Editing Atonality (section)

===Cited sources===
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* {{wikicite|ref={{harvid|Ansermet|1961}}|reference=[[Ernest Ansermet|Ansermet, Ernest]]. 1961. ''Les fondements de la musique dans la conscience humaine''. 2 vols. Neuchâtel: La Baconnière.}}
* {{wikicite|ref={{harvid|Babbitt|1991}}|reference=[[Milton Babbitt|Babbitt, Milton]]. 1991. "[http://www.acls.org/Publications/OP/Haskins/1991_MiltonBabbitt.pdf A Life of Learning: Charles Homer Haskins Lecture for 1991]". ACLS Occasional Paper 17. New York: [[American Council of Learned Societies]].}}
* {{wikicite|ref={{harvid|Baker|1980}}|reference=Baker, James M. 1980. "Scriabin's Implicit Tonality". "[[Music Theory Spectrum]]" 2:1–18.}}
* {{wikicite|ref={{harvid|Baker|1986}}|reference=Baker, James M. 1986. ''The Music of Alexander Scriabin''. New Haven: Yale University Press.}}
* {{wikicite|ref={{harvid|Bertram|2000}}|reference=Bertram, Daniel Cole. 2000. "Prokofiev as a Modernist, 1907–1915". PhD diss. New Haven: Yale University.}}
* {{wikicite|ref={{harvid|DeLone and Wittlich|1975}}|reference=DeLone, Peter, and Gary Wittlich (eds.). 1975. ''Aspects of Twentieth-Century Music''. Englewood Cliffs, New Jersey: Prentice-Hall. {{ISBN|0-13-049346-5}}.}}
* {{wikicite|ref={{harvid|Du Noyer|2003}}|reference=Du Noyer, Paul (ed.). 2003. "Contemporary", in ''The Illustrated Encyclopedia of Music: From Rock, Jazz, Blues and Hip Hop to Classical, Folk, World and More'', pp.&nbsp;271–272. London: Flame Tree Publishing. {{ISBN|1-904041-70-1}}.}}
* {{wikicite|ref={{harvid|Forte|1977}}|reference=[[Allen Forte|Forte, Allen]]. 1977. ''The Structure of Atonal Music''. New Haven and London: Yale University Press. {{ISBN|978-0-300-02120-2}}.}}
* {{wikicite|ref={{harvid|Griffiths|2001}}|reference=[[Paul Griffiths (writer)|Griffiths, Paul]]. 2001. "Varèse, Edgard [Edgar] (Victor Achille Charles)". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan.}}
* {{wikicite|ref={{harvid|Grout|1960}}|reference=[[Donald Jay Grout|Grout, Donald Jay]]. 1960. ''A History of Western Music''. New York: W. W. Norton.}}
* {{wikicite|ref={{harvid|Haydin and Esser|2009}}|reference=Haydin, Berkat, and Stefan Esser. 2009 (Joseph Marx Society). [http://www.chandos.net/pdf/CHAN%2010505.pdf Chandos, liner notes to ''Joseph Marx: Orchestral Songs and Choral Works''] (accessed 23 October 2014.}}
* {{wikicite|ref={{harvid|Katz|1945}}|reference=[[Adele T. Katz|Katz, Adele T.]] 1945. ''Challenge to Musical Traditions: A New Concept of Tonality''. New York: Alfred A. Knopf, reprint edition, New York: Da Capo, 1972.}}
* {{wikicite|ref={{harvid|Kennedy|1994}}|reference=[[Michael Kennedy (music critic)|Kennedy, Michael]]. 1994. "Atonal". ''The Oxford Dictionary of Music''. Oxford & New York: Oxford University Press. {{ISBN|0-19-869162-9}}.}}
* {{wikicite|ref={{harvid|Kohlhase|1983}}|reference=Kohlhase, Hans. 1983. "Außermusikalische Tendenzen im Frühschaffen Paul Hindemiths. Versuch über die [[Kammermusik Nr. 1]] mit Finale 1921". ''Hamburger Jahrbuch für Musikwissenschaft'' 6:183–223.}}
* {{wikicite|ref={{harvid|Kostka & Payne|1995}}|reference=[[Stefan Kostka|Kostka, Stefan]] and Payne, Dorothy (1995). ''Tonal Harmony''. Third Edition. {{ISBN|0-07-300056-6}}.}}
* {{wikicite|ref={{harvid|Lansky and Perle|2001}}|reference=[[Paul Lansky|Lansky, Paul]], and [[George Perle]]. 2001. "Atonality §2: Differences between Tonality and Atonality". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan.}}
* {{wikicite|ref={{harvid|Lansky, Perle, and Headlam|2001}}|reference=Lansky, Paul, George Perle, and Dave Headlam. 2001. "Atonality". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.}}
* {{wikicite|ref={{harvid|Meyer|1967}}|reference=[[Leonard B. Meyer|Meyer, Leonard B]]. 1967. ''Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture''. Chicago and London: University of Chicago Press. (Second edition 1994.)}}
* {{wikicite|ref={{harvid|Mosch|2004}}|reference=[[Ulrich Mosch|Mosch, Ulrich]]. 2004. ''Musikalisches Hören serieller Musik: Untersuchungen am Beispiel von Pierre Boulez' «[[Le Marteau sans maître]]»''. Saarbrücken: Pfau-Verag.}}
