Editing Cubism (section)

==== Influence in Asia ====
[[Japan]] and [[China]] were among the first countries in Asia to be influenced by Cubism. Contact first occurred via European texts translated and published in Japanese art journals in the 1910s. In the 1920s, Japanese and Chinese artists who studied in Paris, for example those enrolled at the [[École nationale supérieure des Beaux-Arts]], brought back with them both an understanding of modern art movements, including Cubism. Notable works exhibiting Cubist qualities were [[Tetsugorō Yorozu]]'s ''Self Portrait with Red Eyes'' (1912) and [[Fang Ganmin]]'s ''Melody in Autumn'' (1934).<ref>{{Cite journal|author1=Kolokytha, Chara |author2=Hammond, J.M. |author3=Vlčková, Lucie |title=Cubism|url=https://www.rem.routledge.com/articles/overview/cubism|journal=Routledge Encyclopedia of Modernism}}</ref><ref>{{Cite web|url=https://aaa.org.hk/en/collection/search/library/cubism-in-asia-unbounded-dialogues-report|title=Cubism in Asia: Unbounded Dialogues – Report|last=Archive|first=Asia Art|website=aaa.org.hk|language=en|access-date=2018-12-22}}</ref>