editing Edvard Munch (section)

===Breakdown and recovery===
[[File:Edvard Munch 1933.jpg|thumb|upright|Munch in 1933]]
In the autumn of 1908, Munch's anxiety, compounded by excessive drinking and brawling, had become acute. As he later wrote, "My condition was verging on madness—it was touch and go."<ref name=Eg_p236>{{harvnb|Eggum|1984|p=236}}</ref> Subject to hallucinations and feelings of persecution, he entered the clinic of Daniel Jacobson. The [[psychotherapy|therapy]] Munch received for the next eight months included diet and "electrification" (a treatment then fashionable for nervous conditions, not to be confused with [[electroconvulsive therapy]]).<ref>{{harvnb|Eggum|1984|pp=235–236}}</ref> Munch's stay in hospital stabilized his personality, and after returning to Norway in 1909, his work became more colorful and less pessimistic. Further brightening his mood, the general public of Kristiania finally warmed to his work, and museums began to purchase his paintings. He was made a Knight of the Royal [[Order of St. Olav]] "for services in art".<ref>{{harvnb|Eggum|1984|p=239}}</ref> His first American exhibit was in 1912 in New York.<ref>{{harvnb|Prideaux|2005|p=373}}</ref>

As part of his recovery, Jacobson advised Munch to only socialize with good friends and avoid [[drinking in public]]. Munch followed this advice and in the process produced several full-length portraits of high quality of friends and patrons—honest portrayals devoid of flattery.<ref>{{harvnb|Eggum|1984|p=240}}</ref> He also created landscapes and scenes of people at work and play, using a new optimistic style—broad, loose brushstrokes of vibrant color with frequent use of white space and rare use of black—with only occasional references to his morbid themes. With more income Munch was able to buy several properties giving him new vistas for his art and he was finally able to provide for his family.<ref>{{harvnb|Eggum|1984|p=259}}</ref>

The outbreak of World War I found Munch with divided loyalties, as he stated, "All my friends are German but it is France I love."<ref>{{harvnb|Prideaux|2005|p=285}}</ref> Given his poor health history, during 1918 Munch felt himself lucky to have survived a bout of the [[Spanish flu]], the worldwide pandemic of that year.<ref>{{harvnb|Prideaux|2005|p=299}}</ref> In the 1930s, his German patrons, many Jewish, lost their fortunes and some their lives during the rise of the Nazi movement.<ref>{{harvnb|Prideaux|2005|p=288}}</ref> Munch found Norwegian printers to substitute for the Germans who had been printing his graphic work.<ref>{{harvnb|Prideaux|2005|p=290}}</ref>