* {{wikicite|ref={{harvid|Obert|2004}}|reference=Obert, Simon. 2004. "Zum Begriff Atonalität: Ein Vergleich von Anton Weberns 'Sechs Bagatellen für Streichquartett' op. 9 und Igor Stravinskijs 'Trois pièces pour quatuor à cordes{{'"}}. In ''Das Streichquartett in der ersten Hälfte des 20. Jahrhunderts: Bericht über das Dritte Internationale Symposium Othmar Schoeck in Zürich, 19. und 20. Oktober 2001''. Schriftenreihe der Othmar Schoeck-Gesellschaft 4, edited by {{ill|Beat Föllmi|de|lt=Beat A. Föllmi}} and Michael Baumgartner. Tutzing: Schneider.}}
* {{wikicite|ref={{harvid|Orvis|1974}}|reference=Orvis, Joan. 1974. "Technical and stylistic features of the piano etudes of Stravinsky, Bartók, and Prokofiev". DMus Piano pedagogy: Indiana University.}}
* {{wikicite|ref={{harvid|Oster|1960}}|reference=Oster, Ernst. 1960. "Re: A New Concept of Tonality (?)", ''[[Journal of Music Theory]]'' 4:96.}}
* {{wikicite|ref={{harvid|Parks|1985}}|reference=Parks, Richard S. 1985. "Tonal Analogues as Atonal Resources and Their Relation to form in Debussy's Chromatic Etude". ''[[Journal of Music Theory]]'' 29, no. 1 (Spring): 33–60.}}
* {{wikicite|ref={{harvid|Perle|1962}}|reference=[[George Perle|Perle, George]]. 1962. ''Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern''. University of California Press. {{ISBN|0-520-07430-0}}.}}
* {{wikicite|ref={{harvid|Perle|1977}}|reference=Perle, George. 1977. ''Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern''. Fourth Edition. Berkeley, Los Angeles, and London: University of California Press. {{ISBN|0-520-03395-7}}.}}
* {{wikicite|ref={{harvid|Rahn|1980}}|reference=Rahn, John. 1980. ''Basic Atonal Theory''. New York: Longman. {{ISBN|0-582-28117-2}}.}}
* {{wikicite|ref={{harvid|Rülke|2000}}|reference=Rülke, Volker. 2000. "Bartóks Wende zur Atonalität: Die "Études" op. 18". ''[[Archiv für Musikwissenschaft]]'' 57, no. 3:240–263.}}
* {{wikicite|ref={{harvid|Schoenberg|1978}}|reference=[[Arnold Schoenberg|Schoenberg, Arnold]]. 1978. ''Theory of Harmony'', translated by Roy Carter. Berkeley & Los Angeles: University of California Press.}}
* {{wikicite|ref={{harvid|Seeger|1930}}|reference=Seeger, Charles. 1930. "On Dissonant Counterpoint." ''Modern Music'' 7, no. 4:25–31.}}
* {{wikicite|ref={{harvid|Simms|1986}}|reference=Simms, Bryan R. 1986. ''Music of the Twentieth Century: Style and Structure''. New York: Schirmer. {{ISBN|0-02-872580-8}}.}}
* {{wikicite|ref={{harvid|Swift|1982–83}}|reference=[[Richard Swift (composer)|Swift, Richard]]. 1982–83. "[https://www.jstor.org/stable/832876 A Tonal Analog: The Tone-Centered Music of George Perle]". ''[[Perspectives of New Music]]'' 21, nos. 1/2 (Fall–Winter/Spring–Summer): 257–284. (Subscription access.)}}
* {{wikicite|ref={{harvid|Teboul|1995–96}}|reference=Teboul, Jean-Claude. 1995–96. "Comment analyser le neuvième interlude en si{{music|flat}} du "Ludus tonalis" de Paul Hindemith? (Hindemith ou Schenker?) ". ''Ostinato Rigore: Revue Internationale d'Études Musicales'', nos. 6–7:215–232.}}
* {{wikicite|ref={{harvid|Webern|1963}}|reference=[[Anton Webern|Webern, Anton]]. 1963. ''The Path to the New Music'', translated by Leo Black. Bryn Mawr. Pennsylvania: Theodore Presser; London: Universal Edition.}}
* {{wikicite|ref={{harvid|Westergaard|1963}}|reference=[[Peter Westergaard|Westergaard, Peter]]. 1963. "Webern and 'Total Organization': An Analysis of the Second Movement of Piano Variations, Op. 27." ''[[Perspectives of New Music]]'' 1, no. 2 (Spring): 107–20.}}
* {{wikicite|ref={{harvid|Westergaard|1968}}|reference=Westergaard, Peter. 1968. "Conversation with Walter Piston". ''Perspectives of New Music'' 7, no. 1 (Fall–Winter) 3–17.}}
* {{wikicite|ref={{harvid|Xenakis|1971}}|reference=[[Iannis Xenakis|Xenakis, Iannis]]. 1971. ''Formalized Music: Thought and Mathematics in Composition''. Bloomington and London: Indiana University Press. Revised edition, 1992. Harmonologia Series No. 6. Stuyvesant, New York: Pendragon Press. {{ISBN|0-945193-24-6}}.}}
* {{wikicite|ref={{harvid|Zimmerman|2002}}|reference=Zimmerman, Daniel J. 2002. "Families without Clusters in the Early Works of Sergei Prokofiev". PhD diss. Chicago: University of Chicago.}}
